Sentences with phrase «graphite powder on»
Image Credit: Karl Haendel, Rodeo 9, 2017, pencil and graphite powder on paper, 103 x 77 inches.
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Tony Lewis's minimal black - and - white drawings feature snippets of text and organic forms, painstakingly hand - drawn in pencil and graphite powder on large sheets of paper.
Tony Lewis, dope repoa, 2012, Pencil and graphite powder on paper, 84 x 60 inches.
Not exact matches
The exact amount of dishwashing liquid required depends on the properties of the graphite powder, such as the size distribution of the grains and whether any materials other than carbon are contaminating the sample.
The exact amount of washing - up liquid required depends on the properties of your graphite powder, such as the size distribution of the grains and whether it contains any stray materials other than carbon.
She is on a search for its origins; painting as practical magic, the prosaic made ecstatic, and self - portrait in its most basic sense as a trace of its author... The non-traditional materials Strobert employs — powdered graphite, pumice, papier - mâché and glitter among others — all have visual signatures as distinctive as the bulbous shine of oil paint or the transparent skeins of gouache.
Foreground: TONY LEWIS, «Untitled 7,» 2016 (graphite powder, paint, and tape on paper, dimensions variable).
Garric Simonsen, A Design to Help Get You Back On Your Feet, 2011, Dry - point, graphite powder and wax on wood panel, 24 X 24 incheOn Your Feet, 2011, Dry - point, graphite powder and wax on wood panel, 24 X 24 incheon wood panel, 24 X 24 inches.
Pencil, graphite powder and tape on paper, 84 × 60 in.
Roey Victoria Heifetz, Lady Waiting, part of «Victoria - solo show», 2017, graphite, charcoal, ink and powder on paper, Israel Museum.
Roey Victoria Heifetz, Frau In Red, part of «Victoria - solo show», 2017, graphite, charcoal, ink and powder on paper, Israel Museum.
Roey Victoria Heifetz, Trio, part of «Victoria - solo show», 2013, graphite, charcoal, ink, varnish lacquer and powder on paper, Israel Museum.
Roey Victoria Heifetz, Frau L, part of «Victoria - solo show», 2017, graphite, charcoal, ink and powder on paper, Israel Museum.
graphite, acrylic, pastel, colored pencil, 23K gold leaf, sterling silver leaf, powdered bronze, matte medium, and plasti - dip rubber, on arches, hardware
graphite, acrylic paint, 23K gold leaf, powdered bronze, pastel, rubber coating, colored pencil, guache, sterling silver leaf, matte medium, tassel and pin on arches
Graphite powder with gum and arabic on paper, 22» x 18».
Graphite pencil and powdered graphite on paper, 18 Graphite pencil and powdered graphite on paper, 18 graphite on paper, 18 x 12 in.
Gloria Ortiz - Hernández's Plate / Shift # 10 (2006, Graphite pencil, charcoal powder, and pigment on wove paper, 22» x 22») is currently on view at the Morgan Library and Museum in New York City.
Kate Beck, Anxieties and Alienations, 2010 Poured oil, enamel and powdered graphite on aluminum 89 x 184 inches October 28 — December 11, 2010 Pelavin Gallery is proud to announce a solo exhibition of recent work by american artist, Kate Beck.
Tony Lewis, power, 2015, pencil, graphite powder, and tape on paper, 71 1/2 x 83 3/4 inches.
Tony Lewis, pressure, 2015, pencil, graphite powder, and tape on paper, 83 3/4 x 71 1/2 inches.
Described as «object poems,» the dozen on view here were made of materials ranging from the customary (graphite, ink, and glue) to the arcane (magnetic videotape, eighteen - karat gold, and kumkum powder) and assumed a range of forms — some were flat and petite, while other, more sculptural pieces hung variously from the wall or ceiling or were displayed on a low pedestal.
Roots in the Community, pumice, acrylic, powdered graphite, acrylic medium, marker on canvas, 60 ″ x 72 ″ by Wayson R. Jones.
Automatic, 2015; Pencil, graphite powder, and tape on paper; 83 3/4 x 71 1/2 in.
Focusing on graphite powder as a basic material element, his works emphasize the body through scale, tension, and imprint.
Pencil, graphite powder and tape on paper.
Kalley Fosso's work focuses on her process of creating abstract compositions; she is highly influenced by nature - both its physical traits and its historical aspects - and materiality - including acrylic paint, watercolor, charcoal, charcoal powder, oil based pastel, chalk pastel, graphite, spray paint, and so on.
Edward Ruscha (American, b. 1937) Bronson Tropics, 1965 Graphite powder and graphite wash, with point of brush and graphite wash, on cream wove paper The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1998.114 © 2001 EdwarGraphite powder and graphite wash, with point of brush and graphite wash, on cream wove paper The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1998.114 © 2001 Edwargraphite wash, with point of brush and graphite wash, on cream wove paper The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1998.114 © 2001 Edwargraphite wash, on cream wove paper The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1998.114 © 2001 Edward Ruscha
Credits: If 2, 2011 Powdered pigment, graphite, charcoal, coloured pencil and varnish on paper, 250.8 x 257.8 cm Courtesy: Colección Júmex, Mexico