Sentences with phrase «great lines in this film»

There are so many great lines in this film — most coming from the bitchy and sadistic Heather No. 1 — I don't even know where to begin quoting.
The broad, physical jokes (many of which appeared in the trailer) are somewhat humorous, but there are many great lines in the film which deliver the true laughs.

Not exact matches

And despite less - than - enthused early reviews, Baz Luhrmann's film adaptation of The Great Gatsby has garnered heightened anticipation and excitement over the past few months of lavish themed parties, soundtrack leaks and previews and even special edition fashion lines in the film's honor.
Bottom line: this is one of the most impressive and influential sci - fi action films out there, so it is basically required viewing for fans of the genre, and people interested in great cinema in general.
But the quibbles over the technical aspects of the film rightfully take a backseat to the real reason why people will stand in line, in the heat and the rain, to be one of the first to see this end — Harry Potter is a great movie character.
Great dialogue, but it is not as popular as the Pulp Fiction (1994) dialogue but it has great lines and what it suggests in this Great dialogue, but it is not as popular as the Pulp Fiction (1994) dialogue but it has great lines and what it suggests in this great lines and what it suggests in this film.
Compared to Malick's sumptuous art film, Marton's old Line looks awfully naive, and yet it goes a great deal further in grappling with the author's touchy subtext of soldierly love.
The Bottom Line: If you're a fan of Oscar Wilde's work, you might appreciate the film for his witty banter, but you're more likely to be appalled by the once - great Helen Hunt, who doesn't work in this type of role and setting, and doesn't make much of an effort to make it work.
Mary Field is the actress who played Huntz Hall's sister in the 1941 Universal serial Sea Raiders; the spinsterish sponsor of Danny Kaye's doctoral thesis in A Song of Born (1947); the nice lady standing in Macy's «Santa Claus» line with the little Dutch girl in Miracle on 34th Street (1947); the long - suffering music teacher in Cheaper by the Dozen (1950); and Harold Peary's bespectacled vis - a-vis in The Great Gildersleeve (1942)-- to name just four films among hundreds.
It's an excellent film, with Renoir's usual looping line and deft shifts of tone, though today the balance of critical opinion has shifted in favor of the greater darkness and filigree of The Rules of the Game.
MI: 3 bounces back from its» latest installment to make this film entertainment heavy and with a great story - line and characters to invest in.
The film assembled one of the studio's finest voice casts, led by Albert Brooks and Ellen DeGeneres, gave them a ton of great gags and memorable characters (the surfer dude turtle and the «One Flew Over The Cuckoo's Nest» homage in the dentist's office first among them), and then grounded it in with a deep bass line of thoroughly relatable pathos.
Firth's abrasive Stanley is great, and a long line of deeply flawed leading men in Allen films.
Sin City is the first great film of 2005, and for the first time in a long time I am actually wishing for that Rodriguez and co. feed us more stories down the line with a sequel or follow - up.
This movie is, in - essence, a 123 - minute trailer for The Hunger Games: Mockingjay Part Two as it spends a great deal of time getting us up to speed with our protagonists and accustomed to new characters whilst building toward the film's only true reveal which is certain to have fans lining up to see the final instalment.
All the supporting characters do a great job in the film, especially Michael Angarano who perfectly walks the line between a sleazy, phony artist and a sensitive guy who doesn't kid himself.
There's a great supporting cast lined up in this film with Damien Lewis, Ed Westwick, Paul Giamatti, Stellan Skarsgard, Christian Cooke, Natascha McElhone and Lesley Manville all featuring.
Hill's Academy Award nominee status makes for a few great gags, Rogen's lack of variety in film roles is a punch - line and Robinson gets confused between «acting» tough and actually being strong.
«The greatest thing art does is erase the lines in the sand when the world says to make them deeper,» said the Mexican director, as he accepted the award as a proud immigrant to the film industry.
A mess of a film this one.Plot lines confused and blurred.It seems to have been made up as they filmed.All the American cliques are there.Ugly brutal men in a one horse town, yet the place is full of emotionally wounded gorgeous women.The men are macho and the women inconsequential.The acting is rather uneven, veering from impressive, going down to Benny Hill.This is Cages best role thus far, but his normal low standards means his acting is still below par.The plots descends into a quagmire of nuttiness and by the end is daft romantic nonsense.A tighter script was needed, the director needed to be replaced to stop the film's plot wandering off in all directions and finally someone with greater gravitas was needed to take on Nicholas Cage's part...
Up to and including the film's legendary final line, spoken by the great Joe E. Brown as Jerry's chief suitor, Wilder's sex comedy confuses sexual definitions on a regular basis and even obliterates them at times, most noticeably in the case of Lemmon's fearless comic performance.
Italian director who carried off best foreign film statuette for The Great Beauty lines up veteran British actor for In the Future
The film follows the legendary and secretive author through his life — from his rebellious youth to the the bloody front lines of World War II, experiencing great love and terrible loss, a life of rejection, his writing in the pages of The New Yorker, and the PTSD - fueled writer's block that led to the birth of his iconic novel The Catcher In The Ryin the pages of The New Yorker, and the PTSD - fueled writer's block that led to the birth of his iconic novel The Catcher In The RyIn The Rye.
Impossibly clever, endlessly entertaining and deeply moving, this is easily one of the greatest in a long line of excellent films from Pixar Animation.
Not only is Nicolas Winding Refn currently gearing up for the summer release of his supermodel horror film The Neon Demon, but he has already lined up a couple of uncanny projects to remake as a producer — in other words, this is some great news for fans of the genre.
River Road Entertainment's Founder and CEO Bill Pohlad added, «River Road has collaborated to great success with Participant, Lionsgate International and Focus Features on several films, and we look forward to uniting for this distinguished project, which is in line with our effort to support captivating storytelling and incredibly talented filmmakers, like Juan Antonio Bayona.»
Jennifer Lawrence has made great strides in attempting to transform from the box office bombshell behind the success of films like The Hunger Games series, and the odd critical success of Silver Linings Playbook or Joy, into a legitimate, respected thespian, and with her most recent leading role in her then - paramour, Darren Aronofsky's mother!
Jennifer Lawrence has made great strides in attempting to transform from the box office bombshell behind the success of films like The Hunger Games series, and the odd critical success of Silver Linings Playbook or Joy, into a legitimate, respected...
Hopefully for this latest entry, the sixth film in the franchise, they can get back to having a great balance of action and story along the lines of the original and «Mission: Impossible - Ghost Protocol.»
Although the original film is a classic in its own way, although not generally regarded as great, this update by John Moore (Behind Enemy Lines) doesn't give us any reason to revisit the same territory.
Their line of descendants, cut short in the film because, as the villains, they both get killed, is the line of the British monarchy, a more or less direct descent from Cerdic to Alfred the Great to William the Conquerer, Henry VIII, and the present Elizabeth II.
From waiting in long lines, celebrity sightings (which included, Kristen Wiig, Cobie Smulders, Adam Scott, Margot Robbie, Chiwetel Ejiofor, and Chris Pine among others), to the films themselves, the festival was a great way to kick off the year!
Bolstered by a good performance from Morton, the film relies on a great one from Patric who, 10 years after his terrifying turn in Neil Labute's YOUR FRIENDS & NEIGHBORS, once again dares to walk the dangerously thin line between dangerous charisma and utter loathsomeness.
And while it has been overplayed, Hanks's diatribe on crying in baseball is still one of the most iconic lines in movie history, giving the film, or at least the moment, a great relevance even today.
Coogler concluded his letter by thanking Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world before even seeing the film... To the press who wrote about the film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of filmmakers the greatest gift: The opportunity to share this film, that we poured our hearts and souls into, with you.»
Bottom Line: Through lessons and activities based on popular films and grounded in academics, The Academy offers a great way to grab students» attention.
This film is a great demonstration of the kind of collection development that is in line with the CLA standards of Fostering Literacies and Facilitating Collaborative Engagement.
On Nov. 13, you can bet I'll be in line to see Fantastic Mr. Fox, a stop motion film directed by the great Wes Anderson.
A few years ago a film aired on network TV in the UK something along the lines of «The Great Global Warming Swindler» — or something similar.
A kiss inspired one of the all time greatest lines of film dialogue from Crash Davis: I believe in long, slow, deep, soft, wet kisses that last for three days.
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