Sentences with phrase «good jokes in this movie»

However, it spoils a good joke in the movie.

Not exact matches

If you still can't lose the bad taste of the sequel, check out the original, in which the jokes feel less stale and Will Ferrell is still the best part of the movie.

but I'm not joking, I really did taste the batter (picture a little thought bubble above my head) this would taste sooo good in a bowl on the couch with a coffee or tea and a movie!

Hi I'm Leon from eastern cape but workin in Pretoria I have one boy staying with his mother in durban and I'm looking for my soulmate I'm down and like to joke I like people and In my sper time I listen to lot of music and movies and I'm looking for a good woman down to earth must like people must be honein Pretoria I have one boy staying with his mother in durban and I'm looking for my soulmate I'm down and like to joke I like people and In my sper time I listen to lot of music and movies and I'm looking for a good woman down to earth must like people must be honein durban and I'm looking for my soulmate I'm down and like to joke I like people and In my sper time I listen to lot of music and movies and I'm looking for a good woman down to earth must like people must be honeIn my sper time I listen to lot of music and movies and I'm looking for a good woman down to earth must like people must be honest

The movie's central joke — that good and evil are meaningless unless both exist in continual opposition — is unusually sophisticated for an animated movie.

A Good Woman sermonizes in the manner Wilde satirized; the movie bends over backwards to assure the audience that marriage and monogamy, the butt of jokes throughout, are just and right.

The plot material isn't as strong as in the first two movies — if anything, it feels a bit desperate — but the anti-Disney joke blunderbuss remains in good working order: the movie takes several shots at Disney's recent forays into melodious Broadway kitsch.

Even if is not perfect for his awful villains, some unfunny jokes and the character of Captain Underpants not appering much in the film, is still better than any animated movie like Cars 3 o LEGO Ninjago Mmovie like Cars 3 o LEGO Ninjago MovieMovie.

Kristen Connolly's Dana is a decent and empathetic primary protagonist, but the real casting highlight is Fran Kranz, who completely steals the show as one of the great all - time movie stoners Marty, whose unique drug - addled world logic not only aids in its survival, but provides some of the film's best jokes.

Throw in Neil Patrick Harris — once again playing the Bizarro World version of himself — shattered and reinforced redneck stereotypes and a delightful take on Dubya [here, he may not speak real good English, but he's slyer, smarter and mellower than we are expecting] and the result is a solidly funny movie that Says Something more by highlighting the characters of Harold and Kumar than by the political jokes.

The jokes were bland and dry... you're not going to remember this thing in T - minus one day... a sequel that's not as good as the first movie.

I don't know why «Your name is Bob» made me laugh, but it did... pity none of the other jokes in this lame excuse for a movie was better than mediocre.

As a Brat Pack fan, I had fun watching Sheedy and Lowe joke around and have fun in the movie, but as a movie fan, I can't say this is a good film.

Although Deadpool 2 repeats the first movie's jokes about the character being a scrappy castoff not good enough for Marvel's higher - profile franchises — at one point, Wade opens the wrong door in Charles Xavier's manor and finds the better - known characters staring back at him in confused irritation — this one has the budget and the clout to allow him to associate with a higher class of co-star.

The plot material isn't as strong as in the first two movies — if anything, it feels a bit desperate — but the anti-Disney joke blunderbuss remains in good working order.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchGood: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchgood movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

A one - joke movie if ever there was, but the joke happens to be a good one — a Tracy - and - Hepburn - style battle of the sexes in which Kate can fly and blast through walls — and director Ivan Reitman (who made Ghostbusters) feels at home with the mix of screwball and supernatural.

It's not that the joke is bad in and of itself, well I mean it is, it just doesn't work in the type of movie that this clearly wants to be.

Similar shifts characterize most of Fuller's late films as well as his 1980 novel, which veers from quaint in - jokes — such as naming all the French officers after French film critics who championed his earlier movies, including (Luc) Moullet, (Bertrand) Tavernier, and (Henri) Chapier — to terse epigraphs that suggest the dark poetry of someone like Lautreamont:» «Why are you crying?»

Gervais does prickly and oblivious well, and his eye - rolling, dismissive «Oh, good, jazz» at the sound of a piano coming from a middle - of - nowhere bandit roadhouse makes for a rare offbeat joke in a movie of lazy gags.

And though I'm often reticent to watch movies more than once or twice, Tully is the kind of cinematic treat — a cult classic well in the making — that you'll want to rewatch again the second it's over, not just to help piece together various narrative clues but to revisit the rib - tickling jokes and hang out with these characters for a little longer.

(Oddly, one joke that is given time to breathe — and one of the film's few visual gags — is the bit featured in the trailer where Barinholz gets Poehler's music box stuck up his butt; it works better in the movie than in the trailer, but it's still a juvenile choice for a centerpiece.)

Secondly, all the good horror movie cliché - related jokes have been covered in the first two films, so all that's left is pratfalls and gross - out gags pertaining to bodily functions.

These are some of the best parts of Peter Berg's workmanlike disaster movie: riggers checking in at a heliport before being flown out for their 21 - day shifts; a sore, tired - looking guy in safety - orange coveralls cracking a dumb joke; middle - aged men who pronounce «cement» as «see - ment» talking construction timetables; a visiting executive being asked to remove his magenta tie because of industry superstition.

All of the above takes place in «The Belko Experiment», from characters played by John Gallagher, Jr. («10 Cloverfield Lane»), John C. McGinley (who was in the 1999 cult comedy classic «Office Space», making this the best inside joke of the movie year so far), «Scandal» «s Tony Goldwyn, and Melonie Diaz.

They're varied jokes, too, and in the one obvious instance that the movie repeats a gag from the original, it at least has the good sense to acknowledge that fact.

Daley and Goldstein also prove to have a good versatility when pulling off different setups and jokes - from witty and well - timed dialogue in slower moments, to more over-the-top physical comedy, and the mimicry of action or adventure movies.

There are many who don't think the movie deserved to take home Best Picture that year, and now they can revel in the jokes made at the movie's expense in the Gladiator Honest Trailer after the jump.

Even though this trailer does have some of the great jokes in the movie, including that Terminator reference at the end, they've been smart to leave out plenty of the best ones.

When they were discussing whether or not fart jokes and things like that were funny or good in the movie, Jay wasn't joking.

As well as being a laugh out loud slapstick comedy rendered in gorgeous Lego visuals and crammed with DC Easter eggs and visual jokes, The Lego Batman Movie is one of the best character studies of the Dark Knight out there.

The jokes in this movie are actually pretty good.

A few years back, when «Night of the Living Dead» - redolent zombie movies started popping up like, well, zombies, there was a joke among movie mavens who were past masters of the genre, to the effect of «Haven't the characters in these zombie movies ever seen any... zombie movies?

It shouldn't come as much of a surprise but nearly every good joke and fight scenes are spoiled in the movie's trailer.

My humor - o - meter pegs the success rate of these jokes at about one in three, including (at best count) three fart jokes, two penis jokes, one testicle joke, and at least three jokes about Scary Movie not being real, but, you know, actually being a movie insMovie not being real, but, you know, actually being a movie insmovie instead.

And indeed this might be the best kids» movie since Pixar's masterpiece (with a spot of bad language and several jokes about perverts thrown in).

Talking about the project's origins, Anderson teasingly tied in some of Phantom Thread's plot, joking that he hadn't been feeling well and noticed «a love and affection» from his wife he hadn't seen in a while, adding: «So, I called Daniel to say, «I think I have a good idea for a movie...» One thing lead to another and then we had fashion books all over our house and we kept talking, writing and then things kept going, going and going until it seemed impossible to stop.

But in trying to make a 10 - best list, I tripped right over my own divided soul right at the top: My two faves of 2016 are Jim Jarmusch's Paterson, an infinitely gentle - souled movie about the poetry of life and the life of poetry that finds more pleasure and meaning in ordinariness than most movies do in extraordinariness, and Yorgos Lanthimos» The Lobster, a perfectly sustained dystopian sick joke about the desperate, poignant futility of seeking human connection.

Lord and Miller inject the movie with the kind of silly and manic energy that's become a touchstone in all their projects, but there aren't enough truly laugh - out - loud moments, with many of the recurring jokes failing to hit their mark, including one about Jenko and Schmidt's age that's well beneath everyone involved.

For as long as they're on screen, Captain America: Civil War becomes a better movie, and the extended action sequence in which they are both featured is the highlight of the entire experience, in part because it pauses to allow for joking dialogue and an assessment of the situation; the fights have meaning and reflect the characters involved.

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

Director Terry Zwigoff was responsible for the best — maybe only good — fart joke I've ever seen in a movie.

As to whether the movie plays said respective shticks off each other well, that's another matter — as is the Lonely Island — alum filmmaker's inability to meld his weirdo absurdism with a corporate blockbuster's framework, and the lazy overreliance on creative obscenities in lieu of actual jokes.

Enjoyable for a good 15 minutes or so, mostly due to the scene - stealing powers of the adorable, much - coveted kitty whose name gives the movie its title, this is otherwise a stale, repetitive effort whose one - joke premise — two suburban buddies forced to pass themselves off as gangsters in a grimy underworld where they clearly don't belong — never achieves comic liftoff, much less the richly subversive dimensions typical of Key and Peele's best work.

The movie's best jokes are already in the trailers and the jokes not shown are really not that funny.

The plot has Constantine taking Kermit's place, sending the beloved frog to a gulag in Siberia — run by Nadya (Tina Fey)-- to serve out Constantine's sentence with prisoners the likes of Ray Liotta as Big Papa, Jemaine Clement as the Prison King, and Danny Trejo (The identity of his character is one of the movie's best throwaway jokes).

Hood vs. Evil may have the best Miss Muffet joke ever in a movie on Blu - ray Disc courtesy of Anchor Bay Entertainment.

So, what that mostly leaves are the jokes, the majority of which could use some serious punching - up from a screenwriter who's a lot less inclined toward delivering the most obvious gags in any given situation; if, in a movie, you've ever seen the wrong person get zapped with a taser, a poisonous snake biting someone's naughty bits, or a rich, out - of - touch character humorously failing to relate to the working class, well, you've probably seen it executed better than it is here.

Why the Dark Knight trilogy is so good is because it worked at giving you a real movie, with substance, a story, it wasn't about squeezing in as many explosions and fights and stupid jokes as possible, hence it works so well.

Many of the best jokes in the film come from direct references to popular films and a fake film that the characters watch in the movie.