This is because
a good line edit requires a fresh eye.
Not exact matches
i actually created my first editorial calendar yesterday (in Excell) for an on -
line portal i'm
editing — in addition to your template it includes topics / categories as
well, but your post and following comments gave me some great ideas to upgrade it.
Investigating mouse models for biological for research The congress aims to promote the International Mouse Phenotyping Consortium (IMPC) mouse
lines, importance of mouse phenotyping & clinical and drug discovery collaboration, to present progresses performed by IMPC with regards CRISPR
editing genome, rare diseases, microbiota and ageing pipeline, as
well as illustration of examples of scientific projects about «Animal models for human diseases» and recent developments in mouse models phenotyping imaging.
The congress aims to promote the International Mouse Phenotyping Consortium (IMPC) mouse
lines, importance of mouse phenotyping & clinical and drug discovery collaboration, to present progresses performed by IMPC with regards CRISPR
editing genome, rare diseases, microbiota and ageing pipeline, as
well as illustration of examples of scientific projects about «Animal models for human diseases» and recent developments in mouse models phenotyping imaging.
The CRISPR / Cas9 genome -
editing technology allows the rapid generation of genetically modified animals as
well as controlled genetic modification in cell
lines and primary cells.
This lil shop is chock full of fabulous designers that you don't see everywhere (like by Malene Birger, Simone Rocha, Ulla Johson) plus
well edited selections of
lines more ubiquitous (Tibi, Alexander Wang, Proenza Schouler).
Heavily reliant on its cast and not especially cinematic, the typical contemporary studio comedy is based around on - set improvisation, with directors who sit back and let the cameras roll, then assemble the
best lines in the
editing room.
The technical credits are superior down the
line including sharp
editing from Christopher Tellefsen, economically inventive production design from Jeffrey Beecroft and team, as
well as the cinematography that doesn't miss a beat from Charlotte Bruus Christensen.
The upcoming fan uproar for all things «Star Wars: The Force Awakens» — You won't see me in the picket
line, but just sit back and watch the populist hatred grow today and this month for «Star Wars: The Force Awakens» getting ONLY five nominations (Sound
Editing, Sound Mixing, Original Score, Film
Editing, and Visual Effects) and no nod for
Best Picture.
But «Dunkirk» may also walk away with below - the -
line categories like
editing, having won the ACE for
Best Edited Feature (Dramatic).
Best Edited Feature Film — Comedy / Musical «Silver
Linings Playbook» Jay Cassidy, A.C.E. and Crispin Struthers
«[That
edit] was so much
better than the
line I originally wrote, I went back and readjusted it so it was just that and it worked so much
better.»
«Silver
Linings Playbook» Year: 2012 Director: David O. Russell Cast: Bradley Cooper, Robert De Niro, Anupam Kher, Jennifer Lawrence, Chris Tucker, Jacki Weaver Distributor: The Weinstein Company Premiere history: Toronto International Film Festival Sept. 2012; wide release Nov. 16, 2012 Other awards won: Independent Spirit Award
Best Director,
Best Female Lead (Jennifer Lawrence),
Best Screenplay; British Academy Film Awards (BAFTA)
Best Film,
Best Director,
Best Editing,
Best Adapted Screenplay; Critics» Choice Awards,
Best Acting Ensemble; Golden Globe
Best Actress Musical or Comedy (Jennifer Lawrence) Academy Award nominations:
Best Picture,
Best Actor (Bradley Cooper),
Best Actress (Jennifer Lawrence, won),
Best Supporting Actor (Robert De Niro),
Best Supporting Actress (Jacki Weaver),
Best Director,
Best Adapted Screenplay,
Best Film
Editing
THE 85TH ANNUAL ACADEMY AWARD WINNERS And the winners are:
BEST PICTURE Argo
BEST DIRECTOR Ang Lee, Life of Pi
BEST ACTRESS Jennifer Lawrence, Silver
Linings Playbook
BEST ACTOR Daniel Day - Lewis, Lincoln
BEST SUPPORTING ACTRESS Anne Hathaway, Les Miserables
BEST SUPPORTING ACTOR Christoph Waltz, Django Unchained
BEST ORIGINAL SCREENPLAY Quentin Tarantino, Django Unchained
BEST ADAPTED SCREENPLAY Chris Terrio, Argo
BEST ANIMATED FEATURE FILM Brave
BEST ANIMATED SHORT FILM Paperman
BEST CINEMATOGRAPHY Claudio Miranda, Life of Pi
BEST COSTUME DESIGN Jacqueline Durran, Anna Karenina
BEST DOCUMENTARY Searching for Sugar Man
BEST DOCUMENTARY SHORT Inocente
BEST FILM
EDITING William Goldenberg, Argo
BEST FOREIGN LANGUAGE FILM Amour BESTRead More →
DVD Features: New
Line would have been
better off not even bringing this film on DVD at all, but the single - disc release does include a 60 - minute making - of featurette, perhaps to explain why it took so long for director Terrence Malick to
edit the damn thing.
Indeed he isn't, but he is a bit dry and repetitive as he continually praises stars Kevin Spacey and Annette Bening as
well as the lighting by Hall when not imparting interesting info (one nugget: he often cut the first and last
lines of the scenes during the
editing process).
Provide idea organizers for brainstorming, writing paper with primary grade
lines, and
editing marks pages (as
well as wall posters) to help your students
edit their own work.
* Most new writers don't necessarily distinguish
well between
line editing and copy
editing.
And little or no
editing is done anymore in a traditional house beyond making a writer change a book to
better fit a
line of books.
If you make sure you do your research, write a
good story, get it professionally
edited, and give it a beautiful cover, then the
line between indie and traditional completely fades away.
Line Editing answers the question, «Does this read
well?»
We offer proofreading and
line -
editing services as
well.
We should be very picky about who we let
line edit our work, especially as we need to make sure our editor is a
good match for our voice.
I trade cover art and formatting for their time, as
well as that of my copyeditors, who according to your definitions, do
line editing too.
Ideally, you'll collaborate with an editor on a level of
editing that includes content
editing as
well as
line and copyediting.
Line editing is actual hands - on
editing: fixing sections that aren't working, moving passages as necessary, cutting things that aren't helping, reworking sentences that could be doing their job
better.
Developmental
editing,
line editing, copyediting, proofreading... what on earth is the difference and what's
best for you when self - publishing?
Don't skimp on the polish: Regardless of your publication goals, have the
line -
edited manuscript copy
edited; proofreading may be optional for pursuing an agent or small press if you've had a
good line and copy
edit.
I especially love this
line in your post, Angela: IBPA champions independent voices:
well spoken, properly
edited, cleanly formatted, intelligently distributed, and happily consumed.
Self - pub, of course, doesn't reduce the onus to have due critical faculty of one's own writing, of getting external proofing (including proof -
editing as
well as
line -
editing) and of keeping the quality high.
Details below: Developmental Reads on a full manuscript: 15 % discount
Line Edit Reads on a full manuscript: 10 % discount ** Any full read, I will throw in your query for no extra charge WHO I AM I'm a traditionally published author with Penguin Random House and HarperCollins, as
well as a freelance editor, and blogger.
As a READER, one of the things I loved about the program was the fact that books in the Kindle Scout library were
well edited and had great to excellent plot
lines.
The Killion Group has handled
editing services for my historical
line, as
well as scanning and formatting.
A
line edit may get you to say, «With a few strokes of the pen on each
line, [my editor] made it one million percent
better.
Those gray
lines can make it hard to find
good line editors or point out what makes
line editing unique.
I offer manuscript critique as
well as developmental and
line editing for a select number of clients.
Because
line editing is all about our writing, we can also struggle to find
good line editors because — more than any other phase of
editing —
line editors must be a
good match for our voice.
(
Good beta readers can catch a lot of story development stuff, and anyone good with language can help with copy editing, but line editing is too specialized for others to
Good beta readers can catch a lot of story development stuff, and anyone
good with language can help with copy editing, but line editing is too specialized for others to
good with language can help with copy
editing, but
line editing is too specialized for others to do.)
Let's face it: until you're cranking out bestsellers or unless you're supporting your writing with another career, you're probably not going to be able to swing a developmental
edit plus a
line edit plus a copyedit plus proofreading (as
well as cover design, interior design, and marketing support).
Like her suggestions, if someone could afford only one editor, I'd also recommend focusing on the writing level because finding a
good match for our voice is essential for
line editing.
Even so, it's less costly than a developmental
edit plus a
line edit or copyedit, so it could be a
good fit for a seasoned author with a tight manuscript and a tight production schedule.
Line editing includes follow - up time with your editor, as
well, because questions are part of the process.
I wrote and
edited a novelette that I was targeting toward the Silhouette Nocturne Bites
line, with the hope of expanding it into a series of Bites and maybe some Silhouette Nocturnes as
well.
Line editing strives to make all of your writing as
good as your
best writing, which may include cutting, tightening, rephrasing, moving, and judiciously adding when necessary.
Best Comics - Related Book The Art of Daniel Clowes: Modern Cartoonist,
edited by Alvin Buenaventura (Abrams ComicArts) Marie Severin: The Mirthful Mistress of Comics, by Dewey Cassell (TwoMorrows) Marvel Comics: The Untold Story, by Sean Howe (HarperCollins) Mastering Comics, by Jessica Abel and Matt Madden (First Second) Team Cul De Sac: Cartoonists Draw the
Line at Parkinson's,
edited by Chris Sparks (Andrews McMeel) Woodwork: Wallace Wood 1927 — 1981,
edited by Frédéric Manzano (CasalSolleric / IDW)
Line editing: All of the above plus suggestions for making your writing
better (sentence structure, choice of words, writing style, clarity, etc.): $ 10/1000 words
Of course that doesn't mean a developmental editor won't point out issues with mechanics or a
line editor won't make suggestions regarding characterization, but the focus of each type of
editing is essentially different, and by the time a manuscript is ready for
line editing it shouldn't have many big - picture issues left, which allows the
line editor to focus on your lovely prose and how to make it even
better.
Best Anthology Dark Horse Presents,
edited by Mike Richardson (Dark Horse) No Straight
Lines: Four Decades of Queer Comics,
edited by Justin Hall (Fantagraphics) Nobrow # 7: Brave New World,
edited by Alex Spiro and Sam Arthur (Nobrow) 2000 AD,
edited by Matt Smith (Rebellion) Where Is Dead Zero?
little helpers to get us over the finish
line...
best of luck to everyone... just doing a final
edit NOW!
It's
best if you can plan ahead and get on my calendar so you will have your
editing lined up in advance.