Not exact matches
Argo is a valentine to the cinema in the very convincing drag of a political thriller; a closing title reveals that Chambers was literally declared a national hero for his
work with Mendez, and it's the movie's sly mission to get us thinking of him as a
figurative one as well, for all those
great ape makeups.
Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about
figurative art movements of the past as well as profiles of some of the
greatest practitioners
working today... featuring examples of Zeller's own
work and also some of his best contemporary peers, who collectively bring the
figurative tradition forward into a new era.»
(1910 - 1962) American, yet imbued with visual culture of Europe, Franz Kline exemplifies the development of pictorial language from a
figurative form that derives from Rembrandt and the other
great masters whose
work he knew well from visiting European museums, to abstraction.
British painter Lucian Freud is a
great figurative artist with an immense following who was always going in and out of style in his 70 years of
working.
What makes de Kooning such a
great artist may be something far more subtle, far more interior to painting itself and perhaps expressed best in his earlier
works, those that are, again, often described as transitional, from
figurative works of the early 40s to even abstractions such as Painting, Attic, or Excavation.
While
working on both her BFA and MFA, she focused on
figurative painting, looking to the
great portraitists who came before her, like Lucian Freud and Elizabeth Peyton.
The naïve
figurative works, clearly reference the late
great (and recently selling for $ 100 million)
works of Jean - Michel Basquiat, and are full of colour and life.
One of the
greatest figurative painters of the 20th century, Francis Bacon's Surrealist
work was as often a break from tradition as it was a continuation.
Around one hundred paintings from museums worldwide tell the
great story of portrait and
figurative painting from the fifteenth to the late twentieth century in four broad thematic sections that offer much more than a merely chronological approach to
works by a host of outstanding artists: from Raphael, Botticelli, Mantegna, Bellini, Giorgione, Titian, Dürer, Cranach, Pontormo, Rubens, Caravaggio, Van Dyck, Rembrandt, Velázquez, El Greco, Goya, Tiepolo up to the Impressionists, Manet, Van Gogh and
great twentieth - century artists, such as Munch, Picasso, Matisse, Modigliani, Giacometti and Bacon.
Already quite of reputable figure with a handsome international following as an illustrator of comics and graphic novels (under the name Rebecca Guay), Leveille is now recognized as a formidable
figurative painter, whose
works show «a distinct influence from the
great Renaissance masters revamped with a fresh dosage of contemporary cleanliness and edge».
Here, that means
figurative work from canonical legends such as the late,
great Louise Bourgeois will be shown alongside emerging artists and living art stars including Marlene Dumas.
Initially built around artists who emphasize the human form and
figurative concerns, the gallery program embraces unparalleled craft, counter trend experimentation, New Media, and deviations into abstraction, installation - forward, and object - based
works to expand the
greater initiative of the program.
In another set of interactions,
works by the perennially influential Philip Guston appear across three generational shifts: a Social Realist drawing of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the
great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late
figurative canvas of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.
Just like his abstract
work, Bischoff achieved
great success with his early
figurative works.
Connections to Matisse, of course, are abundant and obvious in the inhabited spaces of Diebenkorn's
figurative work, especially in the strong collection of drawings on view; both artists loved to draw, and Diebenkorn, like Matisse, had a
great feeling for grays, even if he worried over his lack of the French artist's long cultivation of the figure.
Representational Contemporary art since 1970 has witnessed some
great figurative painting, including
works by Francis Bacon (1909 - 92), and Fernando Botero (b. 1932).
His wit at creating
figurative tensions in the symbolic content of the larger allegories discretely steps aside to allow for his
greater painterly literalness to flourish in these more diminutive
works.
Currently fusing fluid sketching and charcoal
work styles from his past with spray paint and distress techniques that he has developed over the years, the viewer will notice major differences in genre between the 2009 and 2010
works: while the current pieces dive into a more
figurative and abstract realm, the 2009 series of paintings «With
Great Power Comes
Great Responsibility» focuses more on a comic - themed visualization of the all - too - human defects of character, faulty perception, and skewed sense of humor.
Lucian Freud is one of the
greatest exponents of
figurative painting in the 20th century and the 50
works on loan to IMMA include a selection of Freud's finest paintings, as well as numerous etchings.
Until 1988 he
worked in a
figurative manner, but after a stay in Amsterdam, where he was confronted by the uncompromisingly abstract
work of such artists as Barnett Newman and Lucio Fontana, he abandoned the mythological themes in his art and aimed at
greater honesty, clarity and directness.
In honor of the art world coming to its collective senses, it's time we celebrate three of the industry's
greatest figurative artists
working today.
Initially built around artists who place an emphasis upon
figurative concerns, the gallery program continues to expand, embracing unparalleled craft, counter trend experimentation, New Media, and deviations into abstraction, installation - forward, and object - based
works to expand the
greater initiative of the program.
Sarah Glennie, Director of IMMA, said: «We are delighted to announce today that the IMMA Collection has secured an important long - term loan of 50
works by Lucian Freud (1922 - 2011); one of the
greatest figurative painters of the 20th - century.
He also purchased
works by the
great still - life and genre - painter Jean Chardin, the leader of the French Realists Gustave Courbet, the 19th century modernist Edouard Manet (an important link in a chain between Goya and Matisse), the Impressionist leader Claude Monet (peerless painter of light), the
great figurative artist Edgar Degas, and the
great colourist Henri Matisse.
Lucian Freud is one of the
greatest exponents of
figurative painting in the 20th - century and the
works on loan to IMMA include a selection of Freud's finest paintings, as well as numerous etchings.
Zeng Fanzhi (b. 1964) Number 6 in the list of the World's Top contemporary artists, Zeng Fanzhi is noted for his
figurative works employing a combination of expressionism and realism, as well as his sequence of ironic
Great Man paintings, which includes Lenin, Mao, and Karl Marx among others.
The artist appears with her family at kitchen tables or on overstuffed couches, in an easy, unruffled manner that recalls the
work of her teacher at Yale, the
great figurative painter Catherine Murphy.
Paula Rego is one of the
greatest figurative artists
working today.
and Gerald Williams created colorful
figurative works loaded with messages calling for
greater political consciousness.