His signature works include brightly colored figures, flowers, and landscapes rendered in bold forms and
graphic color fields.
Not exact matches
Her vividly
colored and textured biomorphic forms reference
Color Field, Social Realist and Surrealist paintings, 1960s and»70s counterculture
graphics, 1970s feminist art, and bodily forms and fluids.
His work is associated with Geometric abstraction, Abstract Illusionism, Lyrical Abstraction, Hard - edge painting,
Color field painting, Shaped canvas painting, and 3D Computer
Graphics.
They are also richly loaded with a range of historical, stylistic, and physical references that include
Color Field and Surrealist paintings, 1960s counter culture
graphics, 1970s feminist art, and bodily forms and fluids.
Complex and seductive, their references include
color field, social realist, and surrealist painting; 1960s and»70s counter-culture
graphics; 1970s feminist art; and bodily forms and fluids.
Works such as Yodel Me Back to Orville Overhaul (1998) extends the vocabulary that Wirsum began in the 1970s, which combined motifs from
graphic illustration and comics with hard - edged geometric patterns and designs that spoke to the flat horizontality of
Color Field Painting as well as the intricate patterns and rhythms of Latin American and Oceanic folk art.
Her reductive compositions and pure
color mimic the low - tech
graphics utilized in mid-century media, and allude to
color field paintings of the 1960s.
Like many younger artists, he might have leaped straight from the clarity of an earlier Modernism to American Pop Art and the
graphic novel, while some of those floating
fields of
color do have a parallel in Hans Hoffman.
They are also richly loaded with a range of historical, stylistic, and physical references that include
Color Field, Social Realist, and Surrealist paintings, 1960s and»70s counter-culture
graphics, 1970s feminist art, and bodily forms and fluids.
In the early 1990's Mark studied the techniques of watercolor painting, used these techniques in
graphic and
color field paintings and then adapted these techniques to acrylics and to his interest in the EXPLOSION OF COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his
color field paintings and then adapted these techniques to acrylics and to his interest in the EXPLOSION OF
COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his
COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his work.
Lacing Action painting and
Color Field painting with a postmodern twist, Zimmermann's abstract motifs seem to spring from more figurative representations: he uses computer
graphics and «dithering» (a technique that displays images without firm edges so as to give a more colorful appearance) to deform images, texts and signs from his own massive archive of images, evoking the atlases of Gerhard Richter and Aby Warburg.
Lister's love for geometric abstraction,
color field painting and old school digital
graphics led him to reinterpret the iconic images in the 8 - bit inspired vocabulary through the watercolor medium.
Gottlieb naturally progressedfrom this body of work to his Burst paintings, which were even more simplified and abstracted.Wei writes that Gottlieb's Burst paintings are a «synthesis of gestural abstraction and
color field, the painterly and the
graphic.»
His signature style consisted of flat
fields of
color and sharp perspectives, utilizing a vocabulary of road signs, corporate logos, electrical wires and freeway underpasses to form a
graphic, stylized American landscape.
Emphasizing their roots as graffiti writers, Rubin crafts wildstyle abstractions into
graphic geometric deconstructions, whereas Col sculpts and weaves his into weighted three - dimensional shapes and flowing, entwining
color fields.
ADOLPH GOTTLIEB Black
Field screenprint in
colors, 1972, on wove paper, signed and dated in pencil, numbered 139/150, published by Marlborough
Graphics, with full margins, in good condition L. 24 x 17 1/2 in.
Unless you're in a highly - creative
field, your resume should not contain
color,
graphics, numerous tables, different font changes, etc..
But then some
color if you're in the visual arts or
graphics field for an attractive presentation.
Not only are
colors and
graphics seen as childish on resumes in almost every
field, «Webitude» has not replaced State and Federal employment laws, which corporations must surely follow.