Taking influence from performances by Rebecca Horn, the installation work of Eva Hesse, and the 60s and 70s works of Richard Tuttle and Sol LeWitt, Oh employs a minimalistic practice using string, weights, dowels, paint, plexiglas and
graphite lines arranged in fragile compositions.
Not exact matches
The relief panels, depicting the rise and fall of the tide and shifting horizon
lines, are densely
arranged on
graphite - colored walls where Fernández has extended the blue - hued images by drawing directly on the wall surface.
Curated by Lynnette Miranda, the installation at the Essex Street Market gallery has clay impressions
arranged by when they were gathered, with floral flourishes from architecture, jagged
lines possibly from sidewalk cracks, and scraps of words all together and available for gallery visitors to make
graphite rubbings.