Sentences with phrase «good white character»

«Plain and simple, people do not think that you can allow the one good white character to also be evil,» he said.

Not exact matches

In November, Musk told CNBC that Trump «was not the right guy» for the White House, adding that «he doesn't seem to have the sort of character that reflects well on the United States.»

Hoping to avoid the possibility of a white actor taking on the role of the Chinese warrior, Molnar wrote: «Casting a Caucasian actor as a character of colour, regardless of reason has a direct, harmful impact on not only the movie itself, but the audience, as well as POC members of the acting community.»

After the allegations began to surface, top Republicans, such as White House Chief of Staff John Kelly and Porter's former boss Sen. Orrin Hatch (R - UT), went out of their way to defend Porter, vouch for his good character, and say he shouldn't resign.

McDormand, Rockwell, and Woody Harrelson are so good in Three Billboards that I think a lot of voters have totally forgotten the less successful aspects of the movie: How every white character is immensely colorful but every black one is a cipher, that whole thing about Woody Harrelson's big dick (stop!

If you wish to put a white hat on him (or a halo), and spin things and fantasize about this character's loveliness to make yourself feel good, go ahead - I think it's silly and dishonest.

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

But, as Vale shows, this success and popularity rested on sustaining the projects as the home to a very narrow spectrum of the Boston poor, those deemed both deserving and respectable: two - parent, mostly white, single - earner, low - income, working - class families of good character in need of a temporary leg up — a stratum «below the bulk of blue - collar employees but above that of the unemployed, the irregularly employed, and the welfare - dependent.»

Green, white, some blues and some shades of yellow are good neutral colours for a baby onesie, along with character designs like winnie the pooh and tigger.

In front of a packed audience in the State Dining Room at the White House on Tuesday, first lady Michelle Obama rolled out her national initiative to combat childhood obesity with a show of force that included medical, business and government leaders, grassroots activists, celebrity public service announcements, cartoon characters as nutrition experts, as well as those most directly affected — the kids themselves.

The White Paper suggests there would be requirements of residency, good character, and perhaps further requirements as developed in Scottish immigration law.

People may instinctively know right from wrong, but determining if someone has good moral character is not a black and white endeavor.

Television characters considering abortion are whiter, younger, and better educated — and have markedly different reasons for seeking abortions — than in the real world.

paint colors interior brick walls best bedroom modern color ideas for bedrooms small, best paint for bedroom walls neutral colors interior color master brick, paint colour interior walls neutral colors for put your characters on guest bedroom wall best white color, best paint colors for interior walls metallic dark color bedroom wall colour, best paint color for master bedroom walls colors home depot beautiful metallic interior dark, best white paint color for bedroom walls fabulous pink colors bedrooms colour used interior crossword clue small, download colors to paint a bedroom feminine walls metallic for interior choosing, paint colour used for interior walls crossword metallic colors best white color bedroom kids room shade ideas, paint color for small bedroom walls download house room design colour used interior crossword clue dark, paint colour used for interior walls crossword decorations wall color ideas painting room house colors popular dark bedroom.

The white gloved Mickey Mouse character is fashioned in the well - known comic character's usual style.

The director, Miguel Arteta, and the screenwriter, Mike White, who previously joined forces on the movies «Chuck & Buck» (2000) and «The Good Girl» (2002) and the short - lived HBO series «Enlightened,» have a proven knack for making their characters and audiences squirm.

My biggest hope is that Zombie either learns to become a better and less lazy writer (by doing away with all things white trash and fleshing out the story and characters) or that he hires someone else to be the screenwriter for his next project, whatever it happens to be.

Very worthy - but it could have been so much better - the characters are too black and white, some of the situations they find themselves in are too twee, all of the stereotypes are levered in there somewhere and the dialogue is not clever.

Harris tries his best to make something more out of his one - dimensional white - knight character, while Gooding plays his vaudeville Rainman routine to the rafters.

Bryan Cranston understands his role as Walter White so well that at times it's easy to forget that we are merely watching an actor portray a character.

On top of this, Coogler couldn't help but promote illusions in American imperialism with the inclusion of a «good» white character, the CIA operative Everett Ross (Martin Freeman).

He changed the ethnicity of the lead female character in Leonard's novel from the white Jackie Burke to a black Jackie Brown which allowed him to cast Pam Grier and reference her blaxploitation films «Foxy Brown» and «Coffy» as well as, employing the use of Bobby Womack's «Across 110th Street».

Little White Lies had a marathon running time that was justified, I think, by a well - meant effort to give room to a large group of central characters.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Dern gives the performance of her career as the self - involved but variously sympathetic Amy Jellicoe, while White, Jason Mantzoukas, Sarah Burns, Dern's mother Diane Ladd (as Amy's forbearing mom), and a never - better Luke Wilson feelingly embody the cast of characters supporting the starring role Amy has fashioned for herself.

The portrayal of Natives and the film's scapegoating and support of Wayne's character is shocking and impossible to ignore; one might be able to shrug away the fact that the Natives play the villains, but good God: «she ceased to be white?»

The film is written by the same creative quartet that work on Jamie's television show, so they know the character inside and out, and how much you find funny will also greatly depend on whether or not you know white kids like Brad Gluckman yourself, the well - off white kid who wants so desperately to be down with the hip hop lifestyle.

While even the white horse is more memorable than Hammer's character (and a better actor, too), this is most definitely the Johnny Depp show again.

The movie works as well as it does because Fleming and co-writer Sheryl Longin have real affection for their lead characters, even when they're failing to understand the full ramifications of their time at the White House.

As we watch young African - American characters — and a few young white women, too — mistreated and / or killed in scenes that go on and on and on, it's hard not to wonder whether Bigelow (and the material) would have been better served by not teaming up with her usual (white) screenwriter, Mark Boal (who also wrote The Hurt Locker and Zero Dark Thirty), just to bring in the perspective of actual people of color, rather than that of white liberal guilt.

It is wonderful to see this type of character in a family movie, rather than the usual «black and white» good and bad people.

While Brad may be in a constant battle against himself, an internal battle White reveals through near constant voiceover narration — a tricky device best - suited to the first - person novel and not a cinematic character study — White repeatedly opts for the mundane observation, the banal realization.

At his best during the white squall and its aftermath, but at his near worst everywhere else (e.g., stock, underwritten characters, cheap sentimentality, an unearned, cathartic ending), White Squall offered additional proof (as if any was actually needed) that Scott was (and is) is a consummate visual stylist, but often falls short as a narrative storytewhite squall and its aftermath, but at his near worst everywhere else (e.g., stock, underwritten characters, cheap sentimentality, an unearned, cathartic ending), White Squall offered additional proof (as if any was actually needed) that Scott was (and is) is a consummate visual stylist, but often falls short as a narrative storyteWhite Squall offered additional proof (as if any was actually needed) that Scott was (and is) is a consummate visual stylist, but often falls short as a narrative storyteller.

The Help, written and directed by Tate Taylor from the novel by Kathryn Stockett, belongs to the Driving Miss Daisy tradition of feel - good fables about black - white relations in America, movies in which institutional racism takes a backseat to the personal enlightenment of one white character.

After a trial which might best be described as a rush to judgment, Hunt was found guilty by an all - white jury which took the word of a couple of shady characters over that of an innocent African - American kid with a solid alibi.

Mr. Downey's Iron Man / Tony Stark character has ingrained in movie goers his motor - mouthed smart - aleck persona that fits very well with the lacking - a-conscience cocky defense attorney who only defends the type of white collar criminals who can afford his unmatched courtroom savvy.

Eckhart's a reliably solid, versatile talent, so without knowing much about his White House Down character, I can only assume he's a good pick for this part as well.

This film is controversial because it's not an accurate depiction of the events or history of Bruce Lee, and had a white main character but this new edit is apparently much better.

Also voicing characters in the film are Ed Asner as Perry White, Frances Conroy as «Ma Kent, as well as Linda Cardellini (ER), Arnold Vosloo (G.I. Joe: The Rise of Cobra), and Matthew Gray Gubler (Criminal Minds).

Do look out for their final scene together — it's an absolute gem, so good, in fact, that I completely forgot to worry about the endless controversy over white actors playing Asian characters.

Spinning the original comic depiction of the character on its head, the image features Domino — who in the illustrated version sports a pale complexion with a black mark over her left eye — as a black woman with a white mark over her eye, in what appears to be vitiligo, as well as her natural hair.

For who better to cast as the unreliable narrator Eva Khatchadourian than the woman who has played both the stoney White Witch in the Narnia films and delievered the powerhouse performance of the conflicted title character in 2008's Julia.

The best drama win for «Breaking Bad» was its first ever, and Anna Gunn won a best supporting actress award for playing the wife of Bryan Cranston's Walter White character, the chemistry teacher turned drug lord whom the series revolves around.

Craig's character, as well as that of Ford, are bad men with good qualities underneath, nuanced thanks to the quality of the actors to be more than just white hat and black hat Western archetypes.

It's a little rough in places, and there are repeated character animations throughout the film, as well as certain sequences traced from earlier films, such as Snow White and the then still recent Jungle Book.

Though it boasts a strong performance from the always reliable Tom Hanks and good supporting turns by Alexander Black and Sarita Choudhury, the movie is a somewhat bland and uneven character study about a middle - aged white guy getting his groove back in the Middle East.

Drinking white wine and arranging (but never actually consuming) bespoke appetizers against the backdrops of their immaculate Los Angeles kitchens, these characters» lives might differ in the details, but not their prosperous, physically fit, almost freakishly well - preserved gestalt.

Full of deep sea despair, massive Great White sharks, and a star from This Is Us, the movie delivers some the best jump - in - your - seat thrills, but at the same time, it's just a series of ignorant decisions made by the characters that will have you rooting for the Great Whites.

He is completely overwrought and unconvincing as the tough John (an early scene that's designed to establish the character's mean side is especially embarrassing), and while he fares better as the nice Jeremiah, White isn't able to convey what should be the conflicted anguish of that character.

However, the idea to switch from Cranston's character to Taylor - Johnson's as the lead is not only miscalculated, but has a vague odor of studio heads wanting to place a 30 - something, good looking white male as the lead of their movie.