Sentences with phrase «graphic line work»

My work also has a repetitive theme of graphic line work and patterns, and tends to break the rules of perspective.

Not exact matches

I work with Business Insider's The Bottom Line and produce graphics with the goal to engage users.

As you can see from the graphic above, Greg Mattison, Michigan's defensive line coach, has had plenty of experience working with top talent.

Designers on opposite sides of the world will soon be able to work on the same 3 - D computer model using ordinary personal computers linked by ordinary phone lines, rather than powerful graphics workstations.

But the decorative part of the collection was still graphic, always worked on straight lines, which made these knits seem less like classic tartan and more like artistic games with geometry.

In addition to working a traditional 9 - 5 job, Kosta owns «Cool Kids Can't Die,» a German clothing line centered around graphic T - shirts.

Blu - ray and DVD, with plenty of supplements: new interviews with Otto Preminger biographer Foster Hirsch and music critic Gary Giddins, a featurette on graphic designer Saul Bass and his long collaborative relationship with Preminger, excerpts from a 1967 episode of «Firing Line» featuring Preminger, newsreel footage from the set, and excerpts from a work - in - progress documentary on the making of the film, plus stills, a trailer and booklet with a new essay and an archival article.

Candle is an endearing and absolutely stunning game that walks the line of graphic adventure and puzzle / platformer and it's a fantastic work.

«The studio embraced the opportunity to interpret the Cadillac form language, line work and graphic signature for this premier prototype racing application.

In partnership with our imprint «VIZ Signature» line of graphic novels, IKKI is bringing the works of some of its top creators to the English - language audience via a groundbreaking online monthly manga magazine.»

I can work with a graphic designer I choose on my cover, I can hire an editor I trust, I can manage my own marketing, arrange my own signings, talk without having to toe a party line 4.

Especially as the genre itself doesn't seem to acknowledge this disability (or, indeed, do most people working in visual and graphic design, though that's a debate I won't delve into here...)-- out of all the racing games in my collection, the only studio to have also jumped onto the «how about we use two completely contrasting colours in our racing line assist?»

To sweeten the deal, Nintendo and Enix worked together to tweak the American version of the game, improving its graphics and streamlining the interface to fall more into line with its sequels, already available in Japan.

I've stuck with Sony's PS line mostly because they work to improve on the core of what makes games great (faster system, better graphics, best controller ever made) rather than trying to «branch out» with gizmos and gimmicks that only serve to complicate games rather than enhance them.

Some works convey a sense of place using no more than a simple graphic line, as demonstrated by Roy Lichtenstein and Saul Steinberg; others inject atmospheric effects as seen in examples by Richard Artschwager, Jennifer Bartlett, and Alexis Rockman.

Formally, the works are defined by Hull's distinctive and characteristic visual style - angular figures, bold, graphic lines and marks in black, contrasted with gestural abstraction in vivid, sometimes shocking, color, and recurring imagery — ships and nautical themes, and court jester or clown - like figures alone or interacting in totemic or frieze - like compositions.

In this, the artist's first solo exhibition at Marlborough Gallery since 2013, Güneştekin lends his signature detailed, combed brushwork, rich symbolism, graphic lines and intense color schemes to artwork in textiles, ceramics, and metal, in addition to oil on canvas works.

Curated by Susan Davidson, this long - awaited exhibition to be held at the Deutsche Guggenheim, Berlin, Guggenheim Bilbao and the Peggy Guggenheim Collection in Venice considers the artist's works on paper as an essential component in his signature transformation of the traditional figurative line into a non-figurative graphic expression.

The sense of graphic, almost diagrammatic execution in these works is certainly traceable in the Face Paintings, in which the dense topography of intersecting lines creates a destabilized sense of depth, playing with the viewer's perception of three - dimensionality.

This week David Zwirner dedicated his spacious booth to a solo presentation of work by German photographer Thomas Ruff dominated by the artist's notorious «supernudes,» blurry, large - scale photos of hard - core pornography that straddle the line between abstraction and graphic figuration.

As an artist resident of Westbeth, and a member of the Westbeth Graphics Studio, Francia's newest work examines color, shape, line and how they interact with the concept of Freedom of the Press in the 21st century.

The graphic work by Bourgeois presents isolated body parts, animal and insect imagery, breastfeeding women and anthropomorphic furniture in black and white as well as primary colors with mastery of line and a sculptor's sense of depth and gravity.

By the 1980s, suffering from alcoholism and dementia, De Kooning's paintings became more sparse and graphic, featuring amorphic lines with shapes of color, less dense and more open and airy than his earlier works.

Judith Bernstein's drawings and paintings are inspired by her early introduction to graffiti during her time at Yale School of Art; as such, her iconic style features expressive line work, graphic images, and a biting sense of humor.

Early in his career he managed to produce work in both art and graphic design spheres, blurring the lines between the two.

These works mine the narrow gap between iconic and three - dimensional space, between graphic and painterly line.

When it comes to foreign artists, the MoCAB's collection comprises quite a line - up of graphic works of many big names, such as Roy Lichtenstein, Andy Warhol, Joan Miró, Salvador Dalí, Georges Braque, David Hockney, Robert Rauschenberg, Eduardo Paolozzi, Josef Albers, Lucio Fontana... There are also two notable paintings by Max Ernst and Andre Masson, and the digital artworks of George Maciunas, Ken Friedman, and possibly the most famous Serbian artist — Marina Abramović.

This work displays the style that Letendre would become internationally recognized for; a hard edged line, graphic sensibility and use of multiple bright shades.

This recent retrospective of Jack Kirby's graphic work currently on view at Cal State Northridge's Mike Curb Gallery sets the record straight and proves that a graphic line can be just as moving, haunting and unsettling as any fine artist's mark - making (Raymond Pettibon anyone?).

Since 2013 Glenn Brown has pursued drawing as an autonomous means of artistic expression, in graphic works whose surfaces are covered with an ensemble of marks and sinuous lines that interweave and reply to each other.

Traced directly from her photographs, and made in collaboration with the artist and children's book illustrator Jon Buller, the works are black - and - white line drawings that are converted to a scalable vector graphic and printed on a vinyl that is adhered directly to the wall.

«We've done a lot of photography and graphic works,» said Cecilia Alemani, director of High Line Art.

The trailing, energetic lines, offset by areas deliberately obscured or «veiled,» create a graphic dance that alludes to, without aping, Abstract Expressionism — especially the work of Frank's fellow Dutch émigré Willem de Kooning.

This period includes graphic paintings such as Italian Beach from 1960 and May Scene from 1961 in which the artist utilizes an economy of line not commonly seen in her earlier works.

In Music of the Mountains (2016), a graphic work on panel, Brown paints using only black and white lines over a neutral ground.

Like Wheel of Fortune boards in midplay, the works comprise lines of incomplete text, the missing letters and words denoted by graphic

His room paintings, such as the gold filigree work that he made for the Turner Prize in 2009 or the dizzying force lines — a graphic technique used in engineering — visible in the stairwell of Modern 2 in Edinburgh, are amazing feats of painstaking complexity.

A graphic sensibility is evident in the work's sharp lines, bright colors and juxtaposition of photo - realist fragments.

Three exhibitions currently on view in New York City — Stuart Davis: In Full Swing, Carmen Herrera: Lines of Sight, and the Hilma af Klint exhibition that is secreted within The Keeper exhibition at the New Museum — provide object lessons on the necessity of seeing «in person» artworks that in reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phone.

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

His main line lately has been HTC (high temperature conductivity, if I have it right) and there has recently appeared some material that dismayingly misconstrues his work (Anderson localization), a parallel with climate science in the way that clever appearance and neat graphics trump careful and accurate assessment of the true dynamics in question.

But if you're not working in a creative field like graphic design or fashion, how do you know when your resume crosses the line from creative to distracting?

Remember, even though you probably won't include graphics in your resume (other than perhaps some nice lines and tasteful shading), your resume is a work of art.

Using lines, shaded boxes and small graphics such as arrows can work well, if used in moderation.