Sentences with phrase «graphics worked into»

The Edicions Bertó (1979 - 2000) were possible thanks to the idea and impulse of Joaquim Gelabertó Vilagran (1943 - 2001), who transformed his passion for the original graphic work into a great effort...

Not exact matches

Works on which you're able to obtain a copyright fall into eight categories: literary works; musical works; dramatic works; pictorial, graphic and sculptural works; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural wWorks on which you're able to obtain a copyright fall into eight categories: literary works; musical works; dramatic works; pictorial, graphic and sculptural works; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural wworks; musical works; dramatic works; pictorial, graphic and sculptural works; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural wworks; dramatic works; pictorial, graphic and sculptural works; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural wworks; pictorial, graphic and sculptural works; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural wworks; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural wworks; audiovisual works; and architectural wworks; and architectural worksworks.
The Times also reported that Uber has «experimented with video game techniques, graphics and non-cash rewards of little value that can prod drivers into working longer and harder — and sometimes at hours and locations that are less lucrative for them.»
What's nice about bringing a graphic bag or wallet to work is that it helps inject a bit of color or pattern into your work wardrobe without you having to wear it all the time... you'll probably be parking your bag at your cubicle for most of the day, anyway.
Overall it just an average game, the only reason why i gave it a score close to 5 is because you can tell their was hard work put into these specific things: Art, and Graphics.
The movie is clearly a personal, passion project for Lee, but despite the graphic, rough male sex and the many scenes of yucky farm work (hands inserted deep into animal rectums, birthing scenes, dead animals, etc.), it employs a surprisingly safe story arc.
But, in adapting Phoebe Gloeckner's acclaimed graphic novel, first - time director Marielle Heller works with deftness and confidence, sensitively tapping into the puzzle - box that is the adolescent mind.
Everything seems to come together very nicely in Amped 2 and it really does look like they have put a lot of work into the graphics.
If you've read all seven issues of the graphic novels, it would seem conceivable to adapt the book into a feature film, as the work is astonishing.
And given that the lead character in the film works in a graphic design firm, in the»70s no less, it's a pretty nice touch to carry that over into the marketing.
Certain words and phrases bring to mind visual gags, which Oliver (Ewan McGregor), a graphic artist working on a representation of the history of sadness for an epic set CD liner notes, turns into sketches.
Rendered lovingly in a retro pixelated 2D style, one might think that this aesthetic may serve to detract from the mood of the game, but Home's minimal graphics work incredibly well, feeding into the creepy atmosphere that's further conveyed by the luscious ambient sound effects and ambiguous storyline.
By using variants, you can condense a month's worth of work into a week, meaning that when it comes to creating a new variant for a new language and country, only small changes to text and graphics need to be made to allow for localization.
Pairing selections from his work with a graphic novel or comic can provide interesting discussion and inquiry into the elements of the genre itself.
Students will create a graphic organizer (work sheet provided, or they can use software such as Inspiration to create their own graphic organizer) to show the 9 - step process from the time a bill is proposed to the day the President signs a bill into law.
Of course, this render is no more the imaginary work of a gifted graphic designer so we're not jumping into definitive conclusions before seeing the actual, Mercedes penned four - door C - Class Coupe.
Brandon and I have worked on comics of several different lengths — standard 20 - and 22 - pagers, 10 - pagers, a 140 - page graphic novel, so looking at our overall plot and figuring out how to trim off the fat and boil it down into easily encapsulated 16 - page issues wasn't a huge difficulty.â $ ¨ â $ ¨ «Frost» is drawn by Giovanni Timpano, who posted some test pages for «The Shadow» on his blog.
The biggest news, though, is that we're working with a number of major publishers (and important smaller ones) to provide a storefront that contains deluxe digital graphic novels aimed at the «real mainstream,» the audience for graphic novels that reads Maus or Fun Home or Dotter of Her Father's Eyes but would never think of going into a comic shop guarded by a dodgy life - size statue of She - Hulk... We think the immersive «lean back» experience that tablets provide, along with purchase ease - of - use and the ubiquitous availability that app stores provide, can, if handled right, create a sea change in the consumption of graphic novels — and, if we have our way, the whole thing will have absolutely * nothing * to do with superheroes.
Thanks, I am putting a project together myself... it isn't a direct writing project... I have laser engraved on paper thin sheets of wood the complete original Alice's Adventures in Wonderland including the original graphics and made it into a wooden book... I want to do the same with the works of Edgar Allen Poe... but my laser is broken and I need another... my goal will be to raise $ 15,000 to produce the new book and more after that.
This program is a discussion of how professional editors from the industry's most prestigious publishers work with authors to make awesome comics and graphic novels as well as what else goes into an editor's job.
For $ 99 each I got terrific conversions into both Kindle and ePub formats, fully corrected, with all graphics in place and links active and working.
Even after having several of my graphic novels published, success with HURAKAN selling to a great independent press, and doing new media work with a major publisher, I still couldn't seem to get my book into the right hands.
Together they have faithfully adapted notable works by Lewis Carroll (The Complete Alice, 2010), H. P. Lovecraft (The Shadow Over Innsmouth, 2012), Bram Stoker (The Complete Dracula, 2009), and M. R. James (Ghost Stories of an Antiquary Vol 1, 2016) into comics and graphic novels.
If Quantic Dream put as much time and money into immersive game play as they do writing and graphics, the work would pay for itself as this particular developer has a chance to be at the top of everybody's list to buy yearly.
It has some work put into the atmosphere, and the retro - style graphics have obviously gotten a facelift, but it's just too shallow to have much replay value.
Overall it just an average game, the only reason why i gave it a score close to 5 is because you can tell their was hard work put into these specific things: Art, and Graphics.
Especially as the genre itself doesn't seem to acknowledge this disability (or, indeed, do most people working in visual and graphic design, though that's a debate I won't delve into here...)-- out of all the racing games in my collection, the only studio to have also jumped onto the «how about we use two completely contrasting colours in our racing line assist?»
Although the graphics are a little dated by today's standards, meticulous work has been put into crafting a world that is genuinely creepy.
You can switch back and forth between the original graphics and the 2017 remake on the fly, and sometimes I found myself doing it just so I could be gobsmacked by how much work they put into it.
How would you like it if you were an up - and - coming developer trying to make their mark on the world and put all your hard work and dedication into making a game just to have some graphics obsessed children crap all over it because it's not a mainstream retail title?
We'll also need a bit of graphic design and sound design work to help tie the four games together into one cohesive, quadrathlon - tastic package.
And we all put a lot of hard work into the graphics and sounds for uprush of fear.
To sweeten the deal, Nintendo and Enix worked together to tweak the American version of the game, improving its graphics and streamlining the interface to fall more into line with its sequels, already available in Japan.
It's a great comfort to me to see these guys pump life and attention and revival into the genre, even as we work to release Sissy's Magical Ponycorn Adventure on new platforms, and toil away on Spellirium, our trashpunk graphic adventure / word puzzle game mash - up.
Doing that gave me experience with all the different aspects of graphics work that go into a game.
There are plenty of games that have good graphics but Bioware has put a lot of work into the detail of faces, eyes and the many facial expressions on all the characters in the world of Mass Effect.
There's just something about the original charm of this game, taking Super Mario Kart's Mode 7 graphics and transforming it into 3D courses that just work.
Features include an interview with the artist David Shrigley about his love of football and his life's work, a chat with graphic design legend Paula Scher, an introduction to Gaika and Kibwe Tavares who are set to take the music and film world by storm, an insight into how curator Paola Antonelli shook up the design world in her role at MoMA, and a chat with illustrator Noma Bar.
This month, the team at graphic design publishing house Graphic Design & have released their latest project, an inquisitive survey into the work life of 2,000 graphic designers based in the UK and US.
I have been a self employed artist and graphic designer for just over a year and have debated about getting my work into galleries (I have encountered all of your red flags!).
These layered visual elements offered insights into Nelson's working method, combining historical and contemporary content and utilizing drawing, graphics, and film (appropriated or staged for the camera).
Through her new series of drawings, Bernstein transforms her critique into powerful graphic and text - based works.
For those unfamiliar with their work, the exhibition at Maureen Paley's is typical of their mode of presentation in being more of an environment or a set — vividly coloured wall paintings with strong formal and graphic elements unite and frame the various sculptural and pictorial components into an integrated whole.
Feiffer had just released his first graphic novel garnering widespread attention, Dash had died and Zucker's work had just been accepted into the Parrish's permanent collection.
When I began to very carefully let imagery seep into my work, it came from a source already essentially temporal, constructed, and graphic: a cartoon.
Through research and spontaneous discovery, she seeks out images with a «subliminal cultural power» within an extensive range — comics, nature photographs, 3D computer graphic, graffiti, and Eastern symbols have made their way into her complex, dense works.
The work in this exhibition is collated into several groups of graphic matter derived from a source assortment of elements that are variously reproduced, displaced and situated as a display.
Curated by Susan Davidson, this long - awaited exhibition to be held at the Deutsche Guggenheim, Berlin, Guggenheim Bilbao and the Peggy Guggenheim Collection in Venice considers the artist's works on paper as an essential component in his signature transformation of the traditional figurative line into a non-figurative graphic expression.
The proportional order of the works seems a minimalist cliche to my eyes in 2008; still, there's no denying the graphic power of these eight works as they move from white to black, maintaining the simplest geometric expression into a compressed infinity of blackness.
The artist's work synthesizes information into an entirely graphic language, starting with the formal concerns of surface, composition, color and tension, while introducing a range of subtle contemporary references and symbols.
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