Sentences with phrase «great about his filmmaking»

But ultimately that's what's great about his filmmaking, and The Raid 2 in particular: Where the first film felt like a gritty, hardcore tribute to the martial artists and films that inspired it, this one blooms more fully, not only feeling like its own entity, but offering much thrills that are significantly more democratic.

Not exact matches

One of the best ways to learn about filmmaking is to watch great films; Sundance provides a unique classroom for that.

The Disaster Artist deservingly stands in the great tradition of films about filmmaking, both doc and docudrama.

Insightful all the way through, «Side By Side» is a great documentary, filled with tons of well - known celebrities as they talk about their thoughts on the conversion from digital filmmaking and the future of the industry.

The great director, actor, writer, screenwriter, and filmmaker MARK DUPLASS joins the DTFH and we talk about authenticity, filmmaking, collaboration and getting out there and making stuff happen.

Great vérité filmmaking is about a great subject, access, knowing where to put the camera and being there for the right moGreat vérité filmmaking is about a great subject, access, knowing where to put the camera and being there for the right mogreat subject, access, knowing where to put the camera and being there for the right moment.

We just need to raise the funding, and Kickstarter seems like a great way to collaborate with Alex's fans, the cast's fans, and people who care about film preservation and indie filmmaking in general to make this happen.»

Whether you're looking for Keanu Reeves - led blockbuster hits, racing epics, something to watch with the kids, or intelligent documentaries about filmmaking greats, you've covered this month.

There is a growing seriousness about life in filmmaking, at the same time as a great many empty and self - absorbed works continue to be made and praised.

The Disaster Artist offers several great lessons of its own: about filmmaking, artistry and ultimately lasting friendship.

READINGS Books about all aspects of filmmaking and film culture Hank and Jim: The Fifty - Year Friendship of Henry Fonda and James Stewart by Scott Eyman, reviewed by Steven Mears; Ingmar Bergman's Face to Face by Michael Tapper, reviewed by Justin Stewart; Cinemaps: An Atlas of 35 Great Movies by Andrew DeGraff, reviewed by Chloe Lizotte

1969 was an extraordinary year for filmmakers and filmmaking, at least as important as the fabled thoughts and felling about 1939 (also a great year), but this film was subtly groundbreaking and with the rollback of rights, et al, seems as fresh as ever despite being set in the near past.

(1951), a film he got made by organizing the workers of Genoa into a filmmaking cooperative, and he returned to documentaries at the end of his career, making films about the great Italian directors he knew and admired: Luchino Visconti, Roberto Rossellini, Giuseppe De Santis.

What's great about genre filmmaking is that they have the audience react physically.

«Safety Not Guaranteed» is an amalgamation of everything that's great about independent filmmaking — from its hugely original script to its wonderful cast of characters — but the one thing that it does better than anything else is create a cinematic experience that's rich in both comedy and emotion.