Sentences with phrase «good zombie flicks»

The soul of Romero's flicks — of all good zombie flicks — lies in their social awareness and in the ultimate feeling that whatever chills and thrills enjoyed along the way, it was all a metaphor for something more interesting than an end - of - days high concept.

Do you love a good zombie flick?

Not exact matches

Sooner or later, the general public's good will towards zombie flicks is going to run dry.

Some good special effects saves this zombie flick.

A good zombie movie but also more notably a good political allegory,»28 Days Later» works off its» innovative director, even if it is not as quick paced as one might hope from a zombie flick.

Just because they do them well, though, doesn't make the movie less reliant on shock value than any other zombie flicks.

Recent zombie flick «The Cured» proved there's undead life in a very well worn genre, and just like you think you've seen...

The good folks over at Arrow in the Head scored a brand new clip today from director Hèctor Hernández Vicens» Day of the Dead: Bloodline, a reimagining of the late George A. Romero's 1985 cult classic zombie flick.

I love their indie zombie flick Undead, not to mention their sci - fi vamp pic Daybreakers, as well as their paradox thriller Predestination, both starring Ethan Hawke.

So we've assembled our take on the 50 best horror films of the 21st century — the zombie - apocalypse tales, things - that - go - bump - in - the - psyche ghost stories, retro - slasher flicks, neo-giallo nuggets, J - horror, K - horror, French extreme and Hollywood franchise films that have spooked us, shook us and scared us shitless since 2000.

Hugely enjoyable, and one of the best, post-apocalyptic, zombie flicks.

It might be as good as you can make one of these «ridiculous to sublime» zombie flicks, but that's just not good enough; its appeal is mostly to an audience that can appreciate its gross - out camp humor and can overlook that it's a pointless exercise — totally falling apart when it tries in an existential way to explore the moral boundaries between the present and the beyond, but thankfully for only a brief period.

Better (certainly classier) than most films directed by the late Wes Craven, this zombie flick («inspired» by the factual book by Wade Davis) still registers as an also - ran in the horror sweepstakes.

The best Italian zombie flick is of a more recent vintage: Michele Soavi's Cemetery Man took me three viewings to love, but held enough fascination to merit the effort.

The better horror flick on Blu - ray this week is this wonderfully simple Korean undead flick that could have been called «Zombies on a Train.»

Flicking zombies onto the scales isn't as easy as it sounds, and the best method we found was to charge straight at a horde of zombies and flick up at the last minute to send them flying.

Co-written by director Edgar Wright and star Simon Pegg, this gory zombie satire is filled to the brim with charming English wit, but even though the comedic duo (best known for the hit Brit TV show «Spaced») tirelessly pokes fun at their favorite zombie flicks, they still respect and follow every one of the genre's rules.

It wasn't very good, but it still motivated more people to shamble to the cinema than most other zombie flicks you could mention.

Like Happy Death Day, many of the year's highlights, which toyed with or injected life into often - tired subgenres, came in smaller packages, such as the home - invasion thrillers Better Watch Out, The Babysitter (another Netflix original), and Jackals; the clever zombie - in - the - desert flick It Stains the Sands Red (much better than the silly cannibal - in - the - desert - flick The Bad Batch); the flesh - eating family drama Raw; the blood - sucking confused - teen drama The Transfiguration; the sci - fi / fantasy / horror hybrids The Void, The Untamed, and The Lure, which also had elements of the musical; and the ultra-disturbing tale of youth Super Dark Times, about the unraveling of a group of friends after the accidental killing of a classmate, which offers a significantly more satisfying experience thBetter Watch Out, The Babysitter (another Netflix original), and Jackals; the clever zombie - in - the - desert flick It Stains the Sands Red (much better than the silly cannibal - in - the - desert - flick The Bad Batch); the flesh - eating family drama Raw; the blood - sucking confused - teen drama The Transfiguration; the sci - fi / fantasy / horror hybrids The Void, The Untamed, and The Lure, which also had elements of the musical; and the ultra-disturbing tale of youth Super Dark Times, about the unraveling of a group of friends after the accidental killing of a classmate, which offers a significantly more satisfying experience thbetter than the silly cannibal - in - the - desert - flick The Bad Batch); the flesh - eating family drama Raw; the blood - sucking confused - teen drama The Transfiguration; the sci - fi / fantasy / horror hybrids The Void, The Untamed, and The Lure, which also had elements of the musical; and the ultra-disturbing tale of youth Super Dark Times, about the unraveling of a group of friends after the accidental killing of a classmate, which offers a significantly more satisfying experience than It.

For example, his collaborative film project, Feature (2008), which relocated the action of a traditional western to the English countryside, slipping into other sub-genres such as the zombie - flick, and Wagnerian opera, as well as South Asian god - flick.