Even 50 years on, A Space Odyssey is still the sci - fi movie against which all others must be measured and demands and rewards repeated viewings, preferably on the big screen, in order to appreciate the magnitude of a visual and aural feast of all that is
great about the cinema.
Not exact matches
These two types of expertise don't always overlap; Robert De Niro has given some of the
greatest performances in the history of American
cinema, but by his own admission he doesn't have much to say
about how he does what he does.
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greatest in heroes of the big and small screen ranging from comic book legends to iconic characters in
cinema.
It's really good, deserves respect for its treatment of the subject matter, and is a
great example of what I love
about 70s
cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.
This is further proof, if it were needed, of what was
great about 70's American
cinema (even if it's from a British director).
Dekalog is one of the
greatest achievements in world
cinema of the last two decades: the first indication of this was the premiere of A Short Film
About Killing, one of two expanded versions of the original hour - long episodes, at the 1988 Cannes Festival.
This entry — from the scriptwriter of 2008's Palme d'Or - winning The Class — is a
great contribution to queer
cinema, humanizing a historical tragedy as it tells a story
about ACT UP in France in the late»80s.
A lushly produced epic
about the harsh realities of creative expression, featuring bravura performances and Oscar - winning costume design and makeup, Topsy - Turvy is an unexpected period delight from one of contemporary
cinema's
great artists.
FRUITVALE STATION (2013)-- I'm not hating on the world guys... RIDDICK (2013)-- I'm not hating on the world that allows this movie to keep going... THE EAST (2013)-- I'm hating on the world, and
cinema for this movie... MUSEUM HOURS (2013)-- Let me think
about art some more... FROZEN (2013)-- Let me wish for more
great musical songs per film... THE HOBBIT: THE DESOLATION OF SMAUG (2013)-- Let me wish for shorter films... CALL ME KUCHU (2013)-- Let me wish for equality... THE TWELVE CHAIRS (1970)-- Young Frank Langela makes me feel weird... TOUCH OF EVIL (1958)-- Charlton Heston is badass guys...
Miyazaki the all time classic My Neighbor Totoro, perhaps the most universal movie
about discovery and play ever made, while Takahata would make one of the
greatest (and saddest) anti-war movies in the history of
cinema, The Grave of the Fireflies.
It's also
about a filmmaker's coming - to - Damascus moment in appreciating that this turbulent pilgrimage is
great cinema on its own.
Spanning a century of film art and taken from various countries around the world, these posters show the evolution of movie promotion over the years, but more pertinently they also reveal a
great deal
about how blackness has been portrayed, exploited and indeed commoditised, throughout the history of
cinema.
José Giovanni, one of the more interesting figures in French
cinema, was imprisoned for murder, but there was
great debate
about his guilt.
Austere Swedish
cinema, two wonderful actors (say what you want
about Farrell, then watch any of his arthouse roles and you'll see he's pretty
great), Ullmann directing a Strindberg play, gorgeous Irish landscapes.
Jean Renoir, the
great humanist of
cinema, cowrote and directed this superlative WWI story
about two French aviators who are captured by a German captain (Erich von Stroheim, perfectly cast as a mannerly despot) and shuttled between prisons.
She burst onto the scene with a memoir
about her brief career working as a stripper before winning an Oscar for her work on Juno, one of the finest films released in a
great year for
cinema, 2007.
The
great Austrian filmmaker spoke with us
about his early experiences falling in love with
cinema and the films that have shaped his singular aesthetic.
Ours aren't
great either, but there is something to be said
about sitting in a
cinema and seeing something splayed huge across the screen and drinking slushies and munching on popcorn.
The Conformist (Raro, Blu - ray, DVD), Bernardo Bertolucci's 1970 masterpiece
about a petite bourgeois Italian (a superb performance by Jean - Louis Trintignant) who simply wants to disappear into the fabric of Mussolini's Italy in the 1930s, is arguably the director's
greatest film, and it was hugely influential on American
cinema of the seventies.
Director Bertrand Tavernier waxes lyrical
about the
great and the good of French
cinema in this wonderful documentary.
The
greatest time of the year for film lovers, as some of the best films that you have been hearing
about from festival to festival, finally make their way into your local
cinema.
But now, with the passing of its much - loved lead Harry Dean Stanton, what more is there to say
about one of the
great character actors, and characters, of American
cinema?
If awards are a snapshot, preserving the consensus thoughts
about cinema at a given time for the sake of posterity, a report from a group of passionate lovers of film
about what they believe is
great in the present moment, then why should they define that snapshot by the parameters of an industry that views their efforts only in the crudest terms?
This little gem features American treasure and all - around genre
cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror cult classic They Live, going into detail
about such things as the conceptual ideas behind the movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the
great Keith David.
A speech that Cranston's stray Chief gives
about literally biting the hand that fed him when he muffed a chance at a good home is among the most perfectly written, staged and played scenes in recent
cinema — it would be a surefire Oscar clip if awards had categories that could encompass achievements in this byway of
cinema, where
great acting is as much down to the hands of animators as the dialogue delivery.
I don't want spoil anything
about this
great film, but the showdown scene in the Donut Shop was one of the
greatest final scenes in
cinema history.
A deeply uncomfortable anti-crowd pleaser, «Foxcatcher» is everything
great about American
cinema in a 130 - minute package.
Lee Chang - dong's Poetry resembles much of what is
great about the current
cinema coming out of South Korea — for my money, some of the best in the world.
by Bill Chambers The
great Pete Dexter writes tersely
about criminal perversity in the southern United States; the problem in adapting him to the
cinema is that without his hardboiled prose, which lends everything he writes the whiff of reportage (a newspaperman originally, he turned to novels after drug dealers beat him nearly to death over one of his columns), the psychosexual situations he describes threaten to collapse into camp.
Tom Jolliffe on the 1970s and why it is the best era in
cinema history... There will always be a
great deal of debate
about the best era for
cinema.
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about Great cinematography in not - so - great films («Prisoners» & «Rush») and one of the year's best comedies («Enough Said»): what to see in cinema
Great cinematography in not - so -
great films («Prisoners» & «Rush») and one of the year's best comedies («Enough Said»): what to see in cinema
great films («Prisoners» & «Rush») and one of the year's best comedies («Enough Said»): what to see in
cinemas now
Less a spoof of vampire flicks than a fish - out - of - water romantic comedy
about a Victorian nobleman trying to negotiate the dating scene of Studio 54 - era Manhattan, this enjoyably silly film is no one's idea of
great cinema, but writer Robert Kaufman's concept of a vampire being the standard bearer for old - style morality and romance is an inherently funny conceit helped immensely by a straight - faced lead performance by Hamilton.
whether you wholeheartedly agreed or vehemently disagreed with his opinions, he fueled
great discussion
about cinema and Hollywood more generally with insight and understanding.
It's a smaller output than most of the
great directors, but
cinema has never been solely
about quantity, and Haynes» meticulously planned and executed
cinema is of such high quality that each film is worth analysis and consideration.
In addition to being a movie
about young people that really captures some universal truths
about growing up, this film stands as a
great appreciation of classic
cinema.
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greatest in heroes of the big and small screen ranging from comic book legends to iconic characters in
cinema.
Throughout the history of
cinema, there have been many
great films dedicated to the arts and artists, from biopics
about great historical art figures to documentaries on living ones.
«What's
great about the art world, as opposed to Hollywood or even most independent
cinema, is that we have the freedom not to have to work with a lot of other people,» says Miller.
Many contemporary artists are getting to show
great interests in the
cinema historically or technically, and many works referring to the films in the past have been produced in order to express their ways of understanding
about the work or a perspective
about the world as a whole.
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greatest in heroes of the big and small screen ranging from comic book legends to iconic characters in
cinema.