Inspired by the canyons of southern Utah, Ko reconstructs the sandstone landforms with their curvilinear,
gradated walls.
Not exact matches
Painted in 56 carefully calibrated shades ranging from white to black, the works
gradate subtly from light to dark, creating a perspectival illusion that suggests the
wall is gently curving into the corner.
The back
wall is painted in
gradated neon orange that brings to mind a nuclear flash, gallery benches are dripping and melting into the floor, and a large - scale symbolic sculpture holds court in the center.