Sentences with phrase «graphite lines on»

Since the beginning of his career in the mid - «60s, Robert Mangold (b. 1937, North Tonawanda, NY) has combined the classic elements of composition — shape, line, and color — to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.

Beginning by hand drawing graphite lines on gessoed surfaces using strings stretched tautly across the canvas, she enacted each line as a balancing act, requiring intense concentration and halting progress, evident in the visible tremors of the obviously hand - made final product.

A large canvas by Agnes Martin, who considered herself an Abstract Expressionist — although her work is closely aligned with Minimalism — consists of faint, hand - ruled graphite lines on an off - white background.

Not exact matches

The graphite construction and graphite side plates combined with a strong anodized CNC aluminum spool, stainless steel shaft, and interchangeable aluminum handles make this one of the best fishing reels on the market.This reel has extremely high line capacity which allows you to have longer casting distance on a wide target area.

When you write or draw with a pencil, the graphite (the «lead» of the pencil) slides off in thin layers to leave a trail — the line on the paper.

MUSTANG Women Boots Grey 1180-502-259 Casual Ladies boot with trendy applications of MUSTANG With Mustang logo on the heel to put zip in the heel to accents Upper: Synthetic Lining: Textile Rubber outsole Closure: Zipper Colour: Grey (Graphite) Weight per shoe: about 310g at EUR 41 Manufacturer description /

Beyond it, the graphite instruments are tricky to read but your brain registers that the last mark on the speedo is 220mph and the rev counter reads to eight but has no red line.

Guess it is finally the end of the line for my back ported 3.2.1 version on the Kindle DX Graphite.

Pierre — Paul Prud» hon, Psyche Carried Off by the Zephyrs, 1808 or later, black and white chalk over graphite on faded blue wove paper, with framing lines in black chalk, 17 1/2 x 12 in., Minneapolis Institute of Art

The relief panels, depicting the rise and fall of the tide and shifting horizon lines, are densely arranged on graphite - colored walls where Fernández has extended the blue - hued images by drawing directly on the wall surface.

Medium: Graphite on wall, silk - screened T - shirts Dimensions: Dimensions variable Credit Line: Courtesy of the artist.

Enigmatic and organic, the drawings are delicately realised in graphite and ink: Osiris is shown sitting on a watery black throne; a blindfolded figure with multiple top hats takes spectral shape against a network of fine lines in a reference to the late performance artist James Lee Byars and his trademark costume.

The Arundel series of paintings, begun in 1973, [11] features barely visible graphite lines and accumulations of white paint on white surfaces.

In each work — a cut sheet from an artist's drawing pad mounted on its cardboard backing — he employs gestures with paint, graphite, line, or the shadow of the paper on its cardboard ground that resonate with his expanded notion of drawing.

Agnes Martin's delicate graphite drawing Untitled from 1965 is a meditation on the intersection of lines, and the primacy of the grid.

High Plane (1968), a work of graphite and collage on wove paper, has a delicate, flesh - pink ground with wavering lines rising to a sketch of folding planes.

A formal tension in Ferris's work exists between types of mark - making: fields of spray call to mind a quasi-photographic, Richterian blur, while scraped - on graphite and textured lines of oil pastel bring the paintings back into a non-objective realm.

Six Minute Paper Punch Lines April 21, 1969, 1969 Graphite and ink on graph paper 4 x 22.25 inches 10.2 x 56.5 cm (each) 42.75 x 22.25 inches 108.6 x 56.5 cm (overall)

What surprises many curators is that while many of her 20th - century contemporaries in South Asia were making brightly colored, figurative paintings, Mohamedi was intensely focused on abstract, monochrome line drawings rendered in combinations of ink, graphite, gouache, and / or watercolor.

Sometimes drawing on a precise backgrounds, such as grid paper, she weaves graphite into its framework with rough shadings and lines.

In these works, Porter merges photography and drawing, extrapolating the limits of the first through graphite lines that begin as interventions on photographic paper and continue on the wall, inserting what is photographically represented in the three - dimensional architectonic field.

In Superficie Modulada (1956), made with graphite and gouache on paper, a series of intersecting lines creates a pattern whereby triangles in variegated shades of purple and pink jostle around a spine of black and white diamonds, like the design of a backgammon board.

Colette's familiar graphite on paper drawings achieved through repetitive mark making, micro and macro wavelengths of pencil lines, and Klappert's hand cut designs, make the most minimalist statement, the controlled hand of both the artists achieving something deliberate and obscured.

Her large - scale graphite drawings also on view in the gallery invited close inspection, the subtle shift in hand - drawn lines creating a palpable sense of movement within the confines of two dimensions.

The graphite lines, rarely thicker than a pencil point, remain, like scratches on skin, like reminders of humanity in an ethereal world.

Spencer Finch's continuous - line drawings of vulture flight patterns, like Trubkovich's work, reflect on the limits of visual perception and the fallibility of recollection, while Adam McEwen's machined graphite facsimiles of ordinary objects underscore the schism between memory and reality.

Although Martin uses a ruler to apply delicate lines of graphite on her canvases, the resulting image avoids the hard - edge clarity of many geometric paintings.

Her large - scale graphite drawings also on view in the gallery invited close inspection, the subtle shift in hand drawn lines creating a palpable sense of movement within the confines of two - dimensions.

These acrylic and graphite on Belgian linen pieces propose their own intense poeticism as each painting reads like a line of verse in a much larger more comprehensive narrative.

I am playing a game and I become far too pleased with myself when I focus in on a graphite line straying from its intended path.

Graphite lines drawn directly on the wall define the shadows cast by the constructions to emphasize the actual, non-illusory space they occupy.

Where Carolyn's circle sags a little against the wall in a gesture that suggests rest, you support your small paintings on top of nails, which are tacked into a horizontally level graphite line, and lean them against the wall.

Fowler begins each work by creating networks of graphite gestural lines on multiple sheets of paper.

Her devotion to extremely minimalist gestures and frugal appliance of ink and graphite on paper almost startle the viewer, shrouding autobiographical traces from the artist's ephemeral lines and stark juxtapositions.

For the past four decades, Sharon Brant has produced conceptually and aesthetically rigorous hard - edged paintings and drawings that commonly blur the lines between media — paintings are frequently drawn with graphite or pastel, extend outward from the wall into sculptural relief, or are mounted into complex, layered works on paper.

Teresita Fernández, Nocturnal (Horizon Line), 2010, solid graphite on panel, Smithsonian American Art Museum, © 2010, Teresita Fernández, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.38A - C

Contemporary ink drawing on tan paper with small vivid action lines in graphite.

Line drawings of plants in graphite and ink on paper, made between 1960 and 1992, are the subject of this catalogue, published to accompany Kelly's first solo exhibition at Matthew Marks Gallery, Plant Drawings, at 1018 Madison Avenue in 1992.

Like lines extracted from the wall and placed into real space, the monofilament lines connect with the graphite lines drawn on the wall.

Statement: The process of peeling and assembling skin is a meditative process for me, the same as assembling the lines of graphite drawing on paper.

Smith builds on his drawings with thousands of intricate fine lines that make for hypnotizing shapes while Sheinkman, on the other hand, takes advantage of the agile eraser on graphite covered paper to create a moody, moving image through the process of removal.

Images: Craig Drennen, Painter D (detail), 2011, Graphite, spray paint, acrylic, oil, alkyd on paper, 50 × 50 inches, Courtesy the artist and SALTWORKS Jennifer West, A 70MM Film Wearing Thick Heavy Black Liquid Eyeliner That Gets Smeary (70MM film leader lined with liquid black eyeliner, doused with Jell - O vodka shots and rubbed with body glitter), 2008, film transferred to digital video, no sound, 30 seconds, Courtesy the artist and Marc Foxx, Los Angeles