Director Barry Sonnenfeld and the scriptwriters make the central relationship of J and K firsthand again, with the action and special effects aiding, rather than dominating (as with the cash -
grabbing second film), the story on display.
Not exact matches
Bad Company is an example of what happens when filmmakers decide to engage in a feckless cash
grab — a greatest hits compendium of stolen moments so bombastic and dreary that when the
film actually rips off a gag from Fletch (like that balding loser at the bar thinking himself a wit while well into the
second decade of quoting Chevy Chase vehicles).
Clearly meant as a cash
grab to piggyback off the success of the
second film, this monstrosity is nothing short of unplayable.