Sentences with phrase «great modern painters»

The Tate Modern in London recently launched shows of Goodman artists Gerhard Richter, last of the great modern painters, and Tacita Dean, a Brit who is the best artist now working with film.

• Great Modern Painters For careers of modern artists (1700 - 1900), see: Famous Painters.

The delight and the discipline in the aesthetic experience are nicely recorded by Pablo Picasso and Georges Braque, two of the greatest modern painters.

Dulwich Picture Gallery presents a major exhibition of one of Canada's greatest modern painters, David Milne (1882 - 1953).

«Kerry James Marshall is the first comprehensive study of the life and oeuvre of one of America's greatest modern painters.

Naturally, his native country noticed his contributions to its art scene — as a way of honoring one of its greatest modern painters, The Silkeborg Museum of Art was renamed the Museum Jorn in the year of 2010.

The new exhibition at Tate Liverpool will focus on Bacon's use of «space - frames» — considered one of Britain's greatest modern painters — who set his subjects inside a «ghost - like» frame.

Not exact matches

As great filmmakers have inspired modern painters, so to have great painters influenced the mise en scène of directors and cinematographers throughout the history of cinema.

Having been immediately hailed by European critics as one of his era's greatest painters, Soutine, who was based in France for much of his career, was largely ignored in America until the Museum of Modern Art in New York hosted a small exhibition of his work in 1950.

Other candidates include Marsden Hartley, the greatest modern American painter before Jackson Pollock, but it is time to appreciate that Stettheimer has equal claim to this distinction.

See more than 90 paintings and drawings by the French modern master, Henri Matisse, and one of the greatest post-war American painters, Richard Diebenkorn.

These essays have great importance for modern representational painters but for those of us who aren't connected to an art school or university these essays are likely to be hard or impossible to find.

Tompkins and Ofili visit the Museum of Modern Art in New York together, where the artist declares the work of Jasper Johns «chilling,» adding that, «He's certainly one of the great painters.»

Rounding off a fine season of modern American art, which has seen stellar exhibitions at the Royal Academy and the British Museum, White Cube presents a retrospective of the works of Wayne Thiebaud, considered one of the US's greatest living painters and whose work has been shown all - too infrequently this side of the Atlantic in recent decades.

Noticeably inspired by western art history and the great painters of the modern era, Orchard's works take cues from the past while also steadfastly looking to contemporary painting.

Giorgio Morandi (1890 - 1964) was one of the greatest modern Italian painters and masters of the still life genre.

CIMA presents an exhibition exploring the relationship between one of Italy's greatest living artists, Giulio Paolini (b. 1940), and one of its most celebrated modern masters, the Metaphysical painter Giorgio de Chirico (1888 — 1978).

Last week, the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on one of the greatest Italian painters of the twentieth century: Giorgio Morandi — the subject of the current exhibition at CIMA, on until June 25th.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Three formidable realist painters — two of them well - known modern artists and a third who's currently active in the East End art community — bring the great outdoors into the inviting llle Arts gallery space in a summer show that prompts a happy response.

Francis Bacon and the Masters looks at the artistic influences of one of our most visceral and engaging modern painters to expose exciting parallels between Bacon's unflinching artistic outlook and the work of some of art's great practitioners; Van Gogh, Rembrandt and Velázquez to name a few.

The show took its title not only from T.J. Clark's The Painting of Modern Life: Paris in the Art of Manet and his Followers (1985) but also from The Painter of Modern Life (1863), Charles Baudelaire's great call for art to embrace the changes of modernity while keeping its distance.

In a review of the retrospective, the Wall Street Journal's David Littlejohn called Liu «the greatest Chinese painter in the U.S.» Liu's works have been exhibited extensively and collected by the San Francisco Museum of Modern Art; the Whitney Museum of American Art, New York; the Metropolitan Museum of Art, New York; the National Gallery of Art, Washington, D.C.; the Asian Art Museum, San Francisco; and the Los Angeles County Museum, among other institutions.

The selection of artists is suitably eclectic, ranging from the political and canonical (Bruce Nauman; Georg Baselitz), to the modish and predictable (Oscar Murillo), while also delving back in time to singular figures such as Aboriginal landscape painter Emily Kame Kngwarreye or that other great chronicler of the modern rural, Walker Evans.

Over a period of approximately ten or twelve years, between the early 1960s and the early 1970s he produced work of tremendous ambition and audacity, with an impact that is almost palpable, and that should finally prompt a posthumous recognition that he is a modern British master — one of the great abstract painters of the 20th century.

«Exploring a turning point in the career of Britain's greatest land and seascape painter of the nineteenth century, a major exhibition at The Frick Collection will illuminate Joseph Mallord William Turner's (1775 — 1851) distinctly modern approach to the theme of the port.

See why in this survey of a great painter of modern life.

Note: For an explanation of some of the great works by painters of the Ecole de Paris, please see: Analysis of Modern Paintings (1800 - 2000).

Museum of Modern Art will hold a retrospective of one of the greatest Croatian painters of the 20th century, which will cover more than half a century of his artistic activity.

Whether from Toronto or abroad, Angell Gallery artists enjoy great media attention and critical reviews in publications such as ARTFORUM, NY Times, LA Times, ARTnews, Art in America and Modern Painters Angell Gallery is not content to simply show its artists in a gallery setting.

«Future Greats», December 2005 «Twelve Footnotes for Ian Monroe», Tom Morton, Show Catalog, Haunch of Venison, Zurich Art Review, «The Walls Came Down» Jay Merrick, July 2005 «Ian Monroe's Architecture», Barry Schwabsky, Show Catalog «They Built Upon It», Haunch of Venison, London 2004 Modern Painters, «All in the Best Bad Taste» Sally O'reilly, Dec 2004 - Jan 2005 2003 Art Monthly, «Anyway», Bruce Haines, May 2004, number 276 Contemporary, «The Queen Mum Show» Jamie Lau, issue 53/54 The Times, «New Blood at RA Summer Show Gets Old Blood Boiling» Dalya Alberge, May 29 The Royal Academy of Arts Magazine, «Summer Exhibition» Sebastian Smee, Summer 2003, number 79 Arena, «The Boom», Tom Morton, July, number 136 The Spectator, «Formidable Power», Andrew Lambirth, May 17 Art Review, «Saatchi's New Sensation», Meredith Etherinton - Smith, May Evening Standard, Metro Life, «The Saatchi Effect» Hephzibah Anderson, April 18 The Observer, «Space Traveller», Alison Roberts, April 20 Telegraph Magazine, «Adventures in Saatchiland», Colin Gleadell, March 29 2002 The Sunday Times, «Saatchi's Rival to the Tate Takes Shape» Richard Brooks, September 8 Time Out London.

In 2007 the Museum of Modern Art in New York organised an exhibition with great impact, titled The Painter's Etchings, Freud's place in postwar art history admitted through a side - door rather than placed in the canon.

More than a century later another critic and painter, Lawrence Gowing, staged an exhibition at New York's Museum of Modern Art in which he presented the great man essentially an abstract artist, thereby turning him into a precursor of Pollock and Rothko.

In modern times, we seem to have had a greater separation between the amateur and professional, Sunday painter and schooled artist.

He collected canvases by El Greco, because he considered him the first passionate expressionist; Jean Chardin, whom he saw as the first modern painter; Goya, because he was the link between the Old Masters and the post-Impressionists like Paul Cezanne; and Edouard Manet because his work, too, led to great moderns like Paul Gauguin and the Fauvist Henri Matisse.

Even so, he is regarded by some art critics as one of the great abstract painters of the modern era.

As befits one of the great 20th century painters, Braque's works hang in the best art museums in Europe and the United States, including the Museum of Modern Art, New York, the French National Museum of Modern Art at the Pompidou Centre, Paris, the Kunstmuseum in Berne, and the Moderna Museet, Stockholm, as well as in most major galleries around the world.

Jellett had precocious talent as a painter, and while starting out as a follower of Impressionism she began - as a result of her association with the Parisian abstract painter and teacher Albert Gleizes - to develop a greater interest in modern abstract art like Cubism.

Over a career spanning nearly 70 years he became the greatest British painter of the 20th century, a modern Master who relentlessly pursued his own esoteric project to capture the human body in all its frailty, obscenity and beauty.

Clyfford Still is considered a major figure of modern art in America and one of the great abstract painters.

Abstract Painters The greatest exponents of abstraction in the modern era included Kasimir Malevich (1878 - 1935); Piet Mondrian (1872 - 1944).

Now see as one of the great 20th century painters, Giorgio De Chirico's works hang in several of the world's best art museums, notably the Tate Collection London, the Museum of Modern art New York, and the Peggy Guggenheim Collection, Venice.

• For more biographies of great modern artists, see Famous Painters.

Today, as one of the great 20th century painters of America, Wyeth's works can be seen in many of the best art museums, including the Whitney Museum, the Museum of Modern Art NY, the Metropolitan Museum of Art, the Smithsonian American Art Museum; Nelson - Atkins Museum (Kansas); Arkansas Art Center and the White House.

It explores how modern and contemporary artists respond to the human figure with world - renowned works by one of the world's greatest realist painters Lucian Freud, leading sculpture Ron Mueck and American photographer Spencer Tunick.

Well, then, if the craft of painting is hard if not impossible to teach, and if the theory of painting doesn't help make great or even good painters, then maybe painting doesn't fit in the modern university at all, you might argue.

By setting «traditional painting» against conceptualist «modern» art, they ignore great modernist painters from Picasso to Cy Twombly.

The Solomon R. Guggenheim Museum, New York Dallas Museum of Fine Arts September 12 - November 6, 1981 Approximately 200 paintings and works on paper by Arshile Gorky, widely acclaimed as one of the greatest modern American painters, and an important influence on the development of Abstract Expressionism.

But while intellectually influential in his lifetime, and accepted today as one of the great abstract painters, and one of the key figures in modern art of the early 20th century, he enjoyed little commercial success during his lifetime.

Ms. Dumas's work can also be slyly funny, particularly when it concerns that mythic creature, the great white modern male painter.