Sentences with phrase «great music in the film»

Not exact matches

My agency doesn't stand to make a nickel off it, but they're giving me the use of their screening room, their phone list and client list, people like Will.I.Am and Peter Gabriel who saw the film and were then incredibly generous in giving their songs at a great rate when I couldn't afford their music normally.

If you're looking around for something to watch this Sunday evening that complements the Oscars, the World Science Festival has a great video which features the Coen Brothers, film composer Carter Burwell, Alec Baldwin, and neuroscientist Aniruddh Patel discussing the emotional effects and role of music in film.

Among other things, I ran the Great Wall of China Marathon; worked out on a pearl boat in the Kimberley; appeared semi-naked in a music video wrapped only in cling wrap; worked on a Norwegian reality TV show filmed in Malta; trained eagles in Mongolia; donned a wig and lived like Dolly Parton in her hometown in Tennessee for a month; rode a bicycle around Taiwan; sailed on a pirate ship from Seattle towards Mexico before hitting a storm and having to be rescued by theUS Coast Guard; and helped educate young girls in Kosovo who are banned from attending school because they wear headscarves.

UK / US About Blog Vintage Life Magazine is full of vintage style, from style and fashion, hair and beauty, house and home, to music and film, everything great about the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magazine.

UK / US About Blog Vintage Life Magazine is full of vintage style, from style and fashion, hair and beauty, house and home, to music and film, everything great about the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magazine.

a great music film this is the words which i can say about Justin Timberlake + the Tennessee Kids great work by Jonathan demme and great performance bt Justin Timberlake is this movie a history is counted they show the people the history not just the concert i love how jonathan direct this and i love the edition i love how justin timberlake is humble and lovely funny smart with everybody i'm more in love with him.this deserves an emmy and a grammy for best music film at grammys 2018 everybody should watch this movie is amazing congrats justin timberlake netflix and jonathan demme great music film truly amazing maybe we have this film in dvd soon i will love if its happen i» ll love some extras yes i will.

Yes, there's a lot of great music played in the film.

But the film embraces cultural specificity in a way that no other Pixar production has before, combining the studio's customary emotional directness with a deep dive into a great nation's art, music, history, and customs.

Mary Field is the actress who played Huntz Hall's sister in the 1941 Universal serial Sea Raiders; the spinsterish sponsor of Danny Kaye's doctoral thesis in A Song of Born (1947); the nice lady standing in Macy's «Santa Claus» line with the little Dutch girl in Miracle on 34th Street (1947); the long - suffering music teacher in Cheaper by the Dozen (1950); and Harold Peary's bespectacled vis - a-vis in The Great Gildersleeve (1942)-- to name just four films among hundreds.

The Music of Coco: (13:12) Obviously, music plays a major part in this film, so it's great to see the extensive care given to the acoustic instrumentatMusic of Coco: (13:12) Obviously, music plays a major part in this film, so it's great to see the extensive care given to the acoustic instrumentatmusic plays a major part in this film, so it's great to see the extensive care given to the acoustic instrumentations.

Another badge Gregg Araki deserves is in the perfectly curated music of the film and a great score from Harold Budd and Robin Guthrie.

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

When he says «dream assignment» I think he means that the film's story and setting provided such a large canvas to write to, which could have resulted in some great music (despite the qualities of the resulting movie).

I wrote at the time that his music for Dawn of the Planet of the Apes — while a very fine film score — wasn't one of his most engaging albums, with its dark tone and great length; and while he uses that score as a springboard (and reprises some of its material), Giacchino takes War off in different directions and in doing so solves the problems that led to its predecessor being better within the film than without it.

This is a great, lively film defined not only by the joy inherent in music, but by a pervasive love for human beings, imperfections and all.

After featuring Glass Candy track «Digital Versicolor» in «Bronson,» Refn asked Jewel to write the music for his neon - drenched crime movie «Drive,» but allegedly against the wishes of the director, the film's backers replaced him with Cliff Martinez for the finished movie, although tracks by Chromantics and another side - project, Desire, are included in the movie to great effect.

Glastonbury (15) Running time: 135 min *** Julian Temple's loving documentary may at first appear to be aimed at the sort of music fan who prefers Glasto streamed live to their TV.But this collection of archive and commissioned footage from 36 years of England's greatest music festival is likely to appeal more to diehard fans than non-festival-goers, since it revels in precisely the eccentricities that makes the armchair people dive for cover.Most of this film is a structureless, rambling celebration of Glastonbury's boozy, hedonistic, liberated, political and frequently bonkers character rather than of the actual music: great if you were at the party, presumably less great if you weren't.

How crazy is it to make a biographical film of someone and then go ahead and invent sections of it.The demonic Wilson doctor and the youthful Wilson are great in their parts, but Cusack is not quite so convincing nor is his girlfriend who is ridiculously beautiful and sentimental.However the film has many good points and is an interesting viewing.l am not a fan of Beach Boys silly group harmonies, style of music, but still enjoyed the film.Mixing fact with fiction, though, did make me suspicious of the whole thing.3 Stars

He does have decent taste in music, however: the film has a great, moody electronic score by Max Richter, and at times I found myself enjoying the soundtrack more than the visuals, which for the most part aren't that interesting, save for some brilliant overhead shots at the beginning.

Sony Masterworks Classic Film Scores In 1972 Charles Gerhardt released his famous Classic Film Score Series featuring the music of some of the greatest composers of the Golden Age of film.

With new host Seth MacFarlene, it was a good show with great moments, mostly because they honored music in film.

With an operatic sweep, the composer has fashioned music which manages to conjure the same type of powerfully anguished beauty as the great Georges Delerue did in his scores for more serious films.

There's that great scene near the end of the film where Chris is showing these young musicians old records in his music shop, introducing them to Mance Lipscomb and the like.

«Having nine nominations is really fantastic for a film like «Carol,» and to see Todd's work and Todd recognized in this way, which hasn't fully happened until this point, is incredibly gratifying because he is one of the great contemporary American filmmakers, and his films and «Carol» will be here long after we are all gone,» she said, although she added that she would have liked to have seen the contribution of Carter Burwell and Affonso Goncalves recognized as well, for music and editing respectively.

There's also a 7 - minute featurette on the Theremin used in the score, an 8 - minute featurette about turning Martin Landau into Bela Lugosi, the 13 - minute Pie Plates Over Hollywood, about the film's production design, a sexy music video starring Burton's then - wife Lisa Marie (who plays Vampira), 8 minutes of great deleted scenes, and a theatrical trailer.

You don't come here to celebrate music; in fact, for a lot of the film's running time, you might wonder if Chazelle even likes music, spending a good portion of the story questioning whether the extent artists chase after the elusive goal of being «one of the greats» is worth the finishing result.

The eerily perfect design is unsettling in and of itself, containing an entire way of life within the confines of a laptop screen, but the film's greatest coup is its expert sense of timing, getting by with a turned - off light or a sudden glitch in a video feed instead of sharp music cues or gore.

The music in the film is provided by Ry Cooder, who is a tremendous slide guitarist and has worked with some of the all - time greats in the music business — The Rolling Stones, Van Morrison and Neil Young, among others.

In December, the Music Box will be showing Jean - Luc Godard's Band of Outsiders, which, like Point Blank, is one of the last great crime films, daring to reimagine the genre by reworking its various elements into something that's both thought provoking and highly entertaining.

They're more commonly referred to as «Music Videos» but since they have their roots in the Movie Musical, we think of them as short film descendants of that greatest of film genres.

The DTS - HD Master Audio 5.1 is a great track for the music in the film and works well.

In Great Britain, where this tale unfolds, the government had all but banished it from the official airwaves, allotting less than an hour a week to that music during, the film posits, the single greatest era of British pop and rock.

Not long after the tragic death of the great James Horner in mid-2015, director Antoine Fuqua — whose Southpaw was one of the last films the composer completed work on — revealed that Horner had not only agreed to score his remake of The Magnificent Seven, he had actually already begun to write music for it based on the script (it was still being filmed at the time).

Still the greatest movie of all time, it's also a virtual lexicon of film - noir visual and dramatic style, as seminal in its way as «The Maltese Falcon» or «M.» Scripted by Welles and one - time Hearst crony Herman Mankiewicz, photographed by Gregg Toland, with music by Bernard Herrmann and ensemble acting by the Mercury Players: Welles, Joseph Cotten, Everett Sloane, Dorothy Comingore, Agnes Moorehead, George Coulouris, Ruth Warrick, Paul Stewart, et al..

, wherein Dindal makes statements about the film's place in the Disney canon (apparently it's in the tradition of «memorable characters, great storytelling, eye - popping visuals, and emotional music») that would be arrogant if they weren't merely delusional and the Barenaked Ladies jam out an impromptu rap - ballad that's superior to the song they recorded for the soundtrack.

Still the greatest movie of all time, it's also a virtual lexicon of film - noir visual and dramatic style, as seminal in its way as «The Maltese Falcon» or «M.» Scripted by Welles and one - time Hearst crony Herman Mankiewicz, photographed by Gregg Toland, with music by Bernard Herrmann and ensemble acting by the Mercury Players: Welles, Joseph Cotten, Everett Sloane, Dorothy Comingore, Agnes Moorehead, George Coulouris, Ruth Warrick, Paul Stewart, et al. («Rosebud?

I once asked Wong Kar - wai if he was a frustrated musician because of his great use of music in films, he told me he was more like a DJ.

Thanks to the confluence of circumstances and timing, Jamie Foxx, a standup comic who has turned dramatic in films such as Collateral and Ali, would be the one to portray one of music's greatest icons.

Great music and performances are likely enough to please most viewers who enter into a biopic about a famous musical act, but they're not necessarily enough to take things to the next level of great films in and of themseGreat music and performances are likely enough to please most viewers who enter into a biopic about a famous musical act, but they're not necessarily enough to take things to the next level of great films in and of themsegreat films in and of themselves.

Having first come to people's attention with his screenplay for Amy Heckerling's Fast Times At Ridgemont High, Crowe went on to become the critically acclaimed auteur of films like Say Anything (which helped to launch the A-list credentials of John Cusack), Jerry Maguire and Almost Famous, which displayed not only his great abilities as a storyteller, but also his great taste in music, which he developed during his time as a writer with the iconic Rolling Stone magazine.

From his early years (played by Noah Taylor) as an on - the - rise star of the classical music world who endures a difficult relationship with his father through his years in mental institutions to his eventual return to the outside world and concert comeback, it's a remarkable life story told in one of this country's all - time great feature films.

1:00 am (19th)-- TCM — Almost Famous Cameron Crowe turns his semi-autobiographical lens on rock stars, groupies, and rock journalists in one of the greatest combinations of road movie, coming of age movie, and music film ever made.

If you have a great soundtrack, it's almost like cheating, because you know there's always going to be an audience interested in a film that has that music in it.

Leonardo DiCaprio and Carey Mulligan star in Baz Lurhmann's adaptation of The Great Gatsby — but the new film's music is so bold it may as well be a character, too.

He studied at the Yale School of Music and in Italy, before learning the trade of film composition with the great Jerry Goldsmith.

The DVDs Dolby Digital 5.1 audio track works very well as it offers clear dialogue and, more importantly, does a great job with the music in the film.

Founded in 2001 by composer Elmer Bernstein, the Film Music Foundation has supported the Film Music Program since 2013, which aims to foster greater appreciation for film composition and greater diversity among artists who are pursuing film composition as a viable, sustainable career path and an opportunity to reach wide audiences.

The acting, the music, the direction, the story all are on point in this great film.

When most people think of Johnny Cash, they think of a gruff man dressed in black that sang about prison life and hard knocks, but after seeing the film, he s transformed into a man of great passion, both for music and for his woman.

What is most striking about the film, and probably why it works to great success, is the feeling of authenticity in regard to the times and music of its era.