Sentences with phrase «graphic painting techniques»

No wonder Pop and conceptual artists, who later used graphic painting techniques and photography to similar ends, loved him so.

Not exact matches

This super easy technique will have you painting signs and transferring printed fonts or graphics from your computer like a pro in no time.»

Philadelphia, PA About Blog Lines and Colors is a blog about painting, drawing, sketching, illustration, comics, cartoons, webcomics, art history, concept art, gallery art, digital art, artist tools and techniques, motion graphics, animation, sci - fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else.

The game is layered with the use of dark versus light, steeped in deep and twisted storytelling, and engulfed in stylistic violence that is visualized through a hand - painted graphic noir technique that stays true to its comic book origins.

The Six Paintings series will be complemented by a selection of prints made from his Dots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic technique.

His masterful technique is achieved through the scrutiny and emulation of the compositional devices, graphic rhythms, and refined surfaces of sixteenth - and seventeenth - century Northern European painting, while his eroticized subjects exist at odds with the popular dialogue and politics of contemporary art.

Couple Williams» painting technique with his fervent graphic sensibility and you get some very potent and memorable work.

A range of techniques including painting, sculpture, graphic arts and photography will be showcased thematically rather than chronologically, aiming to highlight dialogue between eras, revealing how certain artists have been prompted to reinterpret earlier works.

Like the Hollywood disaster movies made in the same era, his work hints at catastrophe, particularly the later paintings made by graphic artists using the glossy airbrush technique that then pervaded popular culture.

The display is arranged thematically, to show the full range of Johns» materials, motifs and techniques including his unique use of encaustic and collage in paintings, as well as the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

The works merge traditional drawing and painting techniques with large - format digital printing and computer graphics.

Consciously employing commonly used artistic techniques, such as trompe l'oeil, action painting, graphic design, screen printing, and rudimentary drawing, Josh Reames» paintings break down hierarchies of mark - making, art historical references, computer graphics, labels, and everyday objects in a manner drawn from the non-objective «infinite scroll» of images and information we encounter in both the online and real world.

The juxtaposition of disparate images with graphic renderings in an ambiguous, illusionistic space in Burns to Breathe (Got ta Have a Better Attitude)(2014, 40 x 38.5 inches) recalls the «inscapes» of Surrealist painter Roberto Sebastián Matta, who combined unexpected imagery with unconventional painting techniques to create fantastic landscapes intended as landscapes of the mind.

The technique of automatic drawing was transferred to painting (as seen in Miró's paintings which often started out as automatic drawings), and has been adapted to other media; there have even been automatic «drawings» in computer graphics.

Using computer graphics, printmaking, cartoon and newspaper appropriations, impasto - like chunks of paint, and every other gesture and technique under the sun, Owens shows massive, colorful canvases that are simultaneously rapturous and amusing.

His unique style integrates traditional drawing and painting techniques with large - format digital printing and computer graphics.

Inspired by super graphics and video game imagery of the early 1990s, Elrod began to use the computer to facilitate paintings through a technique he calls «frictionless drawing.»

Their work in graphic design, drawing and painting, glass, ceramics, fiber, printmaking, photography, and sculpture show a diverse range of ideas and techniques.

Keogh's graphic canvases made using a traditional sign painting technique that aligns her with artists like James Rosenquist, Patrick Caulfield and Tom Wesselmann.

In Wet & Wild Josh Reames presents a new series of paintings which employ commonly used artistic techniques, such as trompe - l'oeil, action painting, graphic design and rudimentary drawing, all existing on one plane.

In the early 1990's Mark studied the techniques of watercolor painting, used these techniques in graphic and color field paintings and then adapted these techniques to acrylics and to his interest in the EXPLOSION OF COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his work.

Originating from the Leiden world of graffiti, Zedz incorporates typographical and lineal techniques learned at this time into his contemporary work, which covers a diverse range of media, from murals and paintings to computer graphics and sculpture.

Beginning each painting with a low - tech computer drawing, Bauer develops his work through a complicated process incorporating hands - off painting techniques such as stenciling, silk - screening and spraying that translate digitized graphics towards sublime fields of painterly abstraction.

Lacing Action painting and Color Field painting with a postmodern twist, Zimmermann's abstract motifs seem to spring from more figurative representations: he uses computer graphics and «dithering» (a technique that displays images without firm edges so as to give a more colorful appearance) to deform images, texts and signs from his own massive archive of images, evoking the atlases of Gerhard Richter and Aby Warburg.

This year, the focus is on more traditional techniques, namely painting and graphic art.

While Dutch street and gallery artist Super A blends urban methods, graphic design and traditional painting techniques to give life to work that evolves out of his personal experiences and thoughts, the Dutch artist and illustrator Collin van der Sluijs translates personal pleasures and struggles in daily life into his own visual language.

Here, all associations with drawing, delicacy and fragility have been supplanted by a fresh, graphic sensibility and a technique more akin to painting.

The interplay of adjacent graphic blobs of color combined with a highly unusual technique that gives certain areas of the painting a splotchy «melted wax» look makes Application: One a particularly hypnotic item that is sure to suck you in.

The exhibition is arranged thematically, encompassing the full range of Johns» materials, motifs and techniques including his unique use of encaustic (heated beeswax) and collage in paintings, and the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

With their large, flat blocks of colour and seductive shimmer, Gary Hume RA's paintings have a graphic simplicity that translates terrifically well into silkscreen and linocut — printmaking techniques that are known for their density of pigment and even distribution of ink.

The medium offered techniques of cropping, foreshortening and near abstraction that allowed her to incorporate the «graphic power of photography into her painting,» as O'Keeffe biographer Hunter Drohojowska - Philp puts it.

Garth Weiser is best known for his highly graphic paintings that compress the vocabulary of abstraction into dense pastiches of history and technique.

Fusing pop art's hard edges with the political ideals of social realism, and techniques of Tibetan painting with the graphic symbolism of West African sculpture and design, her practice occupies a unique space within the black arts movement of the 1960s and»70s.

Dr Tarnya Cooper, Curatorial Director, National Portrait Gallery, London, and co-curator of The Encounter: Drawings from Leonardo to Rembrandt, says: «Part of the appeal in looking at portrait drawings is that they seem to speak to us directly without embellishment or polish; in contrast to painted portraiture the graphic process appears unmediated by the artfulness of technique.

In his paintings, drawings, sculptures, graphics, collages and assemblages he combined different techniques with handwritten texts and words and set real everyday objects against undefined backgrounds.

His room paintings, such as the gold filigree work that he made for the Turner Prize in 2009 or the dizzying force lines — a graphic technique used in engineering — visible in the stairwell of Modern 2 in Edinburgh, are amazing feats of painstaking complexity.

His paintings, and huge monumentally scaled site - specific murals, are phenomenal combinations of realist painting technique and graphic punctuation

Typically composed of thin layers of acrylic and oil paint on panel board, her paintings employ a broad range of techniques, deftly shifting between stark graphic lines to loose washes and thickly rendered brushstrokes.

Crammed with different techniques, abstract and representational images, references to recent as well as historical American and European painting, and comic books and graphic design, one wonders whether Rae is paying homage or gently mocking through ironic twists and turns.

• Track record of instructing students about basic sketching and contouring techniques • Well versed in evaluating students» work, charting their progress, grading assignments and guiding them regarding their weaknesses appropriately • Hands - on experience in curriculum development, lesson planning and implementation with aid of modern and effective AV aids and instructional strategies • Expert in instructing students about working in various modes including pastels, oil colors, water colors, fabric paints, charcoal and pencil • Adept at creating and maintaining a highly stimulating, inspiring and multicultural classroom environment • Proven ability to introduce novel forms of art and inculcate the same in the curriculum effectively • Demonstrated ability to enhance creativity among students by encouraging innovation, novelty and originality in their pieces of art • Familiar with various kinds of pixel sheets, sketching paper and art material, fully capable of determining age specific art material and techniques, suitable for assigned level and grades of children • Known for initiating, designing and implementing various art contests at the school to encourage a general appreciation for art among students • Competent at identifying course goals and fulfilling the same in collaboration with students, teachers and parents • Proven skills in lesson planning, curriculum implementation, technique instruction, practice facilitation and assignment communication • Profound knowledge of various advanced level 3D effect art techniques • Strong classroom management, organization and discipline control skills • Profound ability to devise innovative learning and instructional techniques to facilitate effective transfer of skill and knowledge • Proficient in use of computer to aid art work, familiar with various graphic designing and drawing enhancement software

Philadelphia, PA About Blog Lines and Colors is a blog about painting, drawing, sketching, illustration, comics, cartoons, webcomics, art history, concept art, gallery art, digital art, artist tools and techniques, motion graphics, animation, sci - fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else.

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