Sentences with phrase «got into character by»

The 29 - year - old actor, who is best known for playing Robb Stark in hit fantasy series Game of Thrones, got into character by bedding down in a remote cottage during filming.

by Jami Gold Blog Tour Ideas: Getting into Character by Felicia Scotzig New Year's -LSB-...]

Not exact matches

My suggestion to get into the mind of a skeptic would be to watch The Character of Physical Law, a series of lectures by Richard Feynman and read some David Hume.

For example, in his days as an undergraduate at Oxford Waugh's fellow student Harold Acton used a megaphone to shout out lines from T. S. Eliot's The Waste Land from an open window of his upper - storey college suite and was later thrown into a fountain by some drunken students in the middle of the night; while another student, Brian Howard, spoke with a stutter and gossiped his head off: all of which got fused in the character of Anthony Blanche in Brideshead Revisited.

And while many of the episodes slipped into the worst of Christian entertainment's tendencies (one infamous episode ended up with a character getting attacked by a forest demon after playing too much Dungeons & Dragons) the writing staff had a knack for humor and characterization, and the voice actors were top - notch.

A magician may get rabbits out of a hat, but no magician can ever get a character like Christ from the mere fortuitous play of atoms, any more than he can toss type into the air and have it fall by physical gravitation into the score of Handel's Messiah.

Before we get into the list of baby girl names inspired by some beloved Disney characters, let me explain to you why I am an expert on all things Disney.

Perhaps you can get the little ones making homemade gift tags by turning finger prints into characters.

Five years had gone by and in 1980 during the filming of the movie «Conan», Arnold had got into fantastic shape due to the physicality of the character he was playing and also due to the training that was required to be able to complete the filming — things like running and horse riding.

Photographed by Miguel Reveriego at the Catalina Beach Club in Atlantic Beach, New York, Margot steps into a mixture of nautical - inspired black, white, navy and red outfits styled by Jessica Diehl, truly getting into her 50s character.

During a lengthy initial consultation, the team really gets to know the people they work with by delving into the individual's lifestyle, personality, and character.

Enrich your profile with new photos and organize them into thematic albums, presented to the other members of the community in the best way and also let them to get to know you better by describing your passions and aspects of your character that you find to be the ones that characterize you.

Get ready to find the answers you've been looking by plugging your names into the powerful dating love tes Both of you might need to adjust your lifestyle and character to suit each other but that's what love is all about.

Viewing this as a launch year game, it is harsh to dwell on the games shortcomings (the audio for gunfire is just awful, character models lack the shine as do certain parts of the game, slow down occurs when things get too hectic and it can be difficult to get into a game online) when it is the first game of the series, the first game by the developer, and the first FPS game for the Vita.

By delving into a principal character so deeply from the get - go, the newest «CSI» brilliantly one - ups its predecessors.

It's no surprise that after his character Dodge gets abandoned by his wife (Nancy Carell), he bumps into Penny (Keira Knightley), who is just the kind of space cadet who would benefit from a grounding force in her life... especially when the world is going to end.

Oh sure, the «estranged dad vs. embittered daughter» material is supposed to be the meat of the meal, which is why we're treated to so many extra scenes of people chit - chatting by firelight, but the dramatic push should come from the kidnapping story, and that chase just gets shoved into the background whenever the characters feel like conversing — yet again.

He can't help but have his characters knock into chairs, drop change from their pockets at crucial moments, and nearly get hit by taxicabs while rushing headlong through city streets.

Unfortunately the show is just kinda dumb after that... the scripted dialogue ranges from generic to awful; the characters are pantomimes, you know exactly whether they're good or bad right up front, and the show lacks any sort of organic development or growth, you just don't get into it like you would on a better created and wriiten show.everything is so predictable that by the time big jim kills his nth person it's just sort of «meh whatever» time.

Dunwall is an amazing place in terms of the way it incorporates elements of steampunk with a victorian feel and setting a pace that wouldn't normally suit a 1st person action game but it just flows so well and the artwork on the characters is stunning but sadly let down by a bit of collision detection which is hard to ignore, combine all this with a satisfying story you get a really decent game with plenty to get stuck into.

You got a secluded base where everyone is killed by monsters except for a single child, marines type characters to sort out the mess, crawling through vents with one character going back and blowing himself up, a helicopter pilot being killed by a monster, and finally a climax where our character fights off the monsters with a industrial machine and pushes it into a pit.

It starts off well by helping the audience get emotionally invested into Jackie's character but the second half devotes most time to unraveling conspiracy.

Well, what we didn't tell you (because we didn't know) is that it's a prequel to My Sex Life... or How I Got into an Argument that takes us back to the teenage years of the characters in the 1995 film... And least promising sequel of the week has to be Spring Breakers: The Second Coming, a cash - in scripted by Irvine Welsh and directed by Jonas Akerlund, the man behind such bad - boy music videos as «Smack My Bitch Up» and the 2002 meth - addict comedy Spun.

Still, it does remain interesting and quite watchable even if the characters and story are cartoonish, but any aspirations of being a good film get blown into the wind by a grossly overblown deus ex machina ending and is further evidence of De Palma's problem: he has so much fun setting things up he seems begrudging when he has to end it, and it's a letdown both for him and for us that he can't punctuate things properly.

Sentenced to three years in jail upon getting into a scuffle with a couple of fuzz trying to stop him from busking in the park, Otis, for starters, would be a far more resonant character if he were portrayed by a black actor (it doesn't count that the icky Matthews suffers from delusions of soul), since there's nothing to justify his martyr complex.

- The crew gets into a discussion about character customization by way of Path of Exile and the Xenoblade Chronicles trilogy; how much freedom is too much freedom for our anxious host (s)?

A belated sequel to 2011's bizarrely successful Gnomeo & Juliette, Sherlock Gnomes continues the pun - based gnome gags of the first film by dropping garden variety versions of Arthur Conan Doyle's most famous characters (we get Sherlock, Watson and Moriarty) into a mirth - free adventure involving characters from the earlier movie.

Proving the old adage from The Incredibles that if everybody's special nobody is, the film pig - piles some twenty - six or so of your favorite Marvel characters from the past eighteen films into a numbingly repetitive 160 minutes of unimaginative, intergalactic punch - outs during which Earth's Mightiest Heroes take turns getting their asses kicked by Josh Brolin's glowering Grape Ape.

Add trademark ironic line deliveries by Murray and Wilson, and the chances of actually getting into the story and caring about any character become almost nil.

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

After years away from the limelight of the big screen, Smith started out 2015 by reminding us just how well he can harness his movie star wattage in the underrated Focus, and he ends it here by showing us what a gifted dramatic actor he is when he's willing to buckle down and get into the heart and soul of his characters.

By his side is his young potential protege, played by Brenton Thwaites (Maleficent), who gets more than a bit distracted from his criminal duties when Alicia Vikander's character walks into the picturBy his side is his young potential protege, played by Brenton Thwaites (Maleficent), who gets more than a bit distracted from his criminal duties when Alicia Vikander's character walks into the picturby Brenton Thwaites (Maleficent), who gets more than a bit distracted from his criminal duties when Alicia Vikander's character walks into the picture.

Returning to Underland as Alice and the White Queen meant returning to Oscar winning costuming by Colleen Atwood which presented the actresses with tools to get more into their characters mindsets at whichever point in time they were in.

Just to make an example, there are several ways to escape Fort Joy and remove the Source - muting collars: players can either interact with the right character, complete the right quest, use the Teleport skill to get past Magisters or even just blindly wander into the exit by exploring the fort and its surroundings.

Still, these names are hard to argue with; but if you've got a couple of characters we might've missed, by all means drop them into the comment section at your leisure.

The new version of the character is a Vegas stage magician, who gets roped (kind of) into a battle against a vampire (Colin Farrell) by a high school kid, played by Anton Yelchin.

By a series of events Hope is forced into reluctantly becoming Maggie's coach, teaming with a nervous, lovelorn gym manager named Ben (Thomas Middleditch, playing the role as if his «Silicon Valley» character were from Joel and Ethan Coen's «Fargo») to get Maggie ready for the qualifiers and the Olympic Games themselves.

It is by no means perfect; regardless of the insignificance of the characters, wooden acting is still wooden acting, and some of the early nods to the Fukushima disaster and 2011's tsunami seem a touch tacked on, but once the story gets going and the monsters come out, the film settles into a refreshing and thoroughly entertaining romp.

Maybe I'm getting used to Disney's handling of many of the Marvel characters, but these guys need to lighten up a little and remind audiences they're supposed to be enjoying a fantasy — not a serious plot that tries to be more relevant by injecting the «terrorist» word into the narrative.

The protagonist of Be My Cat: A Film for Anne is played by his namesake Adrian Țofei — and if Țofei serves as this film's director, writer, producer, DoP, editor, sound designer and production designer / manager, his character Adrian is also a first - time polyhyphenate filmmaker pitching his own movie called Be My Cat, and himself trying to get into character to play that film's creepy romantic lead.

Rebecca Ferguson - so fantastic in the most recent «Mission Impossible» - is utterly wasted as new wife Anna, a character who seemed to have been designed to wring sympathy from the audience, something I couldn't bestow given that she cheated and lied her way into her seemingly perfect life and don't even get me started on Haley Bennett's Megan, a woman whose tragic past was overshadowed entirely by her fingernails - down - the - blackboard performance as a one dimensional woman who had nothing but overt sexuality and a flat whining energy to offer.

A lot of work is put into making Saginowski a very thought - out character and it pays off tremendously well, though you don't get the full appreciation until the film is over, but the rest of the cast isn't as fortunate in getting as memorable of material as Hardy is gifted by the script.

But then get stifled by a series of idiotic contrivances as the writers try to shoehorn their one note characters into unrealistic situations in order to get a laugh.

When Vincent and Jules begin the movie by hassling the three young cons, they «get into character» before entering the room.

At the film's recent press day, Carrey and Daniels talked about reprising their roles in the sequel, how it was driven by fan demand, what it was like getting back into character and finding their chemistry again, the love between the characters, which one is Dumb and which one is Dumber, how the characters hold a special place in their lives as they do for the fans, the return of the Mutt Cutts van and other callbacks from the original film, working with Kathleen Turner, their favorite scene, and where they see their characters in another 20 years.

A»90s - obsessed high school senior and self - confessed nerd who falls into a get - rich - quick scheme by accident while also pining for the older girl to whom he hopes to lose his virginity, the central character in Rick Famuyiwa «s «Dope» sounds like a stock role for a high school comedy.

In both films, Shyamalan trusts the audience to pay attention, and makes use of Bruce Willis» everyman quality, so we get drawn into the character instead of being distracted by the surface.

Together they'll get into time traveling adventures, with characters voiced by the likes of Ty Burrell, Allison Janney, Stephen Colbert, Leslie Mann, Stanley Tucci, Patrick Warburton, Lake Bell and Dennis Haysbert.

HBO's set includes a horde of extras that delve into George R.R. Martin's world, though some of the best extras may be the wonderfully unpretentious commentary tracks, each featuring a different line - up but all linked by a sense of glee at what their characters get up to even as the show follows complex political and emotional arcs.

Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the audience if they have forgotten all about that plot element and are just living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.