Sentences with phrase «graphite on paper drawings»

The new charcoal and graphite on paper drawings included in Material Handling are two separate series based on images of concrete sewer catch basins and rubber dock bumpers.

Other works on display include Seher Shah's graphite on paper drawings, Brutalist Traces (2015 - 16), of the modernist architecture of New Delhi; artist Gauri Gill's notebooks entitled «1984» (2005, 2009, 2014), from which are also displayed several photographs of the people and interior spaces of the «Widows Colony» in Tilak Vihar, where families affected by the anti-Sikh riots of 1984 were provided housing by the state; and a series of streetscape photographs by Pablo Bartholomew, including Man Asleep in Front of Political Graffiti, Calcutta (1978) which embodies how, in South Asia, history inflects the everyday.

Colette's familiar graphite on paper drawings achieved through repetitive mark making, micro and macro wavelengths of pencil lines, and Klappert's hand cut designs, make the most minimalist statement, the controlled hand of both the artists achieving something deliberate and obscured.

Selected graphite on paper drawings by French artist and illustrator, Amandine Urruty.

This unique graphite on paper drawing is characteristic of O'Neil's surreal work, which often integrates landscapes and figures in a dream - like manner.

This mid to late 20th century graphite on paper drawing is by San Francisco artist Michael di Cosola (1929 - 2010).

Not exact matches

(This drawing was done with graphite pencil on Arches coldpress acid free paper, measuring 5 ″ x7 ″ (13 cm x 18 cm).)

When you write or draw with a pencil, the graphite (the «lead» of the pencil) slides off in thin layers to leave a trail — the line on the paper.

Leslie Tonkonow did the same last year at her booth at Art Basel Miami Beach, where densely rubbed graphite drawings on paper scrolls unspooled from the wall with a majesty that attracted gaggles of admirers.

Daroim: Dusk Contraption Drawing with Magnetic Recording, and layered Indigo City Lust System, and Fragment Safety Dome with Above Ground Streamers and Nested Square Learning Center, 2013 Gouache, ink, colored pencil, graphite, and pastel on Fabriano Murillo paper 39.5 x 27.5 in.

Brice Marden: Graphite Drawings is the first in - depth study of these seminal works on paper.

The drawings are composed of graphite on paper (black over white) and represent the starting point for Lynch's colorful paintings and immersive installations that she has been developing for many years.

A de Kooning drawing, graphite, and other media on paper, erased by Rauschenberg and mounted in a gilded wood frame with label inscribed using a metal template in blue ink on paper by Jasper Johns, 25 1/4 × 22 3/4 × 1/2 in.

MARTIN PURYEAR, «Drawing for Maroon,» 1986/88 (black Conté crayon, with smudging, over graphite, on ivory wove paper).

This watercolor, gouache, graphite, and crayon drawing on paper was created by contemporary artist Jody Pinto (b. 1942).

Acrylic on plywood and graphite, pastel, and paint on paper, six parts: five boards, 96 × 48 (243.8 × 121.9) each; framed drawing, 15 1/2 × 12 3/4 (39.4 × 32.4).

Eight graphite on Mylar paper drawings pictorially, as well as aesthetically, compliment the sculptural works.

It includes the following: a series of five etchings realised with master printer Gregory Burnet in New York (Untitled, 2013), an ensemble of 16 works on paper (Mind Breath Drawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, inkDrawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, inkdrawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, ink, 2012).

In each work — a cut sheet from an artist's drawing pad mounted on its cardboard backing — he employs gestures with paint, graphite, line, or the shadow of the paper on its cardboard ground that resonate with his expanded notion of drawing.

Lee Lozano Untitled, c. 1964 Graphite on paper Four drawings framed as one work: 1 7/8 x 8 1/2 inches (4.8 x 21.6 cm); 1 7/8 x 3 7/8 inches (4.8 x 9.8 cm); 1 7/8 x 2 1/4 inches (4.8 x 5.7 cm); 3 1/4 x 4 1/8 inches (8.3 x 10.5 cm) © The Estate of Lee Lozano Courtesy Hauser & Wirth

«Portfolio (Monograms 2 of 2)», 2008 portfolio with three drawings (ink, graphite on paper), one polaroid, three colour prints 15 x 56 x 89 cm

Scott Wolniak: Landscape Record includes a selection of recent work from related, ongoing projects: graphite drawings on paper, carved and painted plaster tablets, and small sculptures.

Focusing on drawings by these masters, the exhibition will include pastels, watercolors, gouaches, and collages, in addition to drawings done in graphite, charcoal, and ink on paper.

«Portfolio (Monograms 1 of 2)», 2008 portfolio with two drawings (ink, graphite on paper), two polaroids, three colour prints (content installed in the window of Antiquariat Buchholz)

File name: 4952-015.jpg Anne Truitt Working Drawing, 1962 acrylic and graphite on paper overall: 27.94 x 61.91 cm (11 x 24 3/8 in.)

This exhibition highlights the artist's diverse range of art making since relocating from Milan to the United States in 2009, bringing together 40 recent graphite drawings and a selection of works on paper and ceramic sculptures.

Selected graphite drawings on paper by Michael Schall, a New York - based artist and illustrator.

Drawing for Collar (on altered table) 2010 Graphite on two sheets of vellum graph paper with collage 54.6 x 60.9 cm / 21.5 x 24 in

Graphite and charcoal on paper mounted on board 120 x 128 cm / 47 1/4 x 50 3/8 inches (unframed) 125 x 133 cm / 49 1/4 x 52 1/4 inches (framed) Unique From the Freud Drawings Series Execute...

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

Although trained as a painter at Southern Methodist University in Dallas, New York — based artist Lionel Maunz works primarily in iron, steel, and concrete sculpture, employing casting as an integral part of his methodology, as well as delicate drawings in graphite on paper.

Although trained as a painter at Southern Methodist University in Dallas, Texas, the artist works primarily in iron, steel, and concrete sculpture, employing casting as an integral part of his methodology, as well as delicate drawings in graphite on paper.

«Los Angeles - based artist Melissa Manfull creates an alternate reality of built form through intricate ink and graphite on paper compositions... With their oddball energy, these drawings sometimes recall the Dadaist montages of Hannah Hoch or Kurt Schwitters.

Created with a dry palette of graphite, gouache, and conté crayon on paper, the works feature biomorphic forms drawn from the worlds of physics, science fiction, anatomy, and horticulture.

The installation consists of two paintings on poured concrete and a series of 36 graphite drawings on paper mounted directly onto the wall in one long sequence.

His graphite drawings on walls, paper, and found maps are created from a layering process where the representational image is built only to be destroyed by the gestural strokes of erasers, electric sanders, diluents, and other corrosive materials.

Sometimes drawing on a precise backgrounds, such as grid paper, she weaves graphite into its framework with rough shadings and lines.

Employing both drawing and collage, Taylor creates the pieces by combining charcoal, graphite, cloth, oil, paper and wire into works full of minute complexity on a gigantic scale.

For Gerhard Richter (born 1932), the category of drawing covers a multitude of techniques, including graphite, ballpoint, ink, colored ink and watercolor on paper.

It presents more than 50 color reproductions of graphite, watercolor and ink on paper drawings made by Richter over a period of five decades, from 1966 to 2005.

Throughout his career, Chuck Close has expanded his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger painting, and stamp - pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries.

In these works, Porter merges photography and drawing, extrapolating the limits of the first through graphite lines that begin as interventions on photographic paper and continue on the wall, inserting what is photographically represented in the three - dimensional architectonic field.

Many of the drawings are reproduced here for the first time, and cover the full range of her drawing techniques, from graphite, ink and pastel to acrylic on paper.

In conjunction with these paintings, the artist has created a body of watercolor and graphite drawings on vellum tracing paper, realized on process drawings that the artist's studio uses to transfer government documents to linen for the oil paintings.

Felling a Horizon, 60 graphite drawings on paper, Single - channel video, Fell from the Same Tree, Y Gallery, New York, NY, curated by Cecilia Jurado, 2011.

Contortion — drawings with color and graphite on paper by Ingrid Maillard.

Other work includes a series of drawings of graphite on paper, and an edition from his series, Artist Statement.

Catherine Meier will be installing large - scale graphite drawings on paper that depict the subtlety of the vast, open grasslands of the North American Great Plains.

Pictured: Drawing for Nude with Blue Hair, drawing from a 1993 sketchbook Roy Lichtenstein (1923 — 97) Graphite and coloured pencils on paper, 10.5 × 6.7 cm Gift from the Estate of Roy Lichtenstein © Estate of Roy LichtDrawing for Nude with Blue Hair, drawing from a 1993 sketchbook Roy Lichtenstein (1923 — 97) Graphite and coloured pencils on paper, 10.5 × 6.7 cm Gift from the Estate of Roy Lichtenstein © Estate of Roy Lichtdrawing from a 1993 sketchbook Roy Lichtenstein (1923 — 97) Graphite and coloured pencils on paper, 10.5 × 6.7 cm Gift from the Estate of Roy Lichtenstein © Estate of Roy Lichtenstein

Sikkema Jenkins & Co. presented new graphite drawings and hand - printed texts on paper that explore themes of transition and migration that run throughout the African American experience in the 20th century as part of an exhibition titled «Dust Jackets for the Niggerati — and Supporting Dissertations, Drawings Submitted Ruefully by Dr. Kara E. Walkerdrawings and hand - printed texts on paper that explore themes of transition and migration that run throughout the African American experience in the 20th century as part of an exhibition titled «Dust Jackets for the Niggerati — and Supporting Dissertations, Drawings Submitted Ruefully by Dr. Kara E. WalkerDrawings Submitted Ruefully by Dr. Kara E. Walker.»