Sentences with phrase «grained image details»

We expect that human observers will be able to continue to perform this task for a few years to come, but eventually we will have to refine existing techniques and develop new computational methods that can detect fine - grained image details that may not be identifiable by the human visual system.»

Not exact matches

ALMA can see through the fine dust grains and can pick up where more of the mass is located: although the images do not provide fine details, they can tell us how the disk structure is oriented.
The image is clear and possesses a noticeable layer of film grain in many scenes, and the image detail is better than expected.
The Hustler's 2.35:1, 1080p transfer is entirely too smooth; while not as severely airbrushed as DVNR poster children Predator and Patton, the image lacks texture (fine detail proves frustratingly elusive) and depth — and, needless to say, grain, finally costing the gritty black - and - white picture some of its social - realist capital.
Disney's approach to restoration was witchcraft in those early days of the format: Regarding celluloid as a transitory delivery system for animation, Disney archivists (somehow) managed to leach the image of film grain without harming fine detail.
The 1.33:1 monochromatic image is rendered in fairly high contrast, with an appropriate level of grain, decent dynamic range, and plenty of detail in the frame, even in the abundant shadows.
Fine detail is tempered by the use of Panavision anamorphic lenses, enhancing the cinematic quality of a notably grain - free — and thankfully noise - free — image.
The disc is gorgeous, mastered in 2k from a composite fine - grain 35 mm print, with excellent detail and depth of image.
THE BLU - RAY DISC by Bill Chambers Disregard what I speculated about the BD release of 300: I didn't think it would look better, just more artificial — but what the added resolution actually does is clarify the details beneath the sandstorm of grain, giving the image greater depth and a more persuasive celluloid texture.
We received the former for review, which contains a 2.35:1 transfer of the film in anamorphic video; the image is quirky in accordance with John Seale's cinematography: grain is overemphasized in several climactic shots, as if to ground the ludicrous plot machinations in some kind of hard - edged reality, while blacks are chalky throughout and detail has a filtered quality — a Lawrence Kasdan trademark.
The images are sharp and highly detailed down to each grain of sand and speck of dirt.
This Blu - Ray Dual Format edition from The Criterion Collection boasts a truly beautiful black and white image, with authentic natural film grain, surprisingly good fine object detail, and very little scratches or other anomalies.
Shot on a combo of 35 mm and 16 mm, the black and white Academy cropped image contains plenty of detail and contrast, even showing an adequate amount of film grain.
The image quality definitely advances in terms of overall clarity and detail as well as treating the film grain with respect, but it's not a mind - blowing difference.
The image looks like a great 35 mm print from the era should, boasting the right amount of film grain and picture detail.
The film has a little more grain than you might expect of such a 2016 big budget behemoth, but everything looks as it should and the images are sharp, crisp, and suitably detailed.
Transferred at 1.82:1 and enhanced for 16x9 displays, the theatrical version looks sensational, although it wants for more detailed shadows; perhaps blacks were crushed on purpose, as the image in and of itself has enough surface clarity to betray substantial — if unobjectionable — grain.
The image here mostly just falls down in shadow detail, which is a significant issue for a film with as many low - light scenes as this one; this is not going to be a disc to show off your home theater, but it's a natural transfer that looks pretty much as one would remember the film looking in 1990, grain and all.
Every nuance of the filmic image seems to make its way into the transfer, which gets top marks in every category: natural - looking film grain, spot - on color and contrast, inky blacks, and fine detail.
The first Blu - ray release is cause for great joy for the 2.35:1 image hits all the marks in terms of great colour saturation, impressive image detail, appropriate grain levels, and a dearth of digital manipulation.
The Super 35 capture format ensures excellent fine detail and a steady but refined light - medium grain texturing that results in a pleasingly cinematic image.
Take every image detail with a grain of salt, but according to the information provided, the next remaster will arrive on April 30, 2018.
It could be the equivalent of somebody looking at an old film, and realizing that the film came from a projector, and discovering that there is an image in the projector, and that it's made of molecules of grains of film - and then trying to find the mystery of the story by looking at ever more detailed molecules of film, thinking, If I finally get to the heart of that, will it tell me where my story comes from?
The color sensor provides much of the data you actually see in your final image, however, the monochrome sensor provides extra fine grained detail in areas where a traditional color sensor would lose data.
I find noise reduction almost always reduces the detail in your images, and I find grain on modern iPhones fairly pleasant to look at.
Images taken in low - light areas have the grain and detail softness that you'd come to expect for a phone of this price, but what struck me the most was just how slow the camera gets when trying to take a photo even when you're indoors during the daytime.
We captured images in both day and night, the daylight images come with vibrant colors and details, however, a little bit grains can be seen with low light images.
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