There are so many
great lines in this film — most coming from the bitchy and sadistic Heather No. 1 — I don't even know where to begin quoting.
The broad, physical jokes (many of which appeared in the trailer) are somewhat humorous, but there are many
great lines in the film which deliver the true laughs.
Not exact matches
And despite less - than - enthused early reviews, Baz Luhrmann's
film adaptation of The
Great Gatsby has garnered heightened anticipation and excitement over the past few months of lavish themed parties, soundtrack leaks and previews and even special edition fashion
lines in the
film's honor.
Bottom
line: this is one of the most impressive and influential sci - fi action
films out there, so it is basically required viewing for fans of the genre, and people interested
in great cinema
in general.
But the quibbles over the technical aspects of the
film rightfully take a backseat to the real reason why people will stand
in line,
in the heat and the rain, to be one of the first to see this end — Harry Potter is a
great movie character.
Great dialogue, but it is not as popular as the Pulp Fiction (1994) dialogue but it has great lines and what it suggests in this
Great dialogue, but it is not as popular as the Pulp Fiction (1994) dialogue but it has
great lines and what it suggests in this
great lines and what it suggests
in this
film.
Compared to Malick's sumptuous art
film, Marton's old
Line looks awfully naive, and yet it goes a
great deal further
in grappling with the author's touchy subtext of soldierly love.
The Bottom
Line: If you're a fan of Oscar Wilde's work, you might appreciate the
film for his witty banter, but you're more likely to be appalled by the once -
great Helen Hunt, who doesn't work
in this type of role and setting, and doesn't make much of an effort to make it work.
Mary Field is the actress who played Huntz Hall's sister
in the 1941 Universal serial Sea Raiders; the spinsterish sponsor of Danny Kaye's doctoral thesis
in A Song of Born (1947); the nice lady standing
in Macy's «Santa Claus»
line with the little Dutch girl
in Miracle on 34th Street (1947); the long - suffering music teacher
in Cheaper by the Dozen (1950); and Harold Peary's bespectacled vis - a-vis
in The
Great Gildersleeve (1942)-- to name just four
films among hundreds.
It's an excellent
film, with Renoir's usual looping
line and deft shifts of tone, though today the balance of critical opinion has shifted
in favor of the
greater darkness and filigree of The Rules of the Game.
MI: 3 bounces back from its» latest installment to make this
film entertainment heavy and with a
great story -
line and characters to invest
in.
The
film assembled one of the studio's finest voice casts, led by Albert Brooks and Ellen DeGeneres, gave them a ton of
great gags and memorable characters (the surfer dude turtle and the «One Flew Over The Cuckoo's Nest» homage
in the dentist's office first among them), and then grounded it
in with a deep bass
line of thoroughly relatable pathos.
Firth's abrasive Stanley is
great, and a long
line of deeply flawed leading men
in Allen
films.
Sin City is the first
great film of 2005, and for the first time
in a long time I am actually wishing for that Rodriguez and co. feed us more stories down the
line with a sequel or follow - up.
This movie is,
in - essence, a 123 - minute trailer for The Hunger Games: Mockingjay Part Two as it spends a
great deal of time getting us up to speed with our protagonists and accustomed to new characters whilst building toward the
film's only true reveal which is certain to have fans
lining up to see the final instalment.
All the supporting characters do a
great job
in the
film, especially Michael Angarano who perfectly walks the
line between a sleazy, phony artist and a sensitive guy who doesn't kid himself.
There's a
great supporting cast
lined up
in this
film with Damien Lewis, Ed Westwick, Paul Giamatti, Stellan Skarsgard, Christian Cooke, Natascha McElhone and Lesley Manville all featuring.
Hill's Academy Award nominee status makes for a few
great gags, Rogen's lack of variety
in film roles is a punch -
line and Robinson gets confused between «acting» tough and actually being strong.
«The
greatest thing art does is erase the
lines in the sand when the world says to make them deeper,» said the Mexican director, as he accepted the award as a proud immigrant to the
film industry.
A mess of a
film this one.Plot
lines confused and blurred.It seems to have been made up as they filmed.All the American cliques are there.Ugly brutal men
in a one horse town, yet the place is full of emotionally wounded gorgeous women.The men are macho and the women inconsequential.The acting is rather uneven, veering from impressive, going down to Benny Hill.This is Cages best role thus far, but his normal low standards means his acting is still below par.The plots descends into a quagmire of nuttiness and by the end is daft romantic nonsense.A tighter script was needed, the director needed to be replaced to stop the
film's plot wandering off
in all directions and finally someone with
greater gravitas was needed to take on Nicholas Cage's part...
Up to and including the
film's legendary final
line, spoken by the
great Joe E. Brown as Jerry's chief suitor, Wilder's sex comedy confuses sexual definitions on a regular basis and even obliterates them at times, most noticeably
in the case of Lemmon's fearless comic performance.
Italian director who carried off best foreign
film statuette for The
Great Beauty
lines up veteran British actor for
In the Future
The
film follows the legendary and secretive author through his life — from his rebellious youth to the the bloody front
lines of World War II, experiencing
great love and terrible loss, a life of rejection, his writing
in the pages of The New Yorker, and the PTSD - fueled writer's block that led to the birth of his iconic novel The Catcher In The Ry
in the pages of The New Yorker, and the PTSD - fueled writer's block that led to the birth of his iconic novel The Catcher
In The Ry
In The Rye.
Impossibly clever, endlessly entertaining and deeply moving, this is easily one of the
greatest in a long
line of excellent
films from Pixar Animation.
Not only is Nicolas Winding Refn currently gearing up for the summer release of his supermodel horror
film The Neon Demon, but he has already
lined up a couple of uncanny projects to remake as a producer —
in other words, this is some
great news for fans of the genre.
River Road Entertainment's Founder and CEO Bill Pohlad added, «River Road has collaborated to
great success with Participant, Lionsgate International and Focus Features on several
films, and we look forward to uniting for this distinguished project, which is
in line with our effort to support captivating storytelling and incredibly talented filmmakers, like Juan Antonio Bayona.»
Jennifer Lawrence has made
great strides
in attempting to transform from the box office bombshell behind the success of
films like The Hunger Games series, and the odd critical success of Silver
Linings Playbook or Joy, into a legitimate, respected thespian, and with her most recent leading role
in her then - paramour, Darren Aronofsky's mother!
Jennifer Lawrence has made
great strides
in attempting to transform from the box office bombshell behind the success of
films like The Hunger Games series, and the odd critical success of Silver
Linings Playbook or Joy, into a legitimate, respected...
Hopefully for this latest entry, the sixth
film in the franchise, they can get back to having a
great balance of action and story along the
lines of the original and «Mission: Impossible - Ghost Protocol.»
Although the original
film is a classic
in its own way, although not generally regarded as
great, this update by John Moore (Behind Enemy
Lines) doesn't give us any reason to revisit the same territory.
Their
line of descendants, cut short
in the
film because, as the villains, they both get killed, is the
line of the British monarchy, a more or less direct descent from Cerdic to Alfred the
Great to William the Conquerer, Henry VIII, and the present Elizabeth II.
From waiting
in long
lines, celebrity sightings (which included, Kristen Wiig, Cobie Smulders, Adam Scott, Margot Robbie, Chiwetel Ejiofor, and Chris Pine among others), to the
films themselves, the festival was a
great way to kick off the year!
Bolstered by a good performance from Morton, the
film relies on a
great one from Patric who, 10 years after his terrifying turn
in Neil Labute's YOUR FRIENDS & NEIGHBORS, once again dares to walk the dangerously thin
line between dangerous charisma and utter loathsomeness.
And while it has been overplayed, Hanks's diatribe on crying
in baseball is still one of the most iconic
lines in movie history, giving the
film, or at least the moment, a
great relevance even today.
Coogler concluded his letter by thanking Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the
film would be, bragged about our awesome cast, picked out outfits to wear, and who stood
in line in theaters all over the world before even seeing the
film... To the press who wrote about the
film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of filmmakers the
greatest gift: The opportunity to share this
film, that we poured our hearts and souls into, with you.»
Bottom
Line: Through lessons and activities based on popular
films and grounded
in academics, The Academy offers a
great way to grab students» attention.
This
film is a
great demonstration of the kind of collection development that is
in line with the CLA standards of Fostering Literacies and Facilitating Collaborative Engagement.
On Nov. 13, you can bet I'll be
in line to see Fantastic Mr. Fox, a stop motion
film directed by the
great Wes Anderson.
A few years ago a
film aired on network TV
in the UK something along the
lines of «The
Great Global Warming Swindler» — or something similar.
A kiss inspired one of the all time
greatest lines of
film dialogue from Crash Davis: I believe
in long, slow, deep, soft, wet kisses that last for three days.