There are
great cameos in this film as well.
There are a lot of
great cameos in this film as well.
There are a number of
great cameos in this film, the best being Christopher Walken.
Not exact matches
Other stars have a good time here too, especially Farley who strangely enough is the main love interest
in the
film and
great little
cameos from Sandler and Lovitz, nothing that hilarious but its funny.
The Aviator is a well made
film, and one of the year's best, with enough
great moments to make the three hours not seem so long, although some trimming down of certain characters and scenes could still be done (Jude Law's
cameo as Errol Flynn seems to be just an excuse to get him
in the movie for a few minutes).
The voice acting makes an impact, including
great cameos from Stanley Tucci (The Hunger Games: Catching Fire), Lake Bell (
In A World), Patrick Warburton (Movie 43) and Mel Brooks (in his first film work since The Producers remake
In A World), Patrick Warburton (Movie 43) and Mel Brooks (
in his first film work since The Producers remake
in his first
film work since The Producers remake).
Woody Harrelson barely makes an appearance and still seems like the most underutilized star
in the franchise (although Stanley Tucci gets nothing more than a
cameo appearance), while Donald Sutherland is the
film's
greatest benefit, hitting that perfect note of high drama and total commitment to the character — they were lucky to cast him
in the role.
Even Kevin Corrigan — who's been having a
great year with roles
in films like Results and Wild Canaries — shows up at one point,
in what amounts to a glorified
cameo.
Vaughan and his screenwriting partner, Jane Goldman (X-Men: First Class, Miss Peregrine's Home for Peculiar Children, Kick - Ass), relegate Eggsy's former training partner and fellow Kingsman, Roxanne «Roxy» Morton (Sophie Cookson), to an early
film cameo, the «guy
in the chair» who helps Eggsy navigate one of the
greatest challenges of his adult life: a meet - and - greet, sit - down dinner with Princess Tilde's imposing parental units, the King and Queen of Sweden.
The
film's cast includes the
great Brad Dourif, who will once again voice the possessed doll Chucky, as well as some other returning characters, including Dourif's daughter Fiona, who is reprising her Curse role of Nica Pierce, and fellow franchise veterans Alex Vincent, who starred as Andy
in the first two Child's Play movies and had a surprise
cameo in an after - credits scene
in Curse, and Jennifer Tilly, who voiced Chucky's soulmate Tiffany
in Bride of Chucky and Seed of Chucky and was also featured breifly
in Curse.
Not forgetting the quality Will Ferrell
cameo as Chazz, who was the notorious albeit deluded man who invented «the rules of wedding crashing,» or the beautiful montage of half - naked women being bedded
in the
film's earlygoing set to the classic celebratory song «Shout,» Wedding Crashers has assured its place among the
great raunchy comedies of modern day filmmaking.
As you can imagine, the
film then plays out
in a series of gun fights, head smashes, throat punches, car crashes, and
cameos by
great character actors.
MacFarlane has a well - established penchant for pop - culture references and celebrity
cameos in his projects, and Ted 2 continues that tradition with some fun re-appearances from the first
film, as well as some new additions that will be
great for fans of
films and / or MacFarlane's animated universe.
Some of the
cameos were fantastic, and a
great way to bring
in all our favourites of Anderson's usual players, although a lot of the
cameos felt like nothing more than small ploys for audience once the
film was over.
Aside from Brick (who finds his true soul mate
in Kristen Wiig's oddball secretary Channi), Ron's fellow anchors are not given a
great deal to work with, and when the celebrity
cameos eventually arrive (
in a heightened version of the first
film's Battle of the Anchors), they are thrown at the audience at a most extraordinary pace).
The
greater irony of this movie is that everyone involved
in the
film from the principles to the
cameos are convinced that the movie is not about them.
Director Don Siegel and actor Kevin McCarthy from the 1956
film both appear
in great cameos, and Robert Duvall appears
in a non-speaking role as a creepy priest on a swing set.
Del Toro is good with the little he has to work with on the page as Che, and the rest of the casts (including such too - generally - underseen faces as Julia Ormond, Catalina Sandino Moreno, Franka Potente, and Joaquim de Almeida) do well
in limited time (though Matt Damon's
cameo in the second
film is distracting to say the least), and the HD - shot images look
great, but by the end of the 4.5 hours I can't exactly say that I really learned much new about nor gained a whole lot of insight into Che.
Isn't this a
great opportunity for Britain's sportsmen and women to take part
in a whole range of artistic events and even take
cameo roles
in plays and
films?