Sentences with phrase «good filmmaking»

It's not good filmmaking, but it's certainly less dull than the rest of the film.

Which is too bad, because there are moments of genuinely good filmmaking and acting in the middle of it all.

I've found that that's not only good filmmaking advice, but also good advice for life itself.

Good intentions don't translate to good filmmaking in this scatterbrained examination of drone warfare.

Fright fans as well as connoisseurs of seriously good filmmaking should turn this finely tuned thriller into a much - needed hit for Paramount and, as the remaining two entries in Jeff VanderMeer's Southern Reach Trilogy have already been published, the studio should get the next film installment rolling post haste.

After his superior action - drama hit Heat, writer - director - producer Michael Mann came back with 1999's The Insider, a movie about serious issues that scores high marks in every regard — quality, entertainment value, awards and just plain good filmmaking.

One mark of good filmmaking lies in the filmmakers» ability to take something time - tested and to not only make it fresh and exciting, but also to bring it into the here and now — to add a current theme.

That is so resolutely external a vision that it exposes the limits of even good filmmaking.

That's how good filmmaking places you there.

That was damn good filmmaking.

If it doesn't elicit an emotional response from you, you are either a sociopath or don't recognize good filmmaking.

With the exception of Vanya On 42nd Street, it seems like no movie has ever figured out how to straightforwardly adapt the plots and ensembles of Chekov's plays into good filmmaking.

Drive is an example of all - around good filmmaking and something that defies the typical Hollywood fair in some of the best ways possible.

Bringing a story to a halt so a character can rant for a few minutes — even when done eloquently — just isn't good filmmaking.

Plus, they can't provide depth - of - field effects — the aesthetically appealing and narratively useful blurring of the foreground and background deemed essential to good filmmaking.

In Murray's case, the force that underscores the principle of good filmmaking is his own moral preference regarding a traditional «recognition of a larger struggle between good and evil.»

Good filmmaking.

This is some of the best filmmaking ever done by director Richard Donner, a longtime Hollywood journeyman known more for his proficient deployment of three long - running movie franchises (The Omen, Superman and Lethal Weapon) than for his lyricism.

This was back when Spielberg was still trying to decide what the best filmmaking technique on the film would be.

Penn grasps the details of the book for the most part, and it is his best filmmaking effort to date, but if you're not on board for McCandless's ultimately self - destructive journey, then you're not going to be on board for the film, either.

Good filmmaking can happen anywhere and anytime, even during the new - release graveyard of January, when devoted movie buffs are supposed to be catching up with all the award contenders they missed over the holidays.

The final half hour, an extended series of showdowns that involves multiple crashing vehicles and bullets galore, ranks as some of the best filmmaking in Wright's career, and that's saying a lot for one of the greatest action showmen working today.

With an incomprehensible plot, bizarre direction and a strange lead performance by Wiseau, The Room has become one of pop culture's most «celebrated» examples of so - bad - its - good filmmaking.

No one would call this the best filmmaking of his unpredictable career, but there's a carelessness to the film's snappy, on - the - fly shooting and editing that, at its best points, lucks into something carefree.

The Coens bring the book to life with some of their best filmmaking — exquisitely devised sequences, an uncanny eye for the quirks of human behavior and ability to cast just the right actors.

It's taut, impeccably written and realised drama, comparable in many ways to Paul Greengrass's similarly disquieting «Bloody Sunday» — between this and the «Red Riding» trilogy, it's an odd truth that the best filmmaking of the year so far has only appeared on the small screen on this side of the pond.

Don't miss Quentin Tarantino, Todd Haynes, Brie Larson, and others at the Museum of Modern Art's two - week film festival honoring the year's best filmmaking.