Sentences with phrase «great international art movements»

«Modern art» witnessed many of the great international art movements, and also gave birth to entirely new forms of creative expression, including: skyscraper architecture (1880s); chromolithographic poster art (1880s / 90s); animation art (from the first cartoon film in 1906); collage (from 1912); performance art (from Dada onwards); assemblages (from 1953); land art (fl. 1960s).

Not exact matches

Still, while the book is a great presentation of artists and their individual practices, it begs the questions: What role did Texas play in the international Abstract art movement, and what role do Texas abstract artists play now?

In international terms, Arte Povera is the most famous and most influential Italian art movement of the late 20th century, marked by the sweeping aside of limits of space and time and the accomplished form of the artwork in favour of a greater focus on the processes, on the intrinsic value of materials, on nature and the senses as a possibility of life and not of representation.

In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqart exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt, 1912 to Today.»

About the Abstract Expressionist movement and his fellow artists Motherwell said: «But really I suppose most of us felt that our passionate allegiance was not to American art or in that sense to any national art, but that there was such a thing as modern art: that it was essentially international in character, that it was the greatest painting adventure of our time, that we wished to participate in it, that we wished to plant it here, that it would blossom in its own way here as it had elsewhere, because beyond national differences there are human similarities that are more consequential...» (5)

Arevalo Gallery has been established for the promotion of 20th Century Latin American and International art, and to gain a greater understanding of the relationships between modern art movements and their influence on Contemporary Aart, and to gain a greater understanding of the relationships between modern art movements and their influence on Contemporary Aart movements and their influence on Contemporary ArtArt.