Sentences with phrase «great film piece»

Taro Shinoda has presented a great film piece «LRTT (Lunar Reflection Transmission Technique)» in his solo exhibition «Homo sapiens sapiens» at Taka Ishii Gallery in Kiyosumi, Tokyo.

Not exact matches

commented that fashion film is great because anyone with a webcam can make one, which inspired me to change things up a bit and take photos wearing my RI x SIBLING pieces using iPhone and webcam.

My biggest interests are music and film I like to believe everyone can be touched by music or a great piece of film.

This is the BEST James Bond film ever made as it is full of style, amazing action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation of a villain and Bond girl (because her weapon is

There are a number of great set pieces littered throughout the film, each one very different than the next, although the opening attack on Philadelphia is probably the most exciting.

The movie has some nice set - pieces, but the final result is a film which does a great job of introducing the character, but doesn't provide a very exciting ride.

This is the BEST James Bond film ever made as it is full of style, amazing action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation of a villain and Bond girl (because her weapon is Bond» worst nightmare), the villain is truly threatening and played very well by Sean Bean, the title song is awesome and classic Bond, the script for this film is VERY well written and witty, etc..

Mission: Impossible - Rogue Nation proves that theory by being absolutely fucking excellent; it is the best film in this series, and it is a perfectly realized piece of cinematic craftsmanship, one that would make any of the truly skilled great filmmakers proud.

I think Mission: Impossible - Ghost Protocol is the most consistently entertaining, most laser - focused entry in the series so far, and while I would argue that it is very much a sequel to the third film and not just a disconnected piece of a flexible franchise, it is also a great rollicking self - contained spy movie adventure on a grand scale, and it's preposterous fun.

The film had great set design and art pieces, but it's not really like a blatantly fantastical fantasy — it is shot and depicted almost like a historical fiction with some bizarre creatures in it.

I did learn a lot about Firda's life and with that insight gained a greater appreciation for her work, but what could have been an AMAZING film with a more solid lead... ended up feeling just like a beautifully filmed vanity piece.

A good cast is wasted on such a terrible film, it's a great shame, because there's some impressive names attached to this piece of trash.

All that mixed with the ingredients of a blockbuster film, a great cast, good humorous timing and spectacular set pieces makes for a very entertaining ride that works as a standalone film as well as part of the bigger picture.

Once the film switched focus to the hunters becoming the hunted, viewers had already been treated to a great action set piece and some truly creepy, unknown buildup.

However, Vaugn does a great job in assembling these pieces and constructing a film that is a refreshing and charming piece of cinema.

Unfortunately Antal's film working from a script by Michael Finch and Alex Litvak apes this buildup to a tee, but forgets two key elements: a great action set piece and a cast of memorable characters.

This may be a period piece set in Oregon during the Great Depression, but it's definitely a 70s film through and through.

I came into the film with a certain «checklist» of things that I expected from a popcorn blockbuster like Transformers... explosions, great set - pieces, great battle sequences, amazing cgi and 3D, and of course beautiful women, and was hugely satisfied with the film.

Though it heavily reworks Bissell's story, the film feels as beautifully calibrated as a great piece of short fiction, only with visual accents and emphases filling in for the prose.

While every MCU film now is a piece of a greater puzzle with references to future films and crossovers, Iron Man was straightforward and grounded.

«It wasn't until I saw Greta talk about the film and making it and putting it together, and how all of this came from her and she's done something brilliant that people truly love and it's a great piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.

The movie has great time era sets pieces as the film takes the audience from a dystopian future to a realistic version of 1973 that includes wardrobe, hairstyles, and music.

The Black Stallion is a high watermark in family filmmaking; children of all ages can appreciate its simple, dialogue - light storytelling, while adults will relish it as both a great film and a breathtaking piece of filmmaking.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

So no great surprise here that The Lincoln Lawyer turns out to be superior piece of crime storytelling with some characters clearly designed for recurring roles (in other novels and perhaps other films should this one do well) while others are designated for showy guest appearances as larger - than - life evildoers or tough - guy eccentrics.

Unusually for Bertolucci, the film is an ensemble piece, with great glancing richness of detail conveyed by a wonderful cast.

by Walter Chaw Emboldened, perhaps, by the surprisingly good The Other Guys and the surprisingly great Get Him to the Greek, I went into Steve Pink's Hot Tub Time Machine with the belief that its high - concept idea — not the time travel, but the casting of»80s icon John Cusack in a film that would return him to his decade of greatest power and influence — would be at least enough for it to function as a fairly smart nostalgia piece.

The film is a tightly plotted, sharply realized mood piece, but it's Gordon - Levitt's performance that raises it from very good to great.

Backstage's Great Perforamnces issue, on newsstands Dec. 6, will feature a piece on her discussing her craft, Knightley also took the time to speak frankly on several other topics, including how she often dies on film; how Wright was resistant to casting her in «Pride and Prejudice,» their first film together; and how her Mr. Darcy in that movie, Matthew Macfadyen, almost played her abuser in a public service advertisement.

And the recent Supreme Court decision didn't make the film feel like a musty period piece — instead, it seemed to add resonance and immediacy, turning a small victory in one community into the harbinger of greater things to come.

In its current incarnation Swing Shift is the wreckage of a great film, an indulgent star vehicle that was once an insightful ensemble piece.

It was also great to see the film poke fun of Batman's lavish lifestyle using Lego pieces.

The story, cobbled together by the director and young film enthusiasts Dario Argento and Bernardo Bertolucci, plays like a collection of the genre's greatest hits: the tense, real - time set pieces of High Noon; the mysterious hero of Shane; the encroaching antlike forces of civilization as explored in The Man Who Shot Liberty Valance.

In fact Randall Poster is the final piece of the puzzle as to what makes this film great - its soundtrack.

Although The Disaster Artist maintains a great reverence for The Room, the film can be seen as a funny comedy about how such true - to - life absurdities can be a catalyst for such a terrible yet mesmerising piece of art.

Even having Cruise demanding David Koepp's original script be re-written by Robert Towne seemed to have little effect on him — he knew that as long as he had some great action set pieces, the film would do its job.

He fails at every element of sculpturing a great piece of cinema and this is why many should avoid his movies at all cost from this point forward (sorry to the cast of the film's expected sequel — which is, sadly, set up for at the end of The Last Airbender).

Most reviews I've read have pointed out how great it is and, like Gerard said in his Tech Support pieces, the Cinematography branch often embraces films ignored elsewhere.

Laughton's obsessive specificity supposedly made this great piece of art too much of a spiritual burden for the actor turned director, and he never made another film.

The occasional poorly paced action set piece aside, this film, with its stupendous score by Danny Elfman and great songs by Prince, is a classic comic book film.

It would be great to see Snowpiercer became as big an international hit as that earlier film, which also blended cutting social commentary, blockbuster set pieces and the sort of thrills you rarely get out of contemporary marketed - to - death multiplex fare.

The greatest irony of the piece is that what the film has lost is a lot of the spry rebellion and feeling of loose improvisation that defined the television series: «cowboy,» no question; «bebop,» another matter altogether.

Juan Antonio Bayona has proven his talent for great visually interesting films with THE ORPHANAGE and THE IMPOSSIBLE (which lead to him landing the WORLD WAR Z sequel), so hopefully this should be quite a unique piece of entertainment.

A richly creamy and achingly romantic piece of filmmaking from the great Todd Haynes, and an excellent companion piece to «Far From Heaven,» my pick for the best film of 2002.

While — like (I guess) many Rohmer fans — I tend to find myself most at home in his beach houses and Parisian apartment blocks, I was drawn to this presentation of his lesser - known historical films for two reasons: one was the pure joy of being able to enjoy his greatest work, Perceval, on the big screen; the other was the opportunity to finally be introduced to his feature - length television play Catherine de Heilbronn, a production that, in its grey set design and even starker minimalism, in many ways felt like the former film's shadowy companion piece.

Not because they are great films (they aren't, even by the most generous stretch of the imagination) but because they are entertaining pieces from a distinctive period of B - movie filmmaking, as weirdly fun and perversely creative in their own exploitative way as kindred films from the forties and fifties and sixties.

Also Worthy and Worthwhile «Keep The Lights On,» «Neighboring Sounds,» «A Royal Affair» (Mikkel Boe Følsgaard guy should have also been in our Breakout Performances of 2012 piece), «The Forgiveness Of Blood» (already Criterion approved with good reason), «Shut Up and Play the Hits,» «Compliance» (captivatingly ugly), «2 Days In New York» (hilariously neurotic, Julie Delpy is clearly the heir apparent to Woody Allen), «Cosmopolis,» «Side By Side,» «Argo,» «The Turin Horse» (Goodnight, Mr. Tarr you sweet prince of the bleak and wretched), «Once Upon A Time In Anatolia» (in many ways mesmerizing and beautiful, but for me, ultimately more in a cerebral way than in a moving, emotional one), «Goodbye Love» (Mia Hansen - Love clearly watches the films of her husband Olivier Assayas; a spiritual cousin to his last 3 - 4 pictures), «Elena,» «Francine» (great non-judgemental direction; Melissa Leo is terrific), «Ai Weiwei: Never Sorry,» «Alps,» «The Loneliest Planet,» «The Kid With The Bike» and pretty much every film in our 11 Films You May Not Have Seen list.

The great adventure story flies by and creates no dull moment as immaculately executed set pieces and magnificent scenery (I'm always partial to a bit of foliage) give the film it's major flashes of brilliance.

, and it wasn't Danny Boyle's best film, but it was still quite a solid piece with some great acting from the kids and some brilliant cinematography.

(It's why Die Hard is such a great film and A Good Day to Die Hard is a monumental piece of crap.)