Sentences with phrase «good writer too»

Tom Rosenthal was author or co-author of 10 books and monographs, on Paula Rego, LS Lowry, Josef Albers and Sidney Nolan, among others, and last year his On Art and Artists: Selected Essays was published, bearing out his friend Anthony Rudolf's point that: «Tom is one of the great publishers of the age, and a very good writer too.»

I'm in search of good writer too and these geek point definitely help me to choose a qualitative resource.

The Snowflake method makes me a better writer too.

Not exact matches

Don't be too quick to commit, but if you're happy with the work being delivered, then it will be better to work with those who can supply consistent and predictable results than to try to find new writers to fit a mold.

I think the writers of the bible understood, better than we sometimes do, that there are too many factors involved in someone's poverty or prosperity to simply chalk it up to effort or the...

The result — a tale of a young teenage boy who believes his epic sci - fi novel has been stolen for use by one of his writer heroes, and the battle that ensues between them — is a movie that this time might be too strange for a mainstream audience, but based on the Hesses» track record, could very well gain a cult following for years.

His writing is fantastic too, even if his quote - studded posts are often too long to maintain the non-specialist's interest (so says the writer of 3,000 - word posts about why The Bangles were better in 1983 than in 1987!).

Even Mark Mathabane, the mild - mannered tennis player turned writer who is author of the best - selling autobiography Kaffir Boy, offended the government with the simple, powerful story of his boyhood, and he, too, now lives in the U.S.

Yes, It's amazing that god made Tolkien a so much better writer than himself (Tolkien's books hang a bit better together than god's books too)

11 of the Ancient Christian Writers Series (hereafter noted as PC) is better than the 1894 translation by James Barmby (hereafter noted as BPR) for the Nicene and Post-Nicene Fathers (NPNF), though it, too, remains seriously deficient.

Certain writers are better than others — read everything Tony Woodlief writes — and it can occasionally be a little too predictable in its kind thoughtfulness.

Perhaps even when such reflection comes with the imprimatur of a best - selling writer in as winsome a form as can be imagined, «philosophy» scares off too many readers.

Sixteen different SB Nation writers, editors and other ne'er - do - wells spent an average of 17 seconds on the following predictions, which is about 12 seconds too many.

I congratulate the writer of this article on the best, most grounded in realism article I have read on this site and many othr sites too.

An ad exec hired by Nestlé could scarcely do a better job than your writer of portraying breastfeeding as too much trouble and formula as the solution to any infant feeding problems.

He / she is way to gratuitously nasty, too heavy on snark as opposed to true wit, and not a very good writer to boot.

Even David Robinson, the well - respected, even - handed business writer for The Buffalo News got into the act, penning a strongly worded column last month that concluded too many IDA deals fail to promote real economic growth.

A good thing, too: According to the writer, «another lonely winter huddled up alone in my cabin and I fear I would have just embraced the madness... and started talking to animals.

I found some peculiarities in his ethical reasoning, but I think that about nonscientific writers too: and he provides the data which lets me use my own intelligence rather than insisting that he knows better.

Too bad I have a serious case of writer's block and just ate my way through half a bag of Boom Chicka Pop (the best, by the way).

«Good ideas for writers and bloggers too.»

Don't worry — we have you covered there, too, with some of the best eateries in town reviewed RIGHT HERE by our expert date advice writers.

Having too many compelling directions to take a series in is far better than having too few, even if the writers make a wrong turn every once in a while.

Tina Fey is too good a writer to be this lazy.

Writer - director Xue Xiaolu manages a good balance between the tartly comic... and heartwarming sentimentality, never going too overboard, thankfully, with the latter.

Writer / director Alex Garland delivers a striking and impressively captivating opening stretch that instantly captures the viewer's attention and interest, with the movie's compelling atmosphere heightened by Portman's stirring work as the conflicted, grieving central character (and it's clear, too, that Portman's costars fare just as well, though Leigh's bizarrely ambivalent take on her character is questionable at best).

But the writers, TV and video game veterans Aaron Ginsburg and Wade McIntyre (Call of Duty 2: Big Red One, Fox's short - lived «The Good Guys»), seem content to loosely recreate the original movie's beats and not attempt anything too brazen or outrageous.

It goes without saying that Shakespeare did that as well, but Kurzel and the writers have crafted both a faithful and modern adaptation, although one that's not too modern.

Writer - producer - editor - director Krik (his director's credit reads «Dave Herman,» apparently out of concern that weaving too much inconvenient truth in with the genre fiction might attract the wrath the shadow conspirators), might have done better to deliver less retro larkiness and more straight facts.

Maybe that's why The Snowman has three credited writers, and presumably too that explains editing credits for Thelma Schoonmaker as well as Claire Simpson: it suggests an emergency salvage mission that hasn't come off.

Here is my man Shakespeare back again, and not a moment too soon — the best man, to steal a line from the writer himself, «either for tragedy, comedy, history, pastoral, pastoral - comical, historical - pastoral,...

The writers of The Hangover stick with the same formula for this university - aged romp about three young guys who get far too drunk for their own good.

With good reason, too: as writer and director of the Back to the Future movies, he's a pop culture icon for more than one generation (and his DeLorean is every bit the hero of the movie as Parzival).

The plot certainly has possibilities, but far too many of them are botched by writer - director David Koepp, who's a better writer than director.

At times it feels a little over-written, and as if it's trying a bit too hard, which would be a shame, because Guy Ritchie is a good enough writer / director that he doesn't need to do that.

Each of them brings much - needed color to the well - worn clichés of the ex-con and war veteran trying to make good in tough times, but co - writer / director Scott Cooper (Crazy Town) musters zero surprises in a script that takes too long establishing a tired premise and plays it out in grimy, dull fashion.

Seeing as the film's writers and directors alike will also be working on the next two Avengers movies, Phase 3 has a very good shot at fulfilling the promise of Civil War, too.

But by the end of writer - director Ruidger Suchsland's film, opening Friday for a week at the Gene Siskel Film Center, we know all too well what the happy death syndrome means.

Writer - director John Maclean's Western fable has a shaky first hour, trying too hard to be quirky and precious while telling the story of a dangerously naive Scottish immigrant (played by Kodi Smit - McPhee) who goes searching for his childhood sweetheart on the frontier with the help of a good - hearted outlaw (Michael Fassbender).

It's too late to fix the Free State of Jones, director - writer Gary Ross» well - meaning historical drama about the curious case of Newton Knight, an army deserter who inspired a mixed race coalition of Mississippi farmers and runaway slaves to revolt against the Confederacy during the Civil War.

King of Noir Robert Ryan plays the rough - hewn writer who is good enough to share her bed, but not her hand, while Zachary Scott plays the aviator millionaire too much the naïf to escape his fate.

Best Director winner Guillermo del Toro and Best Screenplay writer Martin McDonagh ought not get too confident.

When: June 19th Why: Mark Ruffalo is hands - down one of the best actors working today, but while he's earned great reviews for his performance in writer Maya Forbes» directorial debut, his character feels a little too close to the eccentric fathers he's played over the past few years, especially in fellow indies like «The Kids Are All Right» and «Begin Again.»

Either Learn how to Review or well simply get replaced because that was simply awful and too wan na be pro reviewer / writer like.

Best Adapted Screenplay, too, predicts only 20 percent of women writers this year with Mudbound (co-writer Dee Rees) and The Beguiled (writer Coppola).

It's unclear at first although I would argue that it takes Michael way too long to suspect why someone mounting a defense would want to be a better writer.

Normally I try to weigh movies on their own terms, but director James Wan (Dead Silence, Death Sentence) and writer / co-star Leigh Whannell just steal too much of their style from the works of David Fincher (Se7en, The Game), and the constant reminders to the older, better films makes Saw feel like a b - list knock off.

DICK should have been better than it is, being an intriguing premise for a movie, but writer - director Fleming's script aims a little too low for what should have been a wittier and smarter form of comedy.

Then again, some of the best in - depth coverage, and the most knowledgeable writers, call these outlets home, too.

Too many accounts of the practices of literary writers are available to us — Writers at Work: The Paris Review Interviews is the best - known series — for any English teacher to cling to such myths as first - draft finals, timed writing assignments, or whole - class deawriters are available to us — Writers at Work: The Paris Review Interviews is the best - known series — for any English teacher to cling to such myths as first - draft finals, timed writing assignments, or whole - class deaWriters at Work: The Paris Review Interviews is the best - known series — for any English teacher to cling to such myths as first - draft finals, timed writing assignments, or whole - class deadlines.