Sentences with phrase «good idea of the film»

Rules Don't Apply is still under strict embargo until its AFI Fest premiere date but this new trailer gives a pretty good idea of the film overall, with the wonderful Warren Beatty front and center as Howard Hughes.

Not exact matches

The partnership will officially launch at the 5th Annual ARRAY Soiree at this year's Sundance Film Festival where DuVernay and Indiegogo co-founder, Danae Ringlemann, will host 50 industry influencers, executives and creatives for a discussion on the present state of diversity in film as well as brainstorming ideas for the future.

Stone's film enacts in all its glory, seductiveness, and rushing confusion the myth that became its ruling good — the idea of spiritual quest occurring through hedonistic frenzy; and it not only shows its bad consequences, but how it was failing even on Morrison's own poetic - mythic terms.

It was supposed to be the year when McLaren was back nearer so having a documentary filmed probably seemed like a good idea, but of course Honda went back to square one and the team struggled yet again.

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

Sauber have shared this new video of its C36 Ferrari on track for a filming day at the Circuit de Barcelona - Catalunya, giving us an even better idea of how the new cars look.

If you read my blog post, you'll have a pretty good idea of what I think about that film.

In a recent YouTube campaign film, he complained that «we have gone down the road of mediocracy and compromise, we don't like the idea of excelling of anything because we worry that it implies that somebody is less good».

As usual, I filmed my capsule wardrobe so you can get a good idea of what the pieces are like, and I've also included a listing of each piece with links to currently available items.

She's Dating the Gangster is a 2014 Filipino teen romantic comedy - drama film based on the best Pop Fiction book of the same name originally published on This article gives you a huge catalog of great dating ideas.

She's Dating the Gangster is a 2014 Filipino teen romantic comedy - drama film based on the best Pop Fiction book of the same name originally published on A gangster's ex-wife has been spared jail after she told a court she had no idea her luxury life was funded by his drug money.

Followers of the movies probably have a good idea, too, but knowing what happens in this, the eighth and last film adaptation - the fourth straight directed by David Yates - doesn't lessen the wallop.

Time travel has always been a thing of science fiction but the rules for time travel in this film, as well as from the book, seem very reasonable and the whole idea of killing something off that shouldn't be, will kill everything.

I felt that the film started off well enough, but then it ventured into too similar territory of ideas that have been explored in previous films.

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

That film was similarly shy of new ideas, but the characters were colourful enough to make the mandatory sequels seem promising, as long as there's a good story to go with them.

There are some truly good comic ideas sprinkled throughout the film — the problem is, they're surrounded by a lot of filler, including some very uninspired road - trip hijinks.

But here again, the film comes up short, having a number of potentially good ideas but not developing any of them.

As much as I may believe all of these things — that this kind of speechlessness in the face of art is a near instant augur of greatness, that a film whose ideas ebb and flow so grandly and subtly fares poorly when bound by the fixity of the written word, that if Malick chooses to engage his spectators on the level of the visual, then well, fuck, shouldn't I be making him a collage or a photo diary?

Good sci - fi has all these things, of course, but «bigger» isn't better, and most of the «big» idea movies use «the future» as a setting for action and adventure, whereas true sci - fi films (and books) use that setting to tell human stories in new ways; human relationships (with others, with self, with the environment, etc...) are are the core of the best sci - fi movies we've seen.

It wasn't just the marketing that pushed this film from beyond the silver screen, but those universal ideas of accepting what is good and shunning the evil that we encounter in our lives.

«Journey to Redemption: The Making of The American»: (10:52) A better making - of featurette than most, with the filmmakers discussing the ideas behind the film at least as much as its coming - together.

There are some good scenes and moments, mind you — the film coheres somewhat in the back half, and there's a good 30 - 40 minutes where you can happily lose yourself — but not enough to shake the idea that Jackson has gone back to Middle - earth out of habit.

Zathura's strength lies in the imaginative aspect of the story, even if it's similar to Jumanji, the film uses fresh ideas to tell its own story by introducing different ideas, concepts that work well to keep you on the edge of your seat from start to finish.

Absorbing and hypnotic, Annihilation is the best kind of sci - fi film - the kind that challenges and subverts the genre, all the while introducing new ideas that you'll see in films to come.

I can't say, therefore, that the book is better than the film or vice versa, but given the vistas captured by Caroline Champetier in widescreen lensing, we get at least as good an idea what of farm like was like in Europe during the early part of the 20th Century.

What is interesting is (like some original sci - fi concepts) back in 66 when this film was made the idea was of course deemed fantasy, these days I don't think it is, well with robots anyway.

Ok, another film based on a Nicholas Sparks novel, Safe Haven isn't perfect, have some good ideas, wich are not fully exploited, but in the development some of these ideas has a great end, the performances are not perfect.

The idea of the film is quite good, and the creative aspect is sure to delight horror fans looking for an amusing, mindless film to watch.

However, I just wish that this message had been distilled into a much more pointed, witty, and honed film than what Blair ends up delivering, as it feel like good ideas still in search of a good story by the end.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

However, the film lacks a solid and straight - to - the - point conclusion, and instead gets glued to a vague ending that would make the writers look like they ran out of good - enough ideas.

I like the idea of the rebellious women in such a male dominated era and the toughness of Madeline Stowe here, it's not a film that holds your interest too well.

Indeed, the non-Marvel films in these franchises that have done best more recently are the ones that stood out from the crowd, like Wonder Woman (which rejected the dark tone of other DC movies), Logan (which felt like a grown - up standalone film), and Deadpool (which loudly razzed the idea of being linked to X-Men movies).

Truth or Dare is the kind of film that must have seemed like a good idea at the time, but its initially appealing premise — what if a demon possessed a drinking game?

I think it would be a great idea to have more diversity of content in this site (an early review of Beloved was a pleasant surprise some weeks ago) but right now the balance is definitely in favor of sci - fi, fantasy, horror, action, and some crime films created for a demographic probably best described as «geek».

Very Bad Things likely read better as a screenplay than it plays on film because the idea of what's going on is funnier than the actual execution.

It's like they saw Idlewild and thought the idea of a «hip - hop musical» was good, so all of a sudden everyone in the film starts breakdancing for no reason, scratch decks materialise out of thin air and everyone starts rapping.

The concept of the film is good, and it's got some good ideas for an effective horror film, and it makes Brainscan a worthy film to watch.

I love the idea of Robohamlet and I had a good chuckle at how you told me off for apparently claiming to tell the «ultimate truth» and then you say, «The sad and bitter truth is that there is nothing wrong with the film.»

Overall I felt that this film was decent at best, and it never realizes its potential, but in the larger view of things, this is also the ninth film in the series, so it was only a matter of time for the quality to be downgraded due to lacking ideas in terms of storyline.

For those who loved high - tech and the idea of a free - interchange - of - ideas - and - knowledge this could be the better film of the history.

The Lost City of Z - I was expecting more of a straightforward action film (why, I have no idea - I should've known better based on the director) but once I got on the film's groove it became really enjoyable.

The official review embargo lifts on Monday, May 14th, so we'll get a better idea of what the film has in store for us before it launches into theaters next week.

More specifically, we thought it would be a good idea for her to play Janet Van Dyne, the original iteration of The Wasp who was hinted to still be alive in the first film.

Visually, the teaser looks a bit odd, almost like it could be a fan - made video, but it does do a good job of getting across the idea of the film being a portrait of a brilliant yet controversial kid.

«In Bruges» was the first film that truly overturned the idea of Farrell as a middling actor: as good as the script is (and it was Oscar - nominated), Farrell's take on it makes it an even better film.

It's not quite enough to rescue «Café Society» from the mediocrity that plagues most of Allen's recent films, but for a filmmaker who seems completely bereft of new ideas, it's a lot better than it should be.

The disc includes a short behind - the - scenes featurette, giving an idea about the premise of the film as well as snippets of interviews with the major cast members.

All of these ingredients are nothing without a solid script, and indeed some fresh ideas to warrant a film conversion, but thankfully Justin Kurzel «s movie, from a screenplay by Michael Leslie, Adam Cooper and Bill Collage, all of whom have good pedigrees, provide a rather entertaining platform for a potential new franchise to jump off of.