Sentences with phrase «grains from the culture»

I just ordered some milk and water kefir grains from Cultures For Health, out of Washington.

I just bought my first kefir grains from Cultures for Health and mine are doing very well.

If it is way too sour double the milk or remove some kefir grains from the culture jar.

I'm trying to rehydrate grains from cultures for health.

between the fun video and your easy to read blog post, I am hopeful that I will finally hydrate my grains from Cultures for Health that have been sitting on my desk for weeks.

Not exact matches

The flavor of soy sauce comes from fermented soybeans, along with roasted grains (wheat), salt, water and a mold or yeast culture.

This has always lead me to believe that the kefir culture may still maintain its original colony of bacteria and yeasts, but it has been joined by another foreign microorganism that isn't so desirable and those kefir grains sometimes never recover from this imbalance.

So my milk kefir grains might have differing strains from someone up in Iowa after just a few weeks of culturing, even though we both purchased them from the same place.

Kefir is started from a specific culture of kefir grains.

We live in a society of busy - ness, with so mich expected of parents and so much to get on and do and so much pressure, that a EC is an inconvenience of having to go against the perceived norm, having to pay much more intimate attention to our babies, having to deal with bodily functions, having to wake ourselves up a bit to what our culture has conditioned us to and having to go against the grain — all of which take effort and all of which take time and / or energy away from other mummy efforts that bring more obvious and societally rewarded benefits.

The other day, a new friend gave me an amazing gift: kefir that she's cultured from grains that were given to her by a buddist nun.

Milk kefir grains are more delicate organisms than the hardier Kombucha and Jun cultures so they may need a brief period of re-nurturing from their trip before they fully adjust to their new home.

The carbohydrates in these indigenous cultures are from nature — not cereal grains, cookies and sugar.

Hi Virginia, I'm sure the kefir grains would work but from what I've read those who use water kefir as a starter culture just use it straight (not the grains).

(in other words, a batch of kefir milk culture left unattended for an extended period of time (4 + days, unrefrigerated) will become rancid and useless)[Also difficult to ship or preserve]- GRAINS = Kefir grains are the source for original kefir culturing and can be used directly in the culture, or removed from partially cultured mixes (creating starter and mother culture batches) and also used indefinGRAINS = Kefir grains are the source for original kefir culturing and can be used directly in the culture, or removed from partially cultured mixes (creating starter and mother culture batches) and also used indefingrains are the source for original kefir culturing and can be used directly in the culture, or removed from partially cultured mixes (creating starter and mother culture batches) and also used indefinitely.

• Learn from studies of indigenous cultures • Good & Bad Fats: the roll they play in immune health, mineral absorption and joint health • Cultured foods: good bacteria, healthy digestion • Remove naturally occurring plant toxins in grains, nuts, & legumes • Experts show you step - by - step how to make these timeless foods • Tasty samples of everything presented!

Real kefir grains are the genuine article from the Caucasus Mountains, not to be confused with direct set cultures that eventually lose their potency requiring you to reorder again and again.

From green smoothies and juices to paleo and grain free goodies, the evolution of our culture and what we eat is pretty commendable.

It is slightly sour and carbonated due to the fermentation activity of the symbiotic colony of bacteria and yeast that make up the «grains» used to culture the milk (not actual grains, but a grain - like matrix of proteins, lipids, and sugars that feed the microbes.with my best wishes, melissa from http://www.cavediet.net

i've been making kefir for just a couple weeks now and i'm wondering if you could help with this: i'm wanting to make this fermented hot sauce and it calls for a starter culture - leftover whey from making kefir - are the «grains» the leftover whey?it calls for 1/4 cup fresh whey or veg.

Breastfeeding, the diet of the breastfeeding mother; organ meats; fat soluble vitamins (especially those from pastured and wild animals); consumption of naturally - raised and raw, cultured dairy products; fermented and fresh vegetables; fermented or sprouted grains, all play a part in a diet that produces health throughout life and for many generations as Dr. Price discovered.

Kefir, pronounced as keh» - feer, alternately known as «Grains of the Prophet Mohammed», «Drink of the Prophet», «Tibetan Mushroom», «Balm of Gilead», «California Bees», «Snow Lotus», kombucha, tibcos, Yogurt Plant», «Yogurt Mushroom», is a cultured beverage that originally hails from Russia.

Just get a tablespoon of kefir grains (you can purchase from multiple sources, such as Cultures for Health), add about 8 tablespoons of milk (we use raw milk from a local farm), put into a glass jar, cover, and store at room temperature (out of direct sunlight) for 12 - 24 hours.

I just started a new batch of grains from dehydrated ones from Cultures for Health.

Ground stone mortars, bowls, and cup holes first appeared in the Upper Paleolithic (from 40000 y ago to 12000 y ago)(29), whereas the regular exploitation of cereal grains by any worldwide hunter - gatherer group arose with the emergence of the Natufian culture in the Levant ≈ 13000 BP (30).

Grain - free, with optimal levels of protein plus prebiotics & probiotics, live yogurt cultures, digestive enzymes, and natural fiber these recipes enhance digestion and total body health.Healthy protein from duck & chicken mealsOmega - 3 fatty acids from salmon oil & flaxseed support healthy skin & coat...

Manager Giovanny Rivareta explained to me during a recent visit, «We have an ethnically diverse client base from cultures such as Indian, Hispanic and African, the latter who come for regionally authentic flavors such as Grape Nut (a malt grain).»

Specifically the notion analyzes the forms that emerge from our culture's conversion from film grain to computer pixel.

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New YorkFrom Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New Yorkfrom The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New Yorkfrom the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New YorkFrom Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New Yorkfrom the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New Yorkfrom the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New Yorkfrom the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY