Sentences with phrase «great human beings without»

«We need to acknowledge that people can be skilled workers and great human beings without four - year degrees,» Ferguson said.

Not exact matches

I will remember that failure is part of the human experience and that I can not have great success without tasting some failure.

Without a great deal of validated animal data or preliminary human data, this is a tough one to raise money for.»

We are reminded of the great warning words of Hosea that have echoed throughout human civilization: «they have set up kings, but without my consent, and appointed princes, but without my knowledge» (Hos.

Not only is the mutable world separated from its divine principle — the One — by intervals of emanation that descend in ever greater alienation from their source, but because the highest truth is the secret identity between the human mind and the One, the labor of philosophy is one of escape: all multiplicity, change, particularity, every feature of the living world, is not only accidental to this formless identity, but a kind of falsehood, and to recover the truth that dwells within, one must detach oneself from what lies without, including the sundry incidentals of one's individual existence; truth is oblivion of the flesh, a pure nothingness, to attain which one must sacrifice the world.

Which skills can be used and how many can be used to successfully lead America to greater prosterity and world peace without distroying human beings along the way.

Philosophy is great when dealing with abstract, human concepts (beacuse it's process is based around the human as the standard) but without some way to test philosophical treaties, you are just doing thought experiments which may or may not have any bearing on events in the «real» world.

(and who cares) Capitalism might be a great idea, if it only worked, it appears it does not, especially when the one percent rules the world and we have so many without food and basis human needs.

For Kierkegaard there is no «solution» to this paradox, other than the greater paradox of the God - man, who, without ever making the leap into sin, became sin for us, i.e., accepted his human solidarity with us, so that in him we might be reconciled with God through the Atonement.

With great emphasis he reminded all human beings of their brotherly love, their common origin, their equality without distinction except by means of virtue.

Or this, from a Cambridge lecture by Arthur Quiller - Couch: «Is it possible, gentlemen, that you can have read one, two, thee, or more of the acknowledged masterpieces of English literature without having it borne in on you that they are great because they are alive, and traffic not with cold celestial certainties, but with men's hopes, aspirations, doubts, loves, hates, breakings of the heart; the glory and the vanity of human endeavor, the transcience of beauty, the capricious uncertain lease on which you and I hold life, the dark coast to which we inevitably steer; all that amuses, or vexes, all that gladdens, saddens, maddens us men and women on this brief and mutable traject which yet must be home for a while, the anchorage of our hearts?»

I do not intend to close on an eristically apologetic note; i.e., «See, oh moderns, how even the greatest genius of our age saw that the only reasonable response to the human dilemma without Christ is despair.»

The Christ of the Gospels, and the Christ of the Church's faith, is One who is indeed truly human, in every respect and without equivocation; but he is also One who is truly divine — pictured first as Messiah, sent from God and coming again from God with power and great glory; pictured soon as the Word of God, as God Himself, made flesh and dwelling amongst us.

A brilliant school of interpretation of Greek mythology would have it that in their origin the Greek gods were only half - metaphoric personifications of those great spheres of abstract law and order into which the natural world falls apart — the sky — sphere, the ocean - sphere, the earth - sphere, and the like; just as even now we may speak of the smile of the morning, the kiss of the breeze, or the bite of the cold, without really meaning that these phenomena of nature actually wear a human face.

Our conception of a maximal human lover is not of someone detached and without desire; a great lover is someone who desires appropriately and who is appropriately influenced by others.

In the case of humans a great deal of bodily activity is performed without regard to its benefit to the body.

The up - reach of the human spirit therefore was not without great cost.

One of the great gaps often noted between the human species and other animals is that human purpose is a factor in shaping events on the planet, whereas pre-human evolution is interpreted without reference to purpose.

It is abhorrent to my soul to talk inhumanly about greatness, to let it loom darkly at a distance in an indefinite form, to make out that it is great without making the human character of it evident — wherewith it ceases to be great.

Luther hated this kind of disorder, just as he expressed his great regret that the friars who had walked out of the Friary, had done it without due order and apparently without even the kind of human exchanges to be expected on a decision virtually to break up the community.

For instance, they had learned that Jesus Christ is the answer to human problems but the Christ to whom they had been introduced was a figure unrelated to the great context in which he appeared and one who left them without answers to many of their personal questions as existing and historical men.

Greater and more manifest nearness of the Lord's presence I have never had than when after breakfast there were no means for dinner for more than a hundred persons; or when after dinner there were no means for the tea, and yet the Lord provided the tea; and all this without one single human being having been informed about our need....

«62 He must move among his people and preside at all the great moments of human life for «without a priest a woman is not betrothed to a man, and without him their marriage festival is not accomplished; without a priest the defunct also is not interred.

We are all human and do our best, but sometimes it is okay to look for store bought alternatives, without compromising healthy, including some great options available at your local stores like Walmart.

These parasites can not grow without infecting a host plant, and are responsible for some of the greatest destructions of crops in human history.

But the greatest difficulty he faces is looking human - rights violations in the eyes every day without letting it get to him.

As human beings we are designed for movement, and the more time you spend sitting without taking a break, the greater the likelihood of pain.

Humans have been consuming animals (in much greater quantities than we do now) for millions of years without ill effect, and historically there has never been a single vegan culture.

And while that's great for some people, there's an alternative for those who want all of the convenience of online dating without losing the human touch: Dating Ring.

Haneke's dissections of human behaviour yield mixed rewards, although I believe he is one of the greatest filmmakers currently working, and it's hard to imagine contemporary world cinema without him.

Though, the fact that the film isn't entirely without obvious merit confuses things even further: Krauss is wryly brilliant as Krauss and delivers the film's biggest laugh with his Herzog - ian reasons for using a wheelchair; Gael Garcia Bernal has a great time as a lecherous member of Laura's delegation, spinning his suitcase with the sneering verve of a cartoon villain who twirls his mustache and gleefully acts smarmy before being felled by his own beleaguered bowels; Herzog's shots of Diablo Blanco, portrayed by Bolivia's real - life Uyuni salt flats, are among the most stunning in any film released this year; Shannon has fun in the impromptu photo shoot that takes place toward the end of the film; and as expected, there's a fascinating push and pull in the battle between human and nature at the heart of the film's central premise.

In a complete different mood, Pavel Giroud's Playing Lecuona (2015), without an obvious sociopolitical stance makes a moving appeal to artistic freedom, reviving the legacy of one of the greatest Cuban musician of all time, Ernesto Lecuona, in a documentary film that is a human journey through musical sensibility and creativity.

The twentieth century was without doubt the most murderous of which we have record, both in scale, frequency and length of the war as well as the large number of human catastrophes it produced, from the greatest famines in history to systematic genocide.

Regardless of the purpose, though, NEVER should [VAMs] be used in isolation of other measures and NEVER should they be used without a great deal of human judgment re: what the VAM estimates in reality and in context demonstrate, in light of what they can and just can not do.»

posted at J.M. Ney - Grimm, saying, «Without a site map for human visitors (as opposed to Google crawler bots), most of the great content on your author website is hidden.

It's great for humans, as it protects teeth from harmful bacteria while also sweetening foods without adding calories.

The Standard Poodle is also good at being a great watch dog and can be protective of its human family without being too aggressive.

Cats with pre-existing respiratory issues such as asthma, airborne allergies, or cats exposed to second hand smoke from their human companions, are at greater risk for developing severe respiratory irritation than cats without such conditions.

(ref) Another consequence is that one can not restrict the protein intake or up the carbohydrate intact of cats nearly as much as one can in dogs or humans without causing them great metabolic distress.

«Our wand designs are shorter [intentionally], as we adhere to human child safety standards,» says Aimee Diskin, director of innovation for Novato, Calif. - based Worldwise, Inc. «Interactive play is key to building a bond with a cat, so greater emphasis should be on shorter wands and toys without parts that easily pull off.»

It is all so easy to book your Cairns accommodation on the internet without any human interaction and it is a great way to do it if you are only travelling with yourself and you already know the region or you are not too fussed on the services or facilities of the hotel.

Meanwhile, another sequence in which Talorel has to atone for the sins he has committed as a human is a great opportunity to play on how people are inherently sinful, how we seemingly can't get through an entire day without committing some sort of sin in the eyes of the Church or God, but that gets flown through quickly.

Survival is a great way to train for OverRun matches without having to worry about going up against other humans who have superior skills to your own.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformss Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformss Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformss Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

He was a great humorist and had intense insight into human nature, characterising it without sentiment.

The leaders in my not - so - great generation wish to live without having to accept limits to growth of seemingly endless economic globalization, increasing per capita consumption and skyrocketing human population numbers; their desires are evidently insatiable; they choose to believe anything that is politically convenient, economically expedient and socially agreeable; and they act accordingly.

Perhaps it is just me, but I personally think that humans are at our best when we do not base the arguments that guide all of our decisions everyday on false premises, or assign an improbably great degree of belief to a proposition more or less without evidence.

Chris Hitchens was really at heart one us he was a humanist always forward looking optomistic loved the triump of the human spirit (not a miserbalist control freaking climate alarmist) But mainly he loved all things Ameican (ecept the Clintons) He was this famous scruffy agnostic rather right centred carrassmatic interlectual a great writer and thinker (unlike his his great sibling interlectual rival his brother Peter without the scruffy or the agnostic) Peter and Chris were exactly like that other great brotherly partnership Niles and Frazer Underneath all that interlectual pomposity there was some mad vibe going on between them Imagine them smashing each other with sherry glasses over a discussion about Europe or something

Of course, it could be possible that there is some yet undiscovered mechanism that only absorbs human CO2 (otherwise it would absorb natural CO2 in the absence of our emissions) and some other mechanism that caused a great imbalance in natural sources / sinks causing the increase without a corresponding temperature change.

WITHOUT a shadow of a doubt, the greatest scientific hoax ever perpetrated against mankind is that human's modern life (including your sandwich) is causing catastrophic «climate change» or «global warming» or «climate disruption» or «climate breakdown», depending on the day and the activist concerned.