Sentences with phrase «great exhibitions do»

Not exact matches

Trending Story: Special Report: Luxury packaging trends Luxe Pack, the luxury packaging exhibition held in Monaco last month, had grown again this year with, it seemed, an even greater number of suppliers targeting the wine and spirits sector... Today's News Social media is not just marketing it is a way to do business hears Wine -LSB-...]

That first goal didn't exactly propelled Real Madrid to a great exhibition in the remaining of the game, as most of the players kept looking very apathetic and a bit tired on the field.

«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»

Games that invite visitors to interact with each other — even people they don't know — can create a community in your exhibition that may lead to great conversations later for families.

Julian Cox, co-curator of the exhibition, believes Mandel did not become better known because «she was a very private person, very modest by nature, and she really created her greatest work before there was such a thing as an art market for photography.

MICKALENE THOMAS «I was born to do great things» Kavi Gupta, Chicago Sept. 19 — Nov. 15, 2014 For her first exhibition at Kavi Gupta since joining the gallery in March, Mickalene Thomas is paying homage to her late mother and muse Sandra Bush — the inspiration for her glittering tributes to the beauty and power of women's bodies and the subject of her 2012 HBO film.

SPANNING THREE GALLERY FLOORS, Chris Ofili's exhibition at the New Museum doesn't hold back, presenting his greatest hits and new works, fabulous canvases that refute any notion that painting is dead.

DSAP director Patricia Maloney selected today's installment for our Best of 2015 series: «Ashley Stull Meyers doesn't shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined.

At Ad Reinhardt's prodding, in late 1961 his Parisian dealer Iris Clert offered him a solo show in her gallery, but because of expenses and scheduling it did not become a reality until June 1963.1 Reinhardt was elated about how great his painting looked as part of the Guggenheim survey exhibition, Abstract Expressionists and Imagists, which had opened October 13, 1961.

The Great Spectacle tells the story of these exhibitions and, in doing so, offers an innovative, illuminating and visually stunning celebration of the Academy's first 250 years and demonstrates the impact of these exhibitions on art in Britain and internationally.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

Evan Hecox and Joshua Liner Gallery did a great job of making this work feel fresh again, and Liner's new space on 28th Street is beautiful; it served this exhibition very well.

DATES Born: 1971, Camden, New Jersey Lives: Brooklyn, New York RECENT EXHIBITIONS 2016, Muse: Mickalene Thomas Photographs and Tête - à - Tête, Aperture Foundation, New York, New York 2014, I Was Born to Do Great Things, Kavi Gupta Gallery, Chicago, Illinois 2014, Tête de Femme, Lehmann Maupin, New York, New York GALLERY Lehmann Maupin, New York Susanne Vielmetter Los Angeles Projects, Los Angeles, California Galerie Nathalie Obadia, Paris RECENT PUBLICATION Mickalene Thomas: Origin of the Universe by Lisa Melandri (Ed.)

MTW He's not joking when he says the exhibition is «a lesson in how to be a real artist», and things like, «Great drawing has to be done from life» — and, «She's looking in the mirror and striking a pose, just like the old masters did.

In autumn in Fougères (France) Frenco - Coréenne exhibition to Galerie «Beauté du Matin Calme» Exhibition IN AIR - NICE Exhibition At the library of Saint - Aubin - du - Cormier Dates International exhibitions under the auspices of the gallery «Beauté du matin calme» London - New York - Cologne - Düsseldorf - Corée du sud Exhibition in Great Britain (in major cities, London, Oxford, Luton, Cambridge, Liverpool and others...) of the Art - Gallery Emp Reflectionexhibition to Galerie «Beauté du Matin Calme» Exhibition IN AIR - NICE Exhibition At the library of Saint - Aubin - du - Cormier Dates International exhibitions under the auspices of the gallery «Beauté du matin calme» London - New York - Cologne - Düsseldorf - Corée du sud Exhibition in Great Britain (in major cities, London, Oxford, Luton, Cambridge, Liverpool and others...) of the Art - Gallery Emp ReflectionExhibition IN AIR - NICE Exhibition At the library of Saint - Aubin - du - Cormier Dates International exhibitions under the auspices of the gallery «Beauté du matin calme» London - New York - Cologne - Düsseldorf - Corée du sud Exhibition in Great Britain (in major cities, London, Oxford, Luton, Cambridge, Liverpool and others...) of the Art - Gallery Emp ReflectionExhibition At the library of Saint - Aubin - du - Cormier Dates International exhibitions under the auspices of the gallery «Beauté du matin calme» London - New York - Cologne - Düsseldorf - Corée du sud Exhibition in Great Britain (in major cities, London, Oxford, Luton, Cambridge, Liverpool and others...) of the Art - Gallery Emp ReflectionExhibition in Great Britain (in major cities, London, Oxford, Luton, Cambridge, Liverpool and others...) of the Art - Gallery Emp Reflections - Nimes.

-56 Th Regional Art Exhibition of Ernée - Exhibition In Cologne under the aegis of the gallery - Galerie Beauté du Matin Calme -26 Th Thorigné - Fouillard painting salon - Exhibition At great prices Nice International Arts Plastics and the Provence Alpes Cote d'Azur.

«This exhibition will provide audiences in the United States with a great opportunity to discover the unique imaginary and distinctive style of Nathalie du Pasquier.

Selected recent and upcoming exhibitions include The Waiting Room, New Museum, New York; Greater New York 2015, MoMA / PS1, Long Island City, New York; The Free People's Medical Clinic, Creative Time, New York; I ran to the rock to hide my face the rock cried out no hiding place, Kansas City Art Institute; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (traveled to The Studio Museum in Harlem, Grey Art Gallery at NYU, and Walker Art Center); Gone South, Atlanta Contemporary Art Center; and You Don't Know Where Her Mouth Has Been, The Kitchen, New York.

His work has been featured in many group exhibitions, including The World is Yours, Louisiana Museum of Modern Art, Humlebæck, Denmark (2009); Le Corbusier: The Art of Architecture, Barbican, London, England (2009); Political / Minimal, Kunst - Werke, Berlin, Germany (2008); Modern Ruin, Gallery of Modern Art, Brisbane (2008); Whitney Biennial 2008, Whitney Museum, New York; Traces du Sacré, Centre Pompidou, Paris, France (2008); The Plain of Heaven, Creative Time, New York (2005); and Greater New York, PS1, New York (2004).

They were also seeing a great deal of Frank Stella, who had been to school with them (though Andre, who was in a different class, did not get to know him until after they had left), and in 1959 Andre wrote a statement for Stella for the catalogue of the Museum of Modern Art's Sixteen Americans exhibition.

The Museum does a great job of emphasizing the looking process, and I'd like to think that our Clyff Notes exhibition provides more insight into why it is so important to learn about Clyfford Still by looking closely at his work.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

Did you feel there was a lesser or greater sense of freedom than you might typically have on a group exhibition?

The Great Spectacle: 250 Years of the Summer Exhibition tells the story of past exhibitions and, in doing so, offers an innovative, illuminating and visually stunning celebration of exhibitions passed, demonstrating their impact on art both in Britain and internationally.

I've been in two two - person shows before this show, one with Hao Ni and one with Nadia Haji Omar, who will be doing the next On the Wall exhibition at Providence College Galleries, and both were great experiences.

Phil Space: Shelley Horton - Trippe, in her recent exhibition High Brow Low Ride, references the great twentieth - century French writer Colette, and she does this by way of a large painting titled The Pure and the Impure (Colette).

On the heels of Mickalene Thomas's widely screened HBO documentary Happy Birthday to a Beautiful Woman (2012) comes «I was born to do great things,» yet another heartfelt exhibition dedicated to Sandra Bush, Thomas's late mother and longtime muse.

When I meet the newly knighted 88 - year - old at the Ritz shortly before the opening of Tate Britain's new Picasso exhibition, his principal regret is that he didn't allow his actual body to be marked by «the greatest artist of the 20th century».

Call me by my name: Stories from Calais and beyond @ Londonewcastle Project Space Migrants are a massive news story at the moment and this exhibition does a great job of giving them a human face.

PSWC Award - Marin Society of Artists Gallery - Ross, CA 2013 Levy DeMedici Award (CPS Pastel Exhibition) Mattatuck Museum, Waterbury, CT 2012 First Prize for Pastel (CLWAC Member Show, Salmagundi Club, NYC) 2011 CPS Award (Mattatuck Museum, Waterbury, CT) 2011 Blick Art Award (PSA International, National Arts Club, NYC) 2011 PSA Founder's Award (National Arts Club, NYC) 2010 Audubon Artists Gold Medal Award (Salmagundi Club, NYC) 2010 Jane Impastato Award for Artistic Excellence (Salmagundi Club, NYC) 2010 Richard McKinley Award (Triton Museum of Art, Santa Clara, CA - PSWC) 2009 Art du Pastel en France Award (Giverny, France) 2009 Connecticut Pastel Society Award (Allied Artists of America National Arts Club, NYC) 2008 Pastel Society of America Award (CPS Slater Museum, Norwich, CT) 2006 Great American Artworks Award (PPCC - Harwich, MA) 2006 Board of Directors Award (Slater Museum, Norwich, CT) 2004 Artistic Excellence in Oil Award (Museum of Contemporary Masters, San Antonio, TX) 2004 Degas Society Award (Triton Museum of Art, Santa Clara, CA) 2004 Art du Pastel En France Award (Vernon, France) 2003 President's Award (75 th Grand National, AAPL, NYC) 2003 AAPL Award (Hudson Valley A.A., NYC) 2002 Audubon Artists Gold Medal of Honor (Salmagundi Club, NYC) 2001

«Marisa Merz: The Sky Is a Great Space» explores a 50 - year career, belatedly lifting Ms. Merz from the edges of this all - male trend — whose advocates did not always include her in its first, reputation - building exhibitions in the late 1960s and early»70s — to its throne.

... and don't miss our New York Gallery Map - great exhibitions at leading galleries across the Big Apple!

It's not that we don't all remember great exhibitions from 50, 60 years ago, but you have to pick the place you feel you can have the impact.

Looking to do an exhibition capitalizing on the buzz around Brazil, Lehmann Maupin turned to Brazilian artist Tiago Carneiro da Cunha as curator — and has gotten something much more wild and personal in return, in the great tradition of artist - curated shows.

What is here doesn't destroy a great reputation, but the latter part of the exhibition chips away at it — just a little.

Art fairs helped the gallery get greater international reach, push their brand and meet new clients, but artists prefer the showcase of the gallery exhibition rather than the art fair, as do collectors, who get to see the work «in context», he said, rather than one piece per artist in a fair - booth group show.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

This exhibition features some of the greatest examples of works on paper of the period from Paris's famed Musée du Louvre.

Ten exhibitions on through October you don't want to miss, Points of View, Great Critics and Their Ideas, Other People and Their Ideas, Relations Without Relations: A Response to Graham Harman.

Steve McQueen's work has been shown worldwide, including at the Venice Biennale in 2009, when he represented Great Britain, and at the exhibition «Passage du Temps: Une sélection d'oeuvres autour de l'image, collection François Pinault» in 2007 - 2008 in Lille.

2014 Power 100; Calvin Tomkins; Art in Context IV Osei Bonsu; Allan Schwartzman; Great Collectors and their ideas: Thomas Girst; The Law and Its Ideas: Daniel McClean on the censorship of the Chapman Brothers sculpture Piggyback (1997); Ten exhibitions on through November you don't want to miss; Points of View; The Strip: Richard Graham; Gallery Girl

In doing so they have allowed us to create a highly personalised exhibition in five parts that will serve to highlight the diversity and wealth of great painting that sits in our museums and galleries across the UK.»

Hard - working and with a great reputation, not just locally, but worldwide, David doesn't just work for an impressive range of clients, he also finds time for side projects, such as the successful BCN: MCR exhibition or his Forever Manchester collaboration with Stanley Chow.

This doesn't mean he was the greatest American artist of the period, rather that his multiplicity of roles - photographer, patron of modern artists, dealer, collector, exhibition curator, writer and publisher - collectively had a greater impact on American art than that of any other individual, during the period.

I didn't have any specific criteria when selecting work, just that it was important for me that this show fit together as a whole and was an engaging exhibition of great art — that just happens to be Canadian.

He was also the man behind the brilliant Edwin Lutyens exhibition at the Hayward Gallery, London, in 1981, which did much to revive the memory of this great architect.

The fourth installment of L.A. Louver Gallery's biannual summer exhibition «Rogue Wave» 09: 10 Artists From Los Angeles» neither shoehorns art into a tidy, preconceived theme nor pretends that its diverse works don't add up to something greater than their sum.

In 1992 The Whitney Museum of Art did a retrospective exhibition on the life works of this great American Contemporary artist and master of social commentary.

I lived in Brooklyn and commuted to West Chester and did great shows, I think, and really began there to do I mean at Artists Space I did all my own of course did my exhibitions also.

At one point there was a plan to paint the canvases but in the end it seemed better to make the flimsiness of the watercolors do the main work of supporting the exhibition, rather than demoting them in relation to real painting (an attempt to become a studio artist for two weeks in Berlin did not feel great).