Sentences with phrase «good jump scares»

There are also some good jump scares in the film.

The masks were very cool, and there were some really good jump scares.

Full of good jump scares, absurd antagonists, and complete ridiculousness, this holiday flick won't warm your heart, but it will lend some belly laughter.

And he's got a couple good jump scares.

The movie does contain 1 good jump scare but ultimately its a confusing watch and very hard to sit through.

The game does a great job setting up the sense of survival and you often feel tense as you explore the island and for good reason as zombies can often pop out of nowhere for a good jump scare to keep you on your toes.

The game does a great job setting up the sense of survival and you often feel tense as you explore the island and for good reason as zombies can often pop out of nowhere for a good jump scare to keep you on your toes.

There really is nothing quite like a good jump scare, a fact repeatedly proved by both the comedy and horror...

Not exact matches

Ihave had a wonderful life dancing and going out with friends travelling all around this contry in a caravan now I have no one to chat to and be friends with I used to hide behind the curtains and when my husband came into the room I would jump out and scare him and then have a good laugh about it

Robert Eggers gives us an incredible writing and directing debut with virtually no jump scares and proves that the best horror films rely on psychology over loud noises and too many special effects.

Horror films need to be more than jump scares to be good, and this one is accompanied by a good moral of growth, facing your fears, and has a good amount of humor to make for a really good movie.

With so many teen thrillers taking the route of bad, sensationalist horror, it's nice to see a standard suspense vehicle come out once in a while, with better characterizations and fright earned through putting characters in potential jeopardy, rather than just cheap jump - scares and shrill music.

I also don't find it inordinately scary, but it is well created, especially in its use of sound to create tension, which is more than one could say about most jump - scare dominated horror films released in theaters today.

Bad Samaritan had everything that you could ask for in a horror / thriller, having a well balanced story, the right amount of jump scares to give you that surge of adrenaline, and strong characters portrayed by a talented ensemble.

It's better than when he flubs a jump scare.

The shooting and the gameplay are solid, the story is good, with a few jump scares here and

Les Affamés definitely isn't the gore fest the Romero - type zombie movies usually are, but there are still plenty of jump scares throughout the film, although, to be fair, they mostly do these well, thanks to a sparse use of background music and some well - paced scenes.

The movie is the directing debut of Leigh Whannell, who wrote the previous two «Insidious» films (as well as «Saw»), so he knows how to deliver shocks - even if most of them are the same old «jump scares» of just having something suddenly appear in the frame.

A massive improvement over its bland predecessor in just about every way, «Ouija: Origin of Evil» focuses more on creating a creepy atmosphere rather than the usual gore or cheap jump scares, and it works pretty well for the most part.

Be better than jump scares.

Some decent jump scares here and there, but the best part of the whole ordeal is watching Cohan keep an admirably straight face through this nonsense.

Under James Wan's direction, even the most clichéd haunted - house tropes (and this movie is bursting with them) are genuinely creepy, and although the movie isn't overly reliant on jump scares, the ones it does use — well, they work.

A few of the jump scares are expertly crafted, and Condon gets a climactic line of dialogue which might end up being one of the best of the year.

Though Creep doesn't exactly reinvent the found - footage form, Brice knows the genre well enough to do a little tweaking: Rather than supplying the requisite jump scares, Brice's solution is to turn Josef into a human jump scare, given to popping up out of nowhere because he has a sick sense of humor.

Whether it be by the sudden appearance of a terrifying figure or a loud clash of musical instruments (it's usually the latter), a jump scare is a great way to get a good jolt out of the audience.

He uses every trick in the horror handbook; jump - scares, atmosphere, and tension alike to the best of their respective abilities.

The Autopsy of Jane Doe: Squeaking in as the last great horror film of 2016, THE AUTOPSY OF JANE DOE kicks it old - school with some effective jump scares and good ole haunting.

The films in the series have sported a good balance of jump scares and atmospheric creepiness, which many PG - 13 horror films tend to miss.

There's also a wider view of how Haiti itself woke from their own political slumber (which is done surprisingly subtly) and a couple of proper jump scares — build - up, payoff and well - deserved audience reaction.

Still, just when you think you know exactly where Insidious: The Last Key is going to go, Leigh Whannell's screenplay does manage to throw in a clever new jump scare, and director Adam Robitel knows how to film them well enough to keep the film eerie and brisk.

All of the usual tropes of the franchise are present here (which includes plenty of jump scares) but this film directed by Adam Robitel has a bit more heart and creepiness factor to it, that makes it almost as good as the first film.

The impeccably choreographed jump scares are damn good, but the Warrens» nail - biting heroics and the family's intoxicating paranoia woven throughout are even better — proof that big - budget horror flicks don't have to suck.

The anticipation of jump scares as well as the possibility of getting swerved in an entirely different direction.

The only thing I miss a little is the well known scared to dead moments, like in RE1 the hounds jumping through the windows in the west hallway, it scared me to dead, that is what made RE so great and I'm very happy to hear after revelations re-release for home consoles Capcom will focus on that again.

The 5.1 Dolby TrueHD audio lacks lustre as well — even the jump - scares are curiously sedate, though I suspect the mix was dull to start with as opposed to compromised on its journey to the small screen.

A well - made, suspenseful flick full of jumps for anyone needing a good scare.

Remothered: Tormented Fathers does well what it sets out to do: providing a horror experience and an engaging story by avoiding the abuse of jump scares and explicit imagery.

Incredibly, the familiar formula of comic relief and well - placed jump scares continues to work in the third installment even though the frights conjured up this time aren't the type to dig into your brain and leave you lying awake horrified late at night.

It's surprising how many horror movies today don't have the same spirit of «fun» that the last generation had — scares and jump cuts and freaky imagery is all well and good, but part of people's love of horror is the imagination that can go into some of these movies.

Designed to be the most brutal, unforgiving game ever made with plenty of jump scares and unlimited deaths thrown in for good measure, Kaet Must Die!

In Outlast, I was constantly tense and scared about every corner, whereas in Whistleblower, I could see most of them coming and had already thought of strategy and wasn't all that scared when the lunatic I already saw in a position to jump out at me, well, jump out at me.

From jumping on a diving giant bird and soaring through the air at top speeds, to holding on for dear live as an electrified eel tries to take your life while diving underwater, to an actual bull fight using a torch to scare the bull into certain areas... these encounters are truly some of the best we've ever seen in a game.

Even speaking out casually in my apartment during quiet hours worked well to propel the story, though I'm sure The Inpatient kept track of my nervous shrieks during the few jump scares.

With the occasional jump scare and some good direction you might get the right tone once in a while, but for the most part the game fails to deliver on the overall sense of horror.

For every jump scare that is handled well there's plenty that aren't and after a while they can become predictable simply because there's a steady rhythm to them.

There are a few well - placed jump - scares throughout that startled me more so than normal because I was so transfixed by the audio.

Outlast is an indie found - footage horror game for the PC that isn't very good unless you're into jump scares.

I did encounter a number of jump - scares which was very well done.

Creepy environments are a staple of this series, and there are even a few jump scares thrown in for good measure.

While the games visuals are obviously dated at this point, combined with the eerie soundtrack, subtle scare elements, notes, and jump scares, the core element of a fun, frightful, and downright scary experience still holds up well for PS4 players.