Sentences with phrase «graphic form by»

There's interesting browsing to be done among the various prize reports, each set out in graphic form by VIDA.

Not the familiar questions of generations of theological classrooms, but concrete questions posed by the lives we know, and honed into graphic forms by the best of our novelists, film - makers, and social commentators.

Not exact matches

I've shied away from this space lately for a variety of reasons: a sense of perfectionism that's creeping in due to my other forms of writing; being uninspired by the formula that food blogs are falling prey to, getting duller and duller even as their photos and graphics get shinier and shinier (tell me, please, that you know what I mean?)

But incorporating art in the form of illustrations and graphics into curriculum for older students seems to be a relatively new and somewhat controversial concept as evidenced by the Common Core State Standards [Education Week] being adopted in all but three states so far which states «the text should be central, and surrounding materials should be included only when necessary, so as not to distract from the text itself.»

You acknowledge that content available through the Web Site, including, without limitation, content in the form of text, graphics, software, music, sound, photographs, and videos, and content provided by suppliers, sponsors, or third - party advertisers («Intellectual Property Rights»), is protected by copyrights, trademarks, patents, or other proprietary rights and laws.

As a graphic illustration of this interesting and unfolding agenda, the powers that be in the APC, led by Buhari himself, fired six shots at Tinubu immediately after they formed government.

An electrocardiogram (ECG or EKG, abbreviated from the German Elektrokardiogramm) is a graphic produced by an electrocardiograph, which records the electrical voltage in the heart in the form of a continuous strip graph.

Thompson had no access to computer graphics, but he made reference to experiments which showed that many of the forms found among the foraminifera could be generated by using mercury...

Like its predecessor, K - Glass 2 also employs augmented reality, displaying in real time the relevant, complementary information in the form of text, 3D graphics, images, and audio over the target objects selected by users.

Simulations are normally made by forming a wireframe image of objects on a computer screen and then filling them in with computer graphics to make them look real.

stylist + creative director: Amanda Auer of In the Now Weddings and Events / / photography: Jasmine Star / / hair + makeup: Erica of 1011 Makeup / / floral design: Krista Jon / / videography: Candis for Sweet T Studios / / desserts: Sweet and Saucy Shop / / graphics: Typologie & Co. / / hand lettering of dessert signs: Artsy Heartsy Events / / rentals: Classic Party Rentals, Signature Party Rentals (chairs), La Tavola Fine Linen (linens), 24 Carrots (sweet display) / / kids» table, wood chargers, wood candlesticks: Custom by Josh Auer / / dining table: Amanda's personal collection / / dining chairs: Bride + Groom, Hire Elegance / / Your Cloud Parade items: Cufflinks from Form Designs, Bracelet in Leather / Gold from Leather Wraps, Veil from Tessa Kim, Glitter Headband with White Sequin Heart from Sara Rae Shop, Bracelet for bride [braided] from Me You Now Us, Centerpiece Containers Bowls from Wind Willow Home, Glitter Polish from My Ten Friends, Solid Polish from Lex Cosmetics / / blue tufted walls: Archive Rentals

However, to the customer, the illusion of print remained in the form of graphic or textured fabrics including jacquards, laces and brocades, a move that was largely embraced by her wholesale partners.

Produced by Seth Rogen and Evan Goldberg, this combination of satire and slapstick also includes the requisite number of dumb, gross and otherwise icky sight gags, whether in the form of Cena agreeing to a «butt chugging» contest with a bunch of beer - buzzed 17 - year - olds, or some unsettlingly graphic close - ups of male genitalia.

Deadpool 2 (R for sexual references, graphic violence, brief drug use and pervasive profanity) 11th installment in Marvel Comics» X-Men franchise finds the wisecracking title character (Ryan Reynolds) forming a ragtag team of superheroes to protect a young mutant (Julian Dennison) being hunted by a time - traveling, cybernetic soldier (Josh Brolin).

The nominees, chosen by a blue - ribbon panel of judges, reflect the wide range of material being published in comics and graphic novel form today, from crime noire to autobiographical works to cartoon adventures.

From historical fiction to memoir to suspense, this year's top 10 graphic novels, reviewed in Booklist from March 1, 2015, to February 15, 2016, reveal the rich potential in a wide - ranging form that's only getting better as the years go by.

Once again, this year's nominees in 31 categories reflect the wide range of material being published in the U.S. today in comics and graphic novel form, representing over 120 print and online titles from more than 50 publishers and produced by creators from all over the world.

A barcode puts numbers associated with your book into a graphic form that can be read by a laser scanner and integrated into a point of sale (POS) system.

LICENSES Archway Publishing hereby grants you a non-exclusive, non-transferable, non-sub licensable, revocable and limited license to display the Archway Publishing trademarks and logos solely as they appear in the affiliate marketing materials (i.e. links in the form of banners, graphics, and / or text), (collectively, «Archway Affiliate Marketing Materials») provided to you by Archway Publishing.

By using Facebook applications like «Static FBML,» you can create customized tabs on your Facebook Fan Page containing graphics, text and videos to promote your book, and even include opt - in forms to grow your mailing list.

The information, text, graphics, images, sounds, links and all other information and software published or otherwise contained in the Site are either owned exclusively by Apeejay Surrendra Park Hotels Ltd or licensed by Apeejay Surrendra Park Hotels Ltd and except as specifically provided in these conditions may not be copied, distributed, displayed, reproduced or transmitted, in any form or by any means whether electronic, mechanical, photocopying, recording, or otherwise, without the prior written approval of Apeejay Surrendra Park Hotels Ltd..

Heralded by many critics as a return to form of the venerated graphic adventure genre, this noir cyberpunk story should prove a breakthrough success for indie developer Wadjet Eye Games.

The pin point design (the ship's hit box is a mere (and precise) 4 pixels by 4 pixels, which constitutes the inner circular part of the middle of the ship)(the rest of the ship is impervious to enemy fire), the beautiful bright neon graphics, the simple (yet effective) hard rock soundtrack, the excellent control, and the steep, but fair (due to excellent design) challenge all come together to form a frantic, intense, and chaotic, yet entirely cohesive experience.

And while the graphics of games like Super Mario Bros. and Zelda were blocky by necessity, the pixel has been reborn as an art form unto itself.

It was formed by Thomas Mahler (former Blizzard Entertainment artist) and Gennadiy Korol (former Senior Graphics Engineer at Animation Lab) but comprises of a team that is spread across the planet, many of them who have never even met before.

Bobbie began her creative life as a dancer and an artist before studying graphic design with Armin Hofmann at the Basel School of Art and Crafts, and her work is shaped by both balletic movement and rigorous attention to form.

Margin of Error delves into the precarious world of technology we have built — the man - made disasters of shipwrecks, explosions, crashes — through a variety of forms, including graphic designs, industrial artifacts and paintings created by Man Ray, Margaret Bourke - White and others.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

The strategy of the post-modern Memphis studio was to challenge and subvert Modernist conventions of good taste, with a visual language dominated by flamboyant pattern, bold colour, graphic sculptural form and, frequently, humour.

Guided by the aesthetic philosophy of nsibidi, where sign systems are used to convey ideas, Ekpuk re-imagines graphic symbols from diverse cultures to form a personal style of mark - making that results in the interplay of art and writing.

Superflat is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop and fine arts, as well as the «shallow emptiness of Japanese consumer society.»

Whereas the forms of his wooden panel paintings feature the careful precision and hard - edges of geometric abstraction, the imperfections and «accidental noise» innate in Biltereyst's cardboard relief prints appear exploratory and rapidly configured, expressing not only the raw energy of creative problem - solving usually revealed in artists» preparatory sketches, but also an interest in graphic elements battered by everyday use, exposure and interaction.

This screen and its pattern forms the structure of the video and sound work shot and assembled by Williams, less a film than an animated graphic composition that draws from the histories of weaving, capitalism, technical systems, and landscape.

The exhibition celebrates many of the artist's graphic scores for performance and will take the form of multiple daily performances by individual musicians and vocalists.

Framed by the work of the East - German graphic designer Klaus Wittkugel (1910 — 85), K, will invite local and international artists, designers, and curators to actively consider the exhibition form anew through installations, talks, and pedagogical interventions.

All this is coupled with a modernity, discipline and simplicity of form influenced by her graphic design background.

Moderated by Ta - Nehisi Coates, producer David Simon (The Wire), graphic novelists Kelly Sue Deconnick (Captain Marvel) and Catherine Meurisse (La Légèreté), and spoken word artist D' de Kabal (Chants Barbares) will look at how and why certain art forms — from television to comic books and slam poetry — move from low art to high art.

Review of «Narrows» in THE Magazine, by Jon Carver, July 2016 Review of «In the Garden of Externalities at CCA» by Jordan Eddy in Visual Art Source, January 2016 Via Negativa Show Catalog by James MacDevitt, November 2015 Form Equals Friendship: The Human Entropy Project, January, 2013 Beautiful Decay, artist feature, December, 2012 (cover) Morpheme Magazine, summer 2012 Indigo / Premiere Vision - Influences, Paris 2011 «Heaven», Shephard Fairey / Art of Elysium, 2010 Interview, artist feature, +81 Magazine, Issue 47, Pattern Graphics, Tokyo, Spring 2010 (Cover) David O'Brien, Manipulating Organism Through Art, Redefine Magazine, February 2010 David O'Brien Artwork, interview and article by Stephanie Nahas, Yatzer, August 2009 (Cover) David O'Brien Artwork, Interview and Artist Feature by Leah Turner, Color Magazine, Summer 2009

Take, for example, the orange loops of Caligula, 1960, or the interlocking blue and crimson oblongs of Untitled (January 12), 1962, forms marked by simplicity and graphic pop.

The bridge between modern art and postmodernism, Pop art employed popular imagery and modern forms of graphic art, to create a lively, high - impact idiom, which could be understood and appreciated by Joe Public.

Featuring 500 original works, including films, photographs, furniture, drawings, sculptures, paintings, textiles, graphic design, models and stage props, the retrospective illustrates the congenial synergy between the personalities of Charles and Ray Eames, which formed the foundation of a lifetime of work by what was arguably the most successful design duo in history.

The course taken by MOTI in the collection of digital art coheres perfectly with the policy of the Stedelijk Museum Amsterdam, which is always geared to new forms of art with a particular interest in the cross-over between graphic design and visual arts.

Collages of shapes and colors are set in forms that take their cue from the photo - graphic essay contained in this book — softened, one imagines, by the same waves that some of the stones rode in on.

Forming in 1997 and united by a love of post-punk music and aesthetics, Amsterdam - based graphic design studio Experimental Jetset went on to become one of the most important and influential practices of the past 20 years.

Postmodern forms include the word art of Christopher Wool (b. 1955)- characterized by monumental black stencilled letters arranged on a geometric grid - and the conceptual graphic art of Barbara Kruger (b. 1945).

Inspired by a lifelong love of comics and graphic novels, the Houston - based artist's fantastical images form semi-autobiographical narratives.

By the early 1960s, Indiana was painting stark, graphic canvases that used stencilled letters and numbers, solid blocks of colour and repeated geometric forms.

In this context Point of View as a collection represents how artists offer up an alternative to mainstream, mass - produced culture's content by combining the imaginative and innovative properties identified with high art with forms and subjects drawn from advertisements, commercial movies, graphic and industrial design, science fiction, and popular music.

Inspired by the impact of advertising and consumerism on contemporary culture, Rosenquist's paintings are often populated by a high - energy mishmash of symbols, characters, and graphic forms.

The forms and compositions of the Conversion project are influenced by traditional Christian iconography, yet they are disseminated by contemporary motifs like the info graphics of modern gadgets and app logos.