Sentences with phrase «graphic design sense»
An instructional designer should represent these elements in an appropriate flow and graphic design sense.
http://www.swiftelearningservices.com/ Not exact matches
The Web site should be designed by a person with a strong sense of graphic design in order to make it visually appealing for the users.
Candies ® considers itself an «amusement park» — a combustion of bold colours, wild graphics, playful interpretations of mainstream slogans and quirky rubber designs — which combined brings Candies sense of craziness to life via recognisable iPhone cases, handbags, and fashion jewellery must - haves!
Each member must possess relevant qualifications (Instructional Designers would need to possess experience in Instructional Design and content development, and excellent communication, visualization, analytical and conceptual skills; courseware designers would need to be experienced in multimedia and graphics; graphic and visual designers would need to have a keen sense of designing good GUI and components), and sufficient experience to be able to understand, make useful recommendations, and develop eLearning that takes care of your organization's eLearning needs.
«My World», the most popular primary school programme of the 1990s, was originally designed to provide a graphic diary for a single SEN pupil in Derbyshire.
While most eLearning developers are not graphics designers, it does help to have some design sense.
Then it does make sense to offload a duty like graphic design to the pros.
Canva is a free online tool which allows anyone, even those with little artistic sense and no design skills, to create professional looking graphics with some practice.
* Multi-sensory effect: A visionary entertainment experience that synchronizes stunning graphics and innovative sound design to electrify the senses.
While it is easy to imagine the meaning of that word in the narrow sense of graphic design for characters and the like, in this article we're going to take a deeper look at the question of «what is game design?»
The world of Hyrule has never been so well - realised, with the game's bright cell - shaded graphics, vibrant character, location and object designs, as well as beautiful musical score and ambient sound effects creating a superb sense of place.
It's not like Alan Wake is thriving on good graphics (and certainly not facial animation) because it's thriving on visual design and style, all adding up to a sense of genuinely harrowing paranoia.
With chunky isometric graphics and some distinctive character animation and design, it really evokes the sense that you're roaming a fully - realized fantasy world, from its cold dungeons to its peaceful villages set among lush green fields.
Anyone in London with an eye for an esoteric and an ear for noise is aware that Cafe Oto is a pretty forward - thinking little gig venue; so it makes sense that the graphic design that promotes it is equally rarefied and bold.
The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.
First of all is the «subversive design» of Ettore Sottsass for the Studio Memphis followed by the graphic design of Peter Saville and Neville Brody; architectural models and rendering, together with preparatory drawings by Philip Johnson for the AT&T skyscraper (1978); works by Robert Rauschenberg, Cindy Sherman and Ai Weiwei; the 1986 stainless steel bust of Louis XIV by Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman (1987); music videos of Laurie Anderson, Grace Jones and New Order; and also surprising objects such as the dinner services designed by architects like Zaha Hadid, Frank O. Gehry and Arata Isozaki.
From applied arts to paintings, aspects of graphic / industrial design and functionalism, the erratic nature of his work embodies the sense of impermanence, doubt, and transformation that he considers implicit to the act of creating, both in its formal content and its potential for generating meaning.
Known for his distinctively mischievous sense of humor as well as his incisive reconsideration of photography's critical possibilities, Larry Johnson combines text, drawing, painting, graphic design, and animation within a photographic framework characterized by visual clarity, economy, and sharp focus.
The extensive graphic design is not as elegant or refined as HTC's Sense (seen on the HTC One), though some widgets are very nicely styled.
Leveraged creativity and design sense to successfully manage and coordinate graphic design and print projects, providing strategic leadership to freelance support personnel.
ARTISTIC EYE: I have a true passion for graphic arts and an exceptional sense of design.
I'm a graphic and visual communication designer who possess a passion for great design, a strong aesthetic sense, pay attention to detail and ability to create simple solutions to complex problems.