What is missing on the fourth floor at MoMA is precisely the yeasty, unpredictable mix of forces that in Manhattan defined the last stand of the avant - garde, the last moment when an artist, sitting alone in a studio, could believe that the tidal sweep of history had brought art to this point, that all
the grand philosophical ideas, the dreams of Plato, Hegel, Kierkegaard, and Nietzsche, were with the artists, pushing them forward.
One of the most important artists of the 20th and 21st centuries, Gerhard Richter has absorbed many
ideas of several dominant movements, while remaining skeptical of all
grand artistic and
philosophical credos.