Rollins writes, «The sheer amount of
ideological conflicts playing out within the text hints at the fact that the writers were writing about a reality that could not be reduced to one description, a reality that was testified to
better in the
clash of perspectives than in the development of a single, finely honed one.»
Or Ava DuVernay's «Selma,» with its
ideological clashes, fights over the
best approach and portraits of the diverse real - life figures involved: students, women, preachers, laymen.