Sentences with phrase «great exhibition period»

Not exact matches

The detailed exhibition displaying artefacts from the period allows us to step back in time and better understand the lives of those changed irrecoverably by the Great War.

Then I remember, when I was about twelve or thirteen, an exhibition of Picasso, that Egyptian period, those great big heads.

Well known as a discerning art collector, he owns several small works by Harris, although none is in this show, which Martin says is the first exhibition to focus exclusively on great works from Harris's best - known period.

Featuring nearly 100 works by Carla Accardi, Pierre Alechinsky, Karel Appel, Martin Barré, Harry Bertoia, Louise Bourgeois, Alberto Burri, Sam Francis, Grace Hartigan, Asger Jorn, Yves Klein, Franz Kline, Willem de Kooning, Conrad Marca - Relli, Kenzo Okada, Jorge Oteiza, Jackson Pollock, Ad Reinhardt, Pierre Soulages, Clyfford Still, Antoni Tàpies, Jean Tinguely, Cy Twombly, Takeo Yamaguchi and Zao Wou - Ki, among others, this collection - based exhibition and publication explore the affinities and differences between artists working continents apart, in a period of great transition and rapid creative development.

A great rendering of this period was the 2014 British Museum exhibition (Germany divided: Baselitz and his generation from the Duerckheim Collection), where, among other key post-war artists, Baselitz participated with eleven of his Heroes series and other iconic works of the late 1960s.

This exhibition tracks the transitional period of the great twentieth century painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil on canvases.

«This exhibition has been a great draw for those familiar with American art and Modernism,» she wrote, «and as a teaching tool for those who wish to experience more of this time period in the development of American art history.»

Produced by the department of exhibition programs, it explores artistic achievements of the Hellenistic period from the death of Alexander the Great in 323 BC to the rise of the Roman Empire.

Between the early 1900s and the First World War, the exhibitions culminated with the presentation of some of the greatest names of art of that period: Egon Schiele, Oskar Kokoschka, Pablo Picasso, André Derain, Gustave Courbet, Édouard Manet, Marc Chagall, Henri Matisse, Georges Braque, Paul Klee and many others, which has laid the historical foundation for the international focus on the best expressions of fine arts of the modern time.

In March, Mnuchin Gallery in New York is presenting «David Hammons: Five Decades,» a survey of the artist's evolving practice from the late 1960s to present, In anticipation of the exhibition, which is described as the first of its kind in 20 years, the conversation between Lax and Finkelpearl gives great insight into a significant period of Hammons's creative arc.

«The greatest challenge has been raising the budget and building such a big exhibition within a very short installation period... Five pavilions, two chapels and one cupola are being built in just 18 days to house the works, and a catalogue with installation pictures will be available a few days after the opening».

Organized chronologically, this exhibition follows the development of Wesselmann's work, series by series, from the earliest abstract collages to his well - known series, Great American Nude, and still lifes of his pop period to the cut - steel drawings and Sunset Nudes of his late work.

This exhibition features some of the greatest examples of works on paper of the period from Paris's famed Musée du Louvre.

The exhibition selects the most «poetic» works of the great artists who flowed to the West in this period.

One room contrasts «Degenerate Art» with officially sanctioned art of the period, including works shown at the 1937 Great German Art Exhibition in Munich.

This doesn't mean he was the greatest American artist of the period, rather that his multiplicity of roles - photographer, patron of modern artists, dealer, collector, exhibition curator, writer and publisher - collectively had a greater impact on American art than that of any other individual, during the period.

Highlighting The Jewish Museum's unique collection of American art, this exhibition focuses on the first half of the twentieth century, a period of great social change and artistic activity during which Jewish artists played a major role in shaping the direction of American art.

Not only will this exhibition serve as an introduction to this artist's legendary work for younger viewers, it positions Schnabel as one of the great auteurs of the postwar period.

While at MoMA PS1 and Clocktower, Mount worked with international scope of curators, artists, and institutions, and on seminal exhibitions such as the first Greater New York in 2000; the retrospective of painter John Wesley, covering his entire career from 1961 - 2000; Around 1984: A Look at Art in the Eighties, Disasters of War: Francisco de Goya, Henry Darger, Jake and Dinos Chapman; Body Works: Bruce Nauman, Valie Export, Gabriel Orozco, Joan Jonas, and Louis Bourgouis; Sol LeWitt: Concrete Block; Min Tanaka presents Subject: Heuristic Ecdysis, Santiago Sierra, Person remunerated for a period of 360 consecutive hours, 2000, among others.

The exhibitions for the 2018 - 2019 period are organised according to four specific lines of research: the spring exhibition season, which will open in the weeks that see Milan as an international showcase with miart and the Salone del Mobile, focusses on great names on the international artistic scene (some of whom are on display in Italy for the first time): Teresa Margolles (2018) and Anna Maria Maiolino (2019).

In an exhibition jointly organized with the Louisiana Museum of Art, in Denmark and the Museum der Moderne Salzburg, Whitechapel Gallery opened on 21 September «Thick Time» featuring the work of internationally renowned South African artist, William Kentridge, which examines the ways in time and place have been manipulated during colonial and industrial expansion, as well as notions of control exercised during periods of great political upheaval.

The exhibition seeks to represent Hepworth's «conviction about truth in material» and the fact that she had found «a greater freedom for myself» during this period.

A group exhibition featuring work by a range of Mexico and U.S - based artists takes as its point of departure the»90s NAFTA years, a period of great change, when Mexico came out of a relative period of isolation, and when the local and the global became one.

The exhibition spans Hasui's most imaginative period, the years from 1918 to the Great Earthquake of 1923.

The exhibition features important works by those artists — Georgia O'Keeffe, Marsden Hartley, Arthur Dove, and John Marin, among them — championed by the great photographer and gallerist Alfred Stieglitz, as well as many other notable figures of this period.

Published concurrently with an exhibition at New York's Knoedler & Company, this handsome volume — the cover of which features Frankenthaler's great painting, «A Green Thought in a Green Shade» (1981)-- pays tribute to the painter's long and distinguished career, with a fully illustrated survey of the works chosen for the exhibition, which represent quintessential paintings from each period of her career.

The permanent exhibition presents the history of Russia starting from the period of Catherine II the Great and going to our days, through the examples of the culture and everyday life of the Jewish people.

(London, UK) The exhibition takes its title from an expression by German sociologist Norbert Elias, which suggests that our future descendants may eventually consider us to have lived during an extended medieval period, implying that we share far greater affinities with our Barbarian forefathers than we might like to think.

The exhibition takes its title from an expression by German sociologist Norbert Elias, which suggests that our future descendants may eventually consider us to have lived during an extended medieval period, implying that we share far greater affinities with our Barbarian forefathers than we might like to think.

The exhibition takes its title from an expression by German sociologist Norbert Elias, which suggests that our future descendants may eventually consider us to have lived during an extended medieval period, implying that we share far greater affinities with our Barbarian forefathers than we might like to think (1).

«We are thrilled to welcome Drew and Kristen to our fantastic curatorial team during this period of great momentum as we expand exhibitions, public programs, and educational reach,» said Anne Pasternak, the museum's director.

Through major paintings and sculpture by Balthus, Alexander Calder, Chagall, Dubuffet, Giacometti, Henri Matisse, Roberto Matta, Miró, Tanguy, and others, the exhibition examined some of the greatest artists of the period and gave visitors a glimpse of the very private man who opened American eyes to their work.

In an appropriately more intimate space were great examples of many of the same artists now in the two MoMA exhibitions, sculpture and painting together, with ephemera presented with greater moment, and critical text, so important to the period, used as the fulcrum]