Featuring
a great jazz score from actor and musician John Lurie (The Lounge Lizards, Fishing With John, Stranger Than Paradise, Down By Law).
Not exact matches
The
great Bernard Herrmann provided the seedy
jazz score — the first time in years that a director did not ask him to copy his work with Hitchcock.
Smeaton does
great with instruments native to Australia — his work with Schepisi on Jimmie Blacksmith and Devil's Playground is honourable — but his
score for this picture is the worst kind of
jazz - fusion hummer.
A departure from his primarily orchestral work, his
jazz - based
score was as
great as any of his other works.