Sentences with phrase «graphite pencil on»
Fabricated chalk and graphite pencil on paper, 15 1/16 × 18 3/8 in.
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Fabricated chalk, charcoal and graphite pencil on paper, 10 1/2 × 16 in.
Charcoal and white chalk with graphite pencil on paper, 15 1/16 × 22 1/8 in.
Pen and ink and graphite pencil on paper, 7 7/8 × 4 15/16 in.
Sketches done in graphite pencil on paper.
The accuracy and specificity of Hopper's sky indicate, if nothing else, that it is one the artist had seen, rather than one born of imagination or synthesis [fig. 8][fig. 8] Edward Hopper, study for Ground Swell, 1939, fabricated chalk, charcoal, and graphite pencil on paper, Whitney Museum of American Art, New York, Josephine N. Hopper Bequest 70.339.
© Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art [fig. 11][fig. 11] Edward Hopper, study for Ground Swell, 1939, fabricated chalk, charcoal, and graphite pencil on paper, Whitney Museum of American Art, New York, Josephine N. Hopper Bequest 70.861 a. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art [fig. 12][fig. 12] Edward Hopper, study for Ground Swell, 1939, fabricated chalk, charcoal, and graphite pencil on paper, Whitney Museum of American Art, New York, Josephine N. Hopper Bequest 70.862.
Acrylic and graphite pencil on canvas, 108 1/4 × 84 in.
Pastel, wax crayon, black typewriter ink, and graphite pencil on paper; Pastel and wax crayon on paper (verso).
Photostat (a); Pen and colored inks, correction fluid, and graphite pencil on paper (b); Pen and colored inks and graphite pencil on paper (c), overall (framed): 22 × 53 7/8 in.
Images of the ocean first appeared in Celmins» work in 1968, with a series of graphite pencil on paper drawings that experimented with variations in the density and tone of graphite.
Graphite pencil on paper, sheet: 9 1/4 × 8 5/8 in.
Compressed charcoal over graphite pencil on paper, 17 x 11 in.
Graphite pencil on paper, 22 x 15 in.
Acrylic, screenprint, and graphite pencil on canvas.
Oil, fabricated chalk, and graphite pencil on composition board, 35 15/16 × 30in.
Pen and ink and graphite pencil on paper, 7 7/8 x 4 15/16 in.
Fabricated chalk, charcoal and graphite pencil on paper, 10 1/2 x 16 in.
Edward Ruscha, Large Trademark with Eight Spotlights, 1962, Oil, house paint, ink, and graphite pencil on canvas
Watercolor, pen and ink, and graphite pencil on paper,
Pierre - Joseph Redouté, Amaryllis jaune (Yellow Amaryllis), circa 1800 — 06, watercolor and graphite pencil on vellum, 18 1/2 x 13 1/4 in., Minneapolis Institute of Art
They are graphite pencil on paper, not charcoal on paper.
Sam works in watercolors, gouache, color pencils and graphite pencil on board, paper, slates and stone.
(This drawing was done with graphite pencil on Arches coldpress acid free paper, measuring 5 ″ x7 ″ (13 cm x 18 cm).)
This one is done with pen and ink and graphite pencil on Arches 300 lb.
It is done with pen and ink and graphite pencil on Strathmore watercolor...
It is pen and ink and graphite pencil on Strathmore acid - free watercolor paper, measuring 8 ″ x10 ″ (20 cm...
This is drawn with pen and ink and graphite pencil on Strathmore heavy acid - free vellum.
It is pen and ink and graphite pencil on Strathmore acid - free watercolor paper, measuring 8 ″ x10 ″ (20 cm x 25 cm).
Not exact matches
Instead, the company is now focusing on graphite — the exact same material used in pencils.
This is an original pen and ink with graphite pencil drawing on Arches 300 lb.
It is done with graphite pencil, ink and colored pencil on heavy cotton rag paper.
It's graphite pencil, pen & ink and colored pencil on Arches 300 lb.
When you write or draw with a pencil, the graphite (the «lead» of the pencil) slides off in thin layers to leave a trail — the line on the paper.
When pencils deposit that graphite on paper, the lattice is laid down in thin sheets.
You can also do it in pencil first, or trace it on with a graphite paper, and then going over it if hand lettering isn't your jam.
The Pencil is already available in walnut and graphite colours with the gold version available to pre-order from FiftyThree's website for shipping on 3 February, priced # 49.99.
I specialize in graphite and colored pencil animal portraits, and am pursuing illustration as a career (I'd love to eventually illustrate children's books); hopefully this gives you an idea of what I'll put on the site.
A self - portrait and a portrait of an elderly woman, both clothed and on seven - foot tall canvases from 1983, plus a number of intense, graphite pencil - on - paper portraits display skills that few young artists today are bothering to acquire.
Fakontech: Golden Structured City with Machine Plan Universe and Method Angle Main Triangle Planet and Crystal Code, 2013 Gouache, ink, colored pencil, graphite, and pastel on Fabriano Murillo paper 27.5 x 39.5 in.
Leigh Anne Lester Deviant Pollination, 2014, graphite and color pencil on drafting film, 29 x 24 inches.
Stephen Antonakos Floor Neon March 30, 1968 Graphite and colored pencil with Krylon fixative on paper 14 x 22 inches (BP #SA -8038)
Daroim: Dusk Contraption Drawing with Magnetic Recording, and layered Indigo City Lust System, and Fragment Safety Dome with Above Ground Streamers and Nested Square Learning Center, 2013 Gouache, ink, colored pencil, graphite, and pastel on Fabriano Murillo paper 39.5 x 27.5 in.
TONY LEWIS, Detail of «Qua,» 2017 (graphite, pencil, and colored pencil on paper mounted on wood).
NEW YORK — Barbara Rossi: Poor Traits, presents a selection of Barbara Rossi's enigmatic graphite and colored pencil drawings from the late 1960s and her meticulously rendered reverse paintings on Plexiglas from the early 1970s.
Junillever: Universe Plan, with Transmission Machine Room and Alpha Magnetic Language, and Flourescent Simulation, 2013 Gouache, ink, colored pencil, graphite, and pastel on Fabriano Murillo paper 27.5 x 39.5 in.
Pen and ink, fiber - tipped pen, graphite pencil, rubbing, and colored pencil on paper, 27 × 21 in.
Roy Lichtenstein, Bread and Jam, 1963, Graphite pencil and touche on paper, 16 x 21 1/2 inches (40.6 x 54.6 cm) The Sonnabend Collection Foundation and Antonio Homem © Estate of Roy Lichtenstein / DACS 2018
They owe their intricacy and color to graphite and colored pencil, on pages from old Portuguese ledger books.
Utilizing historical botanical drawings as source images, Lester makes delicate graphite drawings on Mylar, layering the film to create composite images, to which she adds additional layers of cells blocked in colored pencil to symbolize the manipulated genome of the plant.