although i believe
the gospel story points to something in the movement of time... historical... i think it is pointing beyond it, like a lens, into the reality i'm trying to explain in point # 3.
Not exact matches
point being: Tolkien was writing myth... because he believed all good
story telling pointed to the ultimate Story: the Gospel — which he regarded as the one True
story telling
pointed to the ultimate
Story: the Gospel — which he regarded as the one True
Story: the
Gospel — which he regarded as the one True Myth.
Apologists have spent a great deal of time and effort to try and make the contradictions in the four
gospel STORIES make sense, they have had some success but not to the
point of establishing the
STORY as FACT.
Most new testament scholars say that the
Gospel of Mark originally ended with the
story of the women who go to the cemetery, only to encounter a mysterious young man
pointing to Jesus» empty tomb and announcing the resurrection.
Joseph Smith, who had little formal education, writes a 532 page fiction book with multiple
story lines, more than three major ethnic groups that intermingle with one another, creates over 200 new names, many of which have Hebraic origin (Mosiah for instance), writes in chiasmas poetry, accurately predicts latter day pollution, international intrigue, the dispersing of the
Gospel message and a host of other fictional and hysterical
points was WRONG?
Some Christians acknowledge the distinction between the
Gospel stories and the history behind them and argue that the starting
point for Christian theology is not the faith of the New Testament but the teaching and ministry of Jesus.
Our first thought may be that here is simply a conventional way to say that at just this
point we are beginning the
gospel story that follows, that Mark's little book is itself «the good news.»
I noted in my book God as Author how it follows the contours of the
Gospel, as I
pointed out that the basic formula of balance - imbalance - restoration of balance is the framework of most
stories (click on the link to page 181 for a more lengthy explanation).
Then, I think, this
Gospel goes on to lead the reader beyond the
point where one is concerned with the physical body of Christ; and in the
story of Thomas it shows that faith is not to be established by sight; that you have got to look beyond any objective truth of the kind which might be established by visible, tangible, corporeal manifestations: to look beyond that to something different.
Recognizing that their critique has rendered images of God no longer absolute, feminists have discovered that the religious power structure is reluctant to admit that patriarchal symbols for God are culturally influenced (as if God really were male) or contingent (as if use of a feminine symbol to
point to a nonrepresentable God is more inadequate or idolatrous than use of a male symbol) To read Mary Daly or Naomi Goldenberg, to consider Rosemary Ruether's demasculinizing of the
Gospel stories or to ponder the renewed attention to «goddess» theology and the development of a lesbian theology is to see the basic language of theological discourse upset and transformed.
This is the whole
point of form criticism — or tradition criticism, as it ought to be called: the units in the evangelic tradition were handed down orally, in separation, and in the form given them by the earliest preachers and teachers of the
gospel, the «
gospel» being, not the total
story of the life of Jesus, but the proclamation of the message of salvation through him, a salvation fully to be effected in the future, though it could be realized in anticipation even now, before the final Parousia.
Where so many solutions are possible, and so much hangs on the evidence of a single verse, it is not easy to choose; but two considerations
point to the verse being the work of the author himself and having a special reference to the
story of the last chapter, or to a part only of the
gospel.