Sentences with phrase «graphic art prints»

I found these fun graphic art prints for only $ 12.00, but the frames were kind of blah.

Not exact matches

Officially, it now offers «hardware, software, consumables and services to customers in graphic arts, commercial print, publishing, packaging, electronic displays, entertainment and commercial films, and consumer products markets.»

State - of - the - art rotogravure or flexographic printing presses with computerized color and registration control produce high impact graphics bags enhancing your product shelf presence.

With full graphic capabilities, state of the art HD flexographic printing presses and expanded 100,000 square foot facility, our company prides is GFSI HACCP compliant and ISO 9001 certified.

This technology utilizes white - plus process coloring printing to deliver a wide color gamut and brilliant graphics for full, state - of - the - art decoration of a round package.

He often designs his own original prints or collaborates with various artists from the graphic design or visual arts fields to create original prints for his collection.

Pop art graphic print sleeveless dress will surely make you stand out from the crowd.

A new definition of bold mixed prints and the reinvention of graphic arts, fall coats are given an aptitude personas.

House signatures including the gold Baroque print and pop art - inspired graphics were reintroduced to classic silhouettes in fresh, modern ways.

The graphic art transfer printed runner features a skull surrounded by a gothic flourish.

I am always looking for art whether it's an abstract painting or vintage graphic print.

They'd offered me a credit to try their printing service, so I'd uploaded some original Art Deco fashion graphics from my collection.

(1) Pug painting — commission from Meagan Seith @Meigartista (2) Quote custom print (3) tropical leaves in black frame — Graphics Fairy (4) Abstract sea — custom artwork by me (5) Stag Print — B & Q (6) Vincent Van Gogh IRIS — print from the Metropolitan Museum of Art (7) Monstera Leaf — painting bprint (3) tropical leaves in black frame — Graphics Fairy (4) Abstract sea — custom artwork by me (5) Stag Print — B & Q (6) Vincent Van Gogh IRIS — print from the Metropolitan Museum of Art (7) Monstera Leaf — painting bPrint — B & Q (6) Vincent Van Gogh IRIS — print from the Metropolitan Museum of Art (7) Monstera Leaf — painting bprint from the Metropolitan Museum of Art (7) Monstera Leaf — painting by me.

I have been an artist all my life, from graphic design to fine art prints and paintings.

- Exclusive memorabilia including a Map of Hogwarts, concept art prints, catalogs of props and posters, all designed by the graphic designers from the films.

Communication Comparisons 06/20/2001 [World History, Language Arts Grades 3 - 5, 6 - 8 Submitted by VaReane Heese] VaReane Heese, a teacher at Springfield (Nebraska) Elementary School submitted this week's lesson in which students use online and print resources to research different methods of communication, use graphic organizers to compare the methods, and share their findings with classmates.

But unlike a microwave, Puckett's classroom 3D printer aligns with the printing and graphic arts instructor's 21st century maker ethos.

Collage in print art, made by Hilly van Eerten, from her urban pictures and photos - Dutch graphic artist, mainly working in mono - type and in digit...

Ljupco (he changed his legal name to Lou when he became a U.S. citizen) attended a specialized art high school and expected a career in graphics and print - making in Macedonia, but Balkan turmoil put an end to all that.

Nationally, provides a broad range of DOT clients with high quality state - of - the - art information services which include: dockets; information distribution; mail; managed printing and graphics; multi-media and photography; warehousing and shipping / receiving; and library / reference / research activities.

I am the art director at the author PR firm Novel Publicity, cover artist & print formatter for Evolved Publishing, and also work with Indie Reader providing custom cover and promotional graphics services.

David's longstanding involvement in the marketing, sales, digital - printing, graphic - arts and business publishing industries inspired him to found MiniBük in 2009.

Specializes in developing prepress software for the graphic art and printing industries.

The Florida Review publishes innovative fiction, nonfiction, poetry, reviews, graphic narrative, digital stories, and visual art by established and emerging writers in print and online.

Driftwood Press is a quarterly print and digital magazine that publishes fiction, poetry, graphic narrative, art, photography, original interviews, and literary criticism.

Ultimately, digital downloads and webcomics will be the norm while popular story - arc collections, archives, and original graphic novels will be offered in print via special, art directed editions for competitive, albeit, expensive price tags.

Rooms boast bold, graphic print bedlinens, modern art, and guest - use mobile phones.

Be the first to receive an early edition DIGITAL copy of Navid's not - yet - released 90 page GRAPHIC NOVEL «BEDOUIN» + a signed COVER ART print from BEDOUIN.

Exclusive 11x18 POSTER of the game (signed by the team) + SPECIAL EDITION 1979 GRAPHIC NOVEL COVER ART print (signed by our Concept Artist).

«Once marketed to schools as a cheap copier, Risograph printing has become a favourite of graphic designers, creatives, zine makers and art institutions,» says Yuck Print House's Mark Brennan.

Based in Perugia, Italy, Nikaj is focused primarily on graphic design, branding, art direction and print design.

1992 Joan Mitchell: New Prints, Bobbie Greenfield Fine Art, Venice, California (September 11 — October 10) Joan Mitchell, Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan, France (July 16 — August 31) Joan Mitchell, Galerie Jean Fournier, Paris (June 3 — July 14) Joan Mitchell: Trees & Other Paintings, 1960 to 1990, Laura Carpenter Fine Art, Santa Fe, New Mexico (May 2 — June 6) Joan Mitchell: Pastel, Whitney Museum of American Art, New York (March 19 — June 21) Joan Mitchell: Recent Lithographs, Susan Sheehan Gallery, New York (March 17 — March 28) Joan Mitchell: Sunflowers and Trees Series, Tyler Graphics, Mt. Kisco, New York (opened March 7)

«The Satirical Edge in Contemporary Prints and Graphics,» Alsdorf Gallery, Mary & Leigh Block Museum of Art, Northwestern University.

The show will proceed chronologically: from early prints that portray the populist and revolutionary roots of graphic arts in Mexico, to Rufino Tamayo's role in the invention of the Mixografia printing technique, and finally to the collaborations done with contemporary Latin American artists following Mixografia's move to Los Angeles in the 1980s.

1984 Art on Paper 1984: The 20th Weatherspoon Annual Exhibition, Weatherspoon Art Gallery, University of North Carolina, Greensboro (November 18 — December 16) Foire Internationale d'Art Contemporain, Grand Palais, Paris (October) Prints from Tyler Graphics, Walker Art Center, Minneapolis, Minnesota (September 22, 1984 — March 17, 1985) Action / Precision: The New Direction in New York, 1955 — 60 — Norman Bluhm, Michael Goldberg, Grace Hartigan, Al Held, Alfred Leslie, Joan Mitchell, Newport Harbor Art Museum, Newport Beach, California (June 28 — September 9).

John Szoke, a New York publisher and dealer in fine art graphic prints, noted that «it affects your general attitude about the collector who doesn't want something,» and Zwirner described «a person who doesn't buy when called» a «problem.

His writing has appeared in the Catalogue of «the Painterly Print» from the Metropolitan, Museum, in ART NEWS, The PRINT COLLECTORS NEWSLETTER, ART ON PAPER, and M - E-A-N-I-N-G on the on line magazine ART KRUSH; He has won awards from the Tiffany Foundation, The National Institute of Arts and Letters, the Guggenheim Foundation and a Distinguished Career award from the Southern Graphics CouPrint» from the Metropolitan, Museum, in ART NEWS, The PRINT COLLECTORS NEWSLETTER, ART ON PAPER, and M - E-A-N-I-N-G on the on line magazine ART KRUSH; He has won awards from the Tiffany Foundation, The National Institute of Arts and Letters, the Guggenheim Foundation and a Distinguished Career award from the Southern Graphics CouPRINT COLLECTORS NEWSLETTER, ART ON PAPER, and M - E-A-N-I-N-G on the on line magazine ART KRUSH; He has won awards from the Tiffany Foundation, The National Institute of Arts and Letters, the Guggenheim Foundation and a Distinguished Career award from the Southern Graphics Council.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenprints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenPrints, University of Lexington, Kentucky.

The Southern Graphics Council is a non-profit membership organization that works for the advancement of understanding and scholarship of the print, drawing, book and paper arts.

Anchor Graphics at Columbia College, Philagrafika, and the Southern Graphics Council are all organizations with missions committed to the sustainability and support of fine art print works.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

Happily, the Tate's expansive exhibition recognizes the centrality to Hamilton's work of print as idea and printmaking as process — a welcome antidote to the many surveys that concentrate on painting and sculpture to the exclusion of graphic art — and showed the prints as fully integrated within the larger body of Hamilton's wide - ranging oeuvre.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among oPrints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among oprints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

1987 Allied Arts Council of Southern Nevada / First Interstate Bank Regional Art Collection, Las Vegas, Nevada The Works Gallery: «A View Through / Revisited» Long Beach, California Korean Cultural Service: «CURRENTS - Eight Contemporary Artists, American & Korean» Los Angeles, CA University of Hawaii at Manoa: «Glass: Another View» Honolulu, Hawaii Pence Gallery: «Works on Paper» Santa Monica, California Yurakucho Asahi Gallery: «Prints by Los Angeles» Tokyo Japan (traveling exhibition) Sena Galleries West: Arnoldi / Cooper / Dill, Santa Fe, New Mexico Stanford University Museum of Art: «The Anderson Collection Two Decades of American Graphics, 1967 - 1987» Stanford, California Scott Hansen Gallery: «Summer Selected Works» New York James Corcoran Gallery: «From the Sixties and Seventies» Santa Monica, California Elizabeth Leach Gallery: «Cirrus Editions, Ltd» Portland, OR

External placements are facilitated in graphic and web design, print journalism, radio, television, professional theater, art galleries and museums, etc..

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

Colour in Estonian Graphic Art 24.10.2012 — 10.02.2013 4th floor, A-wing, Cabinet of Prints and Drawings After the rough style of the 1960s had exhausted itself, pure colours and geometrical forms appeared in Estonian graphic aArt 24.10.2012 — 10.02.2013 4th floor, A-wing, Cabinet of Prints and Drawings After the rough style of the 1960s had exhausted itself, pure colours and geometrical forms appeared in Estonian graphic artart.

Seripop loves experimenting with various fields of visual arts, making interesting works that incorporate elements of music and graphic design with the concept of screen printing.

Jennifer Melby has worked with the following notable publishers: Baron / Boisante, Peter Blum Editions, Brooke Alexander Editions, Cleveland Museum Print Club, Diane Villani Editions, Editions Ilene Kurtz, Fawbush Editions, Foundation Kajikawa Art, Galerie Bernd Kluser, John Szoke Graphics, Multiples, Parasol Press, and Michael Steinberg Fine Art.

Important collections include 20th century American paintings and prints, 20th century American photography, 19th century European painting, 15th through 20th century western graphic art, Korean ceramics, Pre-Columbian ceramics and fabrics, and folk art from the subcontinent India.