Sentences with phrase «graphite on paper image»

Not exact matches

Image Credit: Martín Ramírez, 808, Untitled (Caballero on Blue Horse), c. 1952 - 55, gouache, graphite, and colored crayon on pieced paper, 30 x 46».

Image Credit: Gala Porras - Kim, Future Spaces Replicate Earlier Spaces (Staff / Vessel), 2016, graphite on paper, artist's frame 30 1⁄2» x 20 1⁄4».

Images top to bottom: PDX - 44, 1923, graphite on paper; PDX - 30, 1923, graphite on paper; PDX - 203 c. 1925, ink, pastel, crayon and graphite on paper.

[Image at top: Ellen Lesperance; 1921, Anni Fleischmann Demonstrates Simultaneous Contrast Herself with the Help of a Knitted I - Cord Necklace; It Would Be a Year Before Even Meeting Josef Albers; 2009; gouache and graphite on tea stained paper; 22 × 29 inches.]

TOP IMAGE: KARA WALKER, «Dr. King,» 2015 (watercolor and graphite on paper).

Untitled (Altar No. 6), 2015, Graphite on paper in artist made oak frame with walnut inlay, Partially open: 106.68 x 54.61 x 27.3 cm, Image courtesy of the artist and Monique Meloche Gallery, Chicago

Untitled, 2015, Graphite on paper in artist made oak frame with walnut inlay, 132 x 40.64 x 6.35 cm, Detail, Image courtesy of the artist and Monique Meloche Gallery, Chicago

Untitled Diagram No. 14, from Diagrams with my Father, 2014 Graphite on paper in artist made oak frame, 83.82 x 60.96 x 6.35 cm, Image courtesy of the artist and Monique Meloche Gallery, Chicago

His graphite drawings on walls, paper, and found maps are created from a layering process where the representational image is built only to be destroyed by the gestural strokes of erasers, electric sanders, diluents, and other corrosive materials.

TOP IMAGE: THORNTON DIAL, «The Lady and the Long Neck Bird,» 1991 (graphite and watercolor on paper).

Firelei Báez, Vessel of Genealogies (detail), 2016, Acrylic, graphite and ink on paper Image Courtesy of the Artist & Gallery Wendi Norris

Bruce Conner, PORTRAIT (FRAGILE), JUNE 21, 1990 (1990), engraving and graphite photocopy collage on archival paper, image 6 x 4 1/2 inches, frame 18 3/4 x 14 3/4 inches.

Articulated with razor - sharp graphite on white, the detached images are softened by the intimate, book - like nature of still - creased paper.

All images in slide show: Details from William Powhida and Jade Townsend, Bellum Omnium Contra Omnes, 2012, graphite on paper.

Images: William Powhida & Jade Townsend, ABMB Hooverville (2010), Graphite on paper.

Image: Jean - Baptiste - Camille Corot (French, 1796 - 1875), Seated Camaldolese Monk, 1834, graphite on paper.

Images of the ocean first appeared in Celmins» work in 1968, with a series of graphite pencil on paper drawings that experimented with variations in the density and tone of graphite.

Graphite, archival pigment printed images, dried plant, silkscreened text on paper.

[Image: Arshile Gorky (1904 - 1948), To my Mougouch (dedicated to Agnes Magruder), 1946 Graphite and crayon on paper, 8 1/2 x 10 7/8 inches.

Tatiana Garmendía (b. 1961, Havana): A figurative / conceptual artist, Tatiana Garmendía creates realistic, X-ray like images of the human body using graphite and metal leaf on paper.

IMAGE CREDITS: James Drake, Renaissance Object, Drawings # 1249, 1250 & 1251, 2013, graphite, ink, and book pages on paper, 43 1/2 x 53 1/2 in.

Studio Wall Drawing: 5th June 2006 - High Resolution - «Large Field Array» (14x14x3 pixels)... (300) Artist: Keith Tyson born 1969 Date: 2006 Classification: on paper, unique Medium: 6 works on paper, ink, paint and graphite Dimensions: image: 1525 x 1220 mm Purchased with funds provided by the Zabludowicz Collection and Tate Patrons 2007 © Keith Tyson

The new charcoal and graphite on paper drawings included in Material Handling are two separate series based on images of concrete sewer catch basins and rubber dock bumpers.

Image: Moshe Kupferman, Israeli, 1926 - 2003 Untitled, 1994 Acrylic, graphite, pencil, charcoal (recto); ink and graphite (verso) on paper, 19 3/4 X 26 inches

Lot 199 Jasper Johns 1 1975 Intaglio on Barcham Green paper # 74 of 100 Published by Petersburg Press, New York; printed by Atelier Crommelynck, Paris Signed and dated in graphite lower right edge of sheet; edition lower left margin beneath image; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisimage; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisImage: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisImage: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Image Credit: Karl Haendel, Rodeo 9, 2017, pencil and graphite powder on paper, 103 x 77 inches.

Smith builds on his drawings with thousands of intricate fine lines that make for hypnotizing shapes while Sheinkman, on the other hand, takes advantage of the agile eraser on graphite covered paper to create a moody, moving image through the process of removal.

Images: Craig Drennen, Painter D (detail), 2011, Graphite, spray paint, acrylic, oil, alkyd on paper, 50 × 50 inches, Courtesy the artist and SALTWORKS Jennifer West, A 70MM Film Wearing Thick Heavy Black Liquid Eyeliner That Gets Smeary (70MM film leader lined with liquid black eyeliner, doused with Jell - O vodka shots and rubbed with body glitter), 2008, film transferred to digital video, no sound, 30 seconds, Courtesy the artist and Marc Foxx, Los Angeles