Sentences with phrase «graphic identity of»

Taking the graphic identity of the gallery itself — a grey block that represents the gallery space and is found on all her branded material — she uses the same block on the invitations, allowing each artist to choose their own colour.

Studio Manuel Raeder is an interdisciplinary design studio based in Berlin, that has been engaged in designing, publishing and editing over 100 artist books in the past ten years, as well as being responsible for the communication strategies and graphic identity of several cultural institutions such as Kölnischer Kusntverein (2007 - 2011), Kunstverein München (since 2010), and Artists Space New York (since 2009), and of the fashion label BLESS (since BLESS N ° 23).

Before streaming and MP3s, album covers provided the graphic identity of music.

Known as the UK's most creatively curated film festival, the pressure was on to stand out — without straying away from its established graphic identity of the inverted «F».

For the graphic identity of The Colburn performing arts school in Downtown Los Angeles, designed by New York - based Melia Tandiono, the inspiration came from the two most important guides for any performer; the metronome and the conductor's baton.

The Met's own alphabet has even been incorporated into the graphic identity of the project.

Examples can be found in the graphic identities of the Government of Canada, FedEx, Microsoft, and IBM.

Not exact matches

In the graphic below see how the visual aids not only help get the message of the piece across, but also link up to SumAll's broader visual identity.

That generally includes other identity work and graphic design as part of the package, according to Laurel Sutton, a principal with Catchword Brand Name Development.

There is a tonne of paperwork to be completed to enable you to work with such a large organisation and you also have to be very careful to adhere to their Brand Identity guidelines, but that's something I was used to doing from my graphic design days.

We work in a variety of media covering illustration, graphic design, identities, packaging, animation, installations, 3D design and set / prop design, as well as recently starting the Studio Binky Shop, which is our own range of products including cards, prints and colouring books.

Next time someone asks you what you do, dive right into the nitty gritty and say, «I'm a freelance graphic artist that lends her skills to a variety of small businesses looking to improve their visual identity.»

A spaceship crew awaken from stasis with no memory of their mission or their identities, but once they reach their destination, a mining colony, they begin to look for answers while working together to survive in this adaptation of the graphic novel series of the same name.

Speaking as an admirer, but not an apostle, of the graphic novel, I thought the Watchmen movie was confusing, maddeningly inconsistent and fighting a long, losing battle to establish an identity of its own.

Agnès Varda's New Wave masterpiece about a famous singer / fashion model who abandons her blond wig and rediscovers her identity on the streets of Paris is jam - packed with vivid detail, an expressive graphic style, and an eye for urban chaos, and is at least as engaging and inventive as Breathless and The 400 Blows.

«Tamara Drewe» (Sony), directed by Stephen Frears, has a strange and wonderful pedigree: an adaptation of the graphic novel (by Posy Simmonds) inspired by Thomas Hardy's «Far From the Madding Crowd» and whipped up with a light sex comedy froth by screenwriter Moira Buffini and the cast (headed by the Gemma Arterton as the gorgeous heroine with identity issues and Roger Allam as the philandering author who wants to bed her).

Those are the characters» virtual identities within the game, but I might as well use them since 90 percent of the movie is spent in the OASIS, which is rendered in gloriously absurd anime - style graphics.

This graphic novel, appropriate for teens or adults, presents three poignant and sometimes humorous interrelated stories of young, first generation Chinese Americans as they explore their identities in relation to mainstream American culture.

In addition to this, the unit deals with complicated fraud and identity theft cases where the need exists to conduct Link Analysis to connect all of the entities together in an easy to understand graphic that can assist in identifying the primary targets and their affiliates.

The front - end design makes a powerful statement of Range Rover's identity with the bold horizontal graphic created by the perforated two - bar grille and distinctive headlamps.

Based on an extensively reengineered platform of the current generation model, the new Fabia will get Skoda's new design identity like the large grille, slim headlights and C - Shaped taillight graphic.

A zipper graphic applied down the center of the vehicle, complete with an actual giant - size Mopar zipper attached to the front bumper, hints at the dual - identity of the Jeep Grand Cherokee Half & Half.

At the front, the intake grille and fog lamp graphics were expanded to establish a more confident and sporty image of the car while maintaining the design identity of Kia's tiger nose grille.

Services: Book cover & interior layout, logos, graphics Specializing in design for the printing of books, catalogs, newsletters, posters, ad design, postcards, brochures, corporate identity packages and logo design.

The first graphic novel to win the Printz Award, Yang's expertly rendered title explores Chinese American identity through interwoven stories of three wildly different characters.

Note: by downloading the logo (s) you agree to our Basic guidelines for the consistent implementation and management of Sun Valley Resort identity and graphic standards.

Established in 2007, we are an independent design and development studio based in Bali that provides services in the field of website design, website development, web application, identity design, graphic design, and digital marketing.

With V - Rally 4, the goal is to remain faithful to the identity of the franchise, which earned the support of millions of fans, and to strike a perfect balance between sensation, presentation, and simulation, while offering the best graphics and gameplay the latest technology can support.

Here's the personal identity of Jonathan Shackleton, a graphic designer from Leeds who graduated last summer from Falmouth University.

Based in Barcelona, Spain, illustrator and graphic designer Marti Serra, under the guise of moniker DSORDER, was to bestow a personality — an identity, really — upon each album coming from He - Art Recordings, a vinyl label founded by Oscar Aguilera.

«We've used the drawing across all the collateral, applying many of the architectural details such as ornamental borders and balustrades as counterpoints to the graphic design of the hotel's identity.»

Logos are signs, marks of identity designed for easy recognition, that function as a graphic representation of a company, brand or organisation.

Simple outlined shapes taken from House's own work tie the graphic approach of the identity with the work on display, teasing the viewer with a vision of the show as well as performing as subtle wayfinding devices.

Stefan Sagmeister and Jessica Walsh of design studio SagmeisterWalsh recently designed a new graphic identity for the pre-eminent museum in the United States devoted to art and Jewish culture.

The appearance of «Le Principe Galápagos» will be indicated throughout the Palais de Tokyo by a graphic identity created by the Geneva - based studio Schönborn Hernandez.

In an exploration of the term «brand identity,» Murphy used 100 laser - cut images of graphic logos to create a human face — more specifically, the face of his daughter, Iris Isadora.

The monograph is also a visual record of contemporary New York's urban fabric, indelibly transformed by the designer's innovative approach to environmental graphics and identity design: from MoMA to Charter Schools; from the High Line to Shake Shack.

A study of important avant - garde and graphic design movements starting with the Industrial Revolution through the 20th century including: Futurism, Dada, Constructivism, De Stijl, the influence of the Bauhaus and the New Typography, the rise of the modern movement in America, pre and post-war design in Switzerland and Italy, the International Typographic Style, the New York School, corporate identity, postmodernism and more.

In our «BERLIN REVIEW» section dedicated to our favorite books of the season, we limbo through the past and present: from tracing NASA's graphic identity to dissecting the cashmere globalism of EMPORIO ARMANI MAGAZINE to studying the 1000 - year history of PISSING in art to wandering through Korea's Demilitarized Zone.

Most recently, Miller has taken on the exciting new assignment of creating the graphic identity for The Cooper Union's new academic building.

Unpicking identities through each part of the event, Raf Simons» 2003 Autumn / Winter Control collection parka makes an appearance as an icon of the indie music scene of the early noughties combined with graphics from Peter Saville's archive which made headlines this year with a current value of $ 20,000.

Miller has designed the graphic identities for the Whitney Museum of American Art, the Dallas Museum of Art, Mohawk Paper Mills, Seattle Art Museum and the Noguchi Museum.

They were early to mingle photography and graphics in a style reminiscent of advertising, and early to address sexual identity in that work.

«The identity presents a combination of extremes, from soft pastel colours and minimal type, to a series of complex illustrations formed from the mash up of various visual assets, and vigorous hand - made brushstrokes, textures of varied surfaces, to fragments of photographs taken of day to day life in São Paulo — all pieced together into a subjective graphic synthesis of the city.»

The identity therefore required a pared back approach, to let the work do the talking and also due to the vast number of applications, from show graphics, to a website, to catalogues and stationery.

Based in London, they design and develop graphic based solutions for screen and print, and have been around since 2007 covering a range of disciplines, in particular — experimental typography, illustration and brand identity.

Atto works on a variety of projects: brand identity, editorial, illustration, motion graphics and web — always taking care of every little detail and going through a considered process.

Uniquely the practice has been nominated for the Design Museum Designs of the Year award for three consecutive years: in 2011 for the Four Corners Familiars series; in 2012 for AA Files, the Architectural Association's journal of record; and in 2013 for the graphic identity and campaign for the Venice Architecture Biennale: Common Ground, the winner of the graphic design category award.

Also, the clue is in the name: a few good things — a carefully selected and limited colour palette of black, grey, green and white; a quiet, neat and rather beautiful sans serif font; carefully considered paper stocks and a neat graphic device tying it all together make for a cohesive, uncomplicated identity system.

Recent projects include: the design of wayfinding and signage for Tate Britain; art direction of ArtReview magazine; prayer book design for the Church of England; and graphic identity and ongoing consultancy for David Chipperfield Architects, Raven Row gallery, 6a architects and Four Corners Books.