Sentences with phrase «great opening shot»

It's great opening shot, highlighting both what Altman refers to as «above stairs» (the guests) and «below stairs» (their servants).

As an opening shot, this image of placid river water is less spectacular than many of those that we have studied for Jim's project, but its simplicity is deceptive and it contains all of the qualities of a great opening shot that Jim has been encouraging us to see.

It also features what may be one of the greatest opening shots in the history of cinema, one that drew gasps, laughs and claps from the audience with its speculum's - eye view of its central character.

Not exact matches

(And if you ask our sister publication SI Golf, Spieth has a great shot because he won the U.S. Open «without even playing his best golf,» which is a scary thought for his competition.)

The town of Louvain (home of a famous Catholic university) witnessed one of the great tragedies of those opening weeks — 248 civilians were shot and two thousand buildings destroyed, including the collegiate church of St Peter and the university library, with its 300,000 volumes.

I feel like Dolezaj at the end of the season had really great instincts for finding mid-range gaps where he was nailing every wide open shot that came his way.

wow are we sterile up top, goals need to come from defense again, ozil & cech were great, mert once again taking the brunt of bad comments meanwhile a clean sheet and did nothing wrong, open goal that was saved was kos out of position and monreal caught up the pitch too high, giroud has great ball skills, issue is his position on the pitch, watched the match again focused on giroud, he tends to camp behind the defender from the ball, this only works when you have the quickness to break, he does nt, I have screen shots where ozil is 25 yrds farther up the pitch then giroud, thisis the problem, he is rendered useless unless ozil holds up, and thats not ozils strength, thus very few sog's from giroud on the run, when giroud gets lucky w space in front of the defender, he is lethal, but needs to get into that space,

It seemed impressive when five players made holes in one at the du Maurier Classic, three at the Canon Greater Hartford Open and two, on back - to - back shots, at the CVS Charity Classic — all two weeks ago within a span of five days.

It's why the Sixers, who play great defense, give up lower percentages on open shots.

When you play great defense, even the open shots start falling a lot less, because your rhythm and timing are off.

Rudy's an amazing screener and led the league in TS % last year, but it's clear to see his offense isn't on the level of those guys, but since win shares has no idea all his possessions consumed are fairly early shot clock possessions where other did great work moving the ball to get him open, he comes across looking like he's Shaq.

But I think the reason I got open shots, my teammates set great screens and they happened to put a lot of focus on Maya (Hood) and Malina (Hood).»

My teammates did a great job of finding me and getting the ball to me for open shots.

When the player, albeit fouled, has a great open chance at goal it is reasonable to allow him to take the shot and consider that advantage.

The game was definitely starting to open up and the Ox showed a great turn of pace to gallop down the left wing before cutting inside and pulling his shot wide of the near post.

After a great deal of excitement over the playoff atmosphere and the dynamic opening sequence, the room crashed with a dull thud when Nikita Zadorov scored on the Avalanche's first shot on goal.

Having settled into the game he was presented with a great chance to open the scoring after Ings» shot was saved and the ball rebounded to him with the goal gaping.

But to his great credit, Lacazette scored 15 goals from open play and recrafted his game to shoot more inside the penalty box and in the 6 yard box.

CHANCES: FIRST REAL OPENINGS FOR US - 16 mins After a relatively even start we produced a great move with Eric Dier playing wide to Davies, his cross picked out Sissoko whose shot from 12 yards was blocked, play continued and Davies» cross to the near post was flicked wide by Kane from a difficult angle.

Democrats are hoping an open seat will give them a greater shot at picking up the seat.

The open space and great atmosphere were ideal in making this the perfect setting to shoot this look.

I see that you've been dishonest with me from the get - go here, but hey, I'm still thinking we've got a great shot at having an open, trusting relationship for the long - term» Obviously not.

The negative perception of people about online dating may already have really come to pass, and this season opens a great door of opportunities to give it a shot.

Men who treat women good opening online dating email unique and interesting individuals stand a much greater shot of receiving a response.

Be Open - Minded — There are millions of people on these sites, so use this as a chance to date outside of your «type,» because you never know what a great catch someone may be until you give them a shot.

An enthralling open - world crime drama tarnished only by a few largely inoffensive bugs, Mafia 3 succeeds in delivering an involving story with great shooting and stealth gameplay.

Except, of course, in the brilliant, bird's - eye opening shot, which is one of the great, funny, paranoid curtain - raisers of recent years — and I'd say the best movie soccer scene of all time.

In honor of the late Claude Chabrol, one of the great filmmakers of the French New Wave, co-author with Eric Rohmer of the first book on Alfred Hitchcock, maker of moral thrillers and autopsier of the dis - ease of the bourgeoisie («Les Biches,» «La femme infidel,» «Le boucher,» «La rupture,» «Violette Nozière,» «La cérémonie»...), here is my Opening Shot (and closing shot) piece for «La femme infiShot (and closing shot) piece for «La femme infishot) piece for «La femme infidel:

After a lean stretch of indie experimentation, Altman emerged with his director's chops intact and delivered a series of great movies, from the under - appreciated «Vincent and Theo» to two Oscar - recognized portraits of Hollywood, 1993's «The Player» (complete with an Orson Welles opening tracking shot) and Raymond Carver omnibus «Short Cuts» (1994) starring Julianne Moore.

Besides, there is much to enjoy — the intense cinematography, for starters, from Ernest Laszlo, also the superb eye of 1950's «D.O.A.» The film looks great and there are some unforgettable shots, from the arresting opening to the amazing finale.

OPENING SHOTS News, Guy Maddin's Jolly Corner: Guy Maddin on Anthony Mann's The Great Flamarion, Alex Cox's Flashback: Alex Cox on Alejandro Jodorowsky's El Topo, Distributor Wanted: Ngozi Onwurah's Shoot the Messenger by Chris Chang

Well I can't say that Hot Shots Golf Open Tee is the best looking game out there, but I must say that the developers did a great job recreating the game for the PSP.

And if it is changed some time between the press screening and Friday's opening, what will they do with the next scene when someone says something about how great it is that a candidate received a bump in the polls for shooting someone?

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

While Snapped is a great romantic suspense, its opening hook is a serious (and for many, emotional) topic — a school shooting.

The cages also feature 4» L x 15 ″ H openings to allow for great bar-less shots taken on larger cameras.

But even in its original, Han - shoots - first glory, Sonic Adventure is still a great showcase for how the series made the switch from 2D side - scrolling to a 3D open - world format that can still be seen to this day in the newest Sonic games on the PS3.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Reupke already drew on qualities of stock photography in her film 10 Seconds or Greater from 2010, and in Wine & Spirits, she has more fun with constructing her locations and drawing out her shots so that they can be «open» for interpretative meaning — and sellable, commodified.

The two video works in the exhibition open up the conversation to a wider historical time frame: both films were shot in Masada, a mountaintop fortress built by Herod The Great between 37 and 31 BCE.

I can't believe how many ppl are going so crazy over a game I have been playing all the killing and blood gore games that have been out ppl say they will make kids think like that and then end killing that is not true at all a video game does not influance any thing that at all it is just a selling game and there was a study done a couple years ago about violent games and kid's and the kid's that played violent games where better in school more open minded and had more personality then kid's that did not play grand theft auto halo and other games of that sort it is just a game ppl need to worry about how messed up the country is and how we are about to go into a great depression atleast ppl are buying these baby shaker games what about the apps that poor beer or the ones u can shoot guns that spot out shells smoke and gun fire from the berral are they gona influance drinking and getting guns NO.

The effect is naturally most dramatic in scenes with big, open backgrounds that would normally be in focus in a regular smartphone camera shot, but it can also work to great effect in macro shots with a very specific foreground item that the camera can easily identify.

The game is a great single - player experience which blends open - world adventure with tight first - person shooting mechanics.