Sentences with phrase «grand history painting»

He took subjects resembling grand history painting, with a proper Victorian composition.

Now one of the world's most successful photographers, Gursky's curiously detached worldview, often presented on a scale associated with grand history paintings, is well known.

Not exact matches

The Grand Prix White paint is believed to be original, and the car is reported to have no history of any paintwork or accidents.

Bugatti has resorted to history to justify this Grand Sport Vitesse as a special edition, with a paint job in Bianco and Light Blue inspired by the 1928 Type 37A, an open wheel racer now owned by American petrolhead Jay Leno, with a Cognac leather interior (although its looks «Tan'to us)..

Sen. / Re Traf Det., Grand Black Wood Veneer, Electric Operated Tailgate, Full Size Spare Wheel, Noble Plated Paddle Shift, Privacy Glass with Solar Attenuating Windscreen, Auto Dimming and Elecric Folding Wing Mirrors, Contrast Painted Roof - Santorini Black, Keyless Entry + Go, Multifunction Steering Wheel, Tiptronic Gearshift, Voice Command, Auto Headlights, Rain Sensing Wipers, Power Folding Mirrors, Electric Steering Column Adjustment, Stop / Start Technology, 2 Keys, Next MOT due 24/03/2019, Last serviced on 02/03/2018 at 32,295 miles, Full dealership history, 100 CARS IN GROUP STOCK - WE ALWAYS RECOMMEND CALLING OUR SALES TEAM PRIOR TO VIEWING ONE

Steir continues to self - reflexively explore the grand history of painting in her work.

Af Klint is now finally credited with making the first non-objective painting in the Western fine - art tradition, and it is both her grand imagination and sense of purpose, and the idea of how histories are and can be constantly re-written, that has informed and inspired McElheny's new works.

Until the nineteenth century Western art was dominated by the academic theory of History painting and High art (grand manner).

In Rubinstein's analysis, this attitude provides an easier yoke for artists tired of laboring under modern painting's grand and burdensome history.

The supernatural compositions of Bas's past are here expanded into grand mythologizing narratives, taking on the weight and scale of 19th - century history painting.

But meander along the Grand Canal, and palazzo after palazzo drips with painting shows of supreme quality, their sensuous colour and luminosity enhanced by the watery setting, their ambition anchored by resonance with history.

Yvoré's oeuvre has a sense of melancholy and loneliness that pervades each painting, while simultaneously linking itself to a grander history of art and philosophy.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Righgrand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Righgrand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RighGrand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Jeff Bark's monumental photographs plumb the depths of a collective human experience in the manner of history painting's grand masters, from Titian to Jacques - Louis David, while drawing from the tradition...

Her works are often constructed on a grand scale; with narratives of destruction and hope, they are in dialogue with classical history paintings.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Fighting History The genre of «history painting», telling grand stories of great events, was Britain's most honoured art form in the late 18th cHistory The genre of «history painting», telling grand stories of great events, was Britain's most honoured art form in the late 18th chistory painting», telling grand stories of great events, was Britain's most honoured art form in the late 18th century.

«Epic Paintings» carries with it a sense of history and tradition, grand style, ambitious, and larger - than - life narratives of the human condition.

One has to broaden the conversation... This series of works attempts to reconcile the presence of black female stereotypes that surrounds their presence and / or absence in art history, and the notions of beauty, spectacle, and the «grand» in painting.»

Witty though they are, these works are too big, too flat, and suffer the same mechanical failings as grand 18th - and 19th - century history paintings.

Arranged thematically into eight sections, the exhibition opens with an exploration of his art in the 1750s when he trained in Rome and worked for German patrons, including the Prince - Archbishop and Elector of Trier, producing history paintings in the grand style.

Christina Pettersson's work explores resurrection and savage demise on a grand scale once reserved for history painting.

Climbing the grand spiralling staircase of the China Club in Hong Kong is like drawing a cork on the history of modern and contemporary Chinese painting.

The Q&A was the highlight of the day for me, bringing authenticity & humor to an otherwise complex and serious conversation.Mokgosi grand - scale paintings focus on post-colonial Africa depicting realistic rendered subjects inspired by the style of European history paintings.

Ileana, with Leo Castelli and Alan Solomon, played an important role in bringing Robert Rauschenberg to the 1964 Venice Biennale, where he won the Grand Prix for Painting — a crucial event in the career of Rauschenberg, in the history of the Venice Biennale and of European and American contemporary art as a whole.

His commitment to a grand tradition of painting superimposes a value on his work that accretes history as if its challenges demanded that a position be taken and held, whatever the cost.

Her work explores resurrection and savage demise on a grand scale once reserved for history painting.

Quirt's greatest achievement for the WPA was a panoramic mural in New York's Bellevue Hospital, The Growth of Medicine From Primitive Times, which combined Surrealism and history painting on a grand scale.

His Morning Star mural painted on the domed ceiling of the Canadian Museum of History's Grand Hall is seen by hundreds of visitors every day.

In celebration of the grand opening of the Smithsonian National Museum of African American History and Culture, Afro Frontal will feature illustrations, paintings, and photography by a collective of artists of African descent.

Christina Pettersson explores resurrection and savage demise on a grand scale once reserved for history painting.

Often printed on the grand scale of a history painting — exhibited either as backlit lightboxes akin to advertising displays or as crisp ink jet and silver gelatin prints — Wall's works reveal their poetic potential through portraying empathetic characters, picturing impossible vantage points, and capturing elusive moments.

Like his contemporary Andreas Gursky, Struth's work is often printed to a monumental scale, encouraging comparisons to history painting and other grand forms.

Acknowledging the grand history of painting and the importance it still plays to this day in the ways we see ourselves, Williams has long considered the human figure to be the obvious vehicle to represent the human condition.

Filtered instead through his own brushwork (or photography, or both), it takes on a distinctive air of simultaneous detachment and personal involvement, as well as a unique relationship to the grand history of painting.

I also think that his grand sense that painting could be in touch with history, poetry and everyday life is something he communicated to Cy Twombly, who studied with him in the summer of 1951 at Black Mountain College.

At POTSE 68, he will introduce his new project called Le Grand Verre, (a reference to Marcel Duchamp's iconic work by the same name) it merges abstract painting, photography and light art into new perspectives on the history of art.

Here is a magisterial drawing that combines graphic power, expressive force, and narrative ambiguity on the grand scale of history painting.

History painting in the grand manner continued to be the most prestigious form of art, though not the easiest to sell, and Reynolds made several attempts at it, as unsuccessful as Hogarth's.

For Frieze New York Paul Kasmin Gallery will present a solo exhibition by the painter Walton Ford, known for his grand scale watercolors of animals in which he expands upon the visual language of traditional natural history painting.

Abney continues to mine aspects of American culture to create compelling, narrative tableaux reminiscent of grand manner history painting.

Acknowledging painting's grand history and the importance it plays to this day in how we see ourselves, Williams has long considered the human figure to be the vehicle to represent the human condition.

When he died in 1961 he was described in The New York Times as «the grand old man of British painting and one of the greatest in British history.»

His apt description of the painterly project of an admired forebear, Alex Katz (James is also an accomplished and widely published critic), is equally applicable to his own practice, i.e. he continues to play the grand, complex game of Western painting while reflecting a fully contemporary consciousness of the modern and postmodern disjunctures of history and culture.

That was the first time I'd seen his paintings, those big grand paintings, the history paintings with the straw, felt like nothing I'd ever seen.

It's no point dragging them through the grandest paintings in the history of the world when they would be much happier shaking hands with Mickey Mouse.