Sentences with phrase «great paint lines»

There are many great paint lines for furniture that don't require sanding the piece just a good wipe down and you're ready to paint.

Beautiful tray... I so love the colors... Americana Decor has always had such a great paint line and love this one!!

Not exact matches

With his careful choice of very beautiful line drawings and colour plates of icons, Hart demonstrates that the spiritual life of the person who paints icons is of great significance.

He even has a segment every week with Bob Scucci, who is a long time Sports Casino Director for various casinos throughout Vegas and really paints a great picture of how Vegas sets the lines the way they do.

... from great art - like this painting of the Menin Road by Paul Nash - to the many moving stories recorded from the front line...

So glad you shared this post, haven't tried Martha's textile medium myself on upholstery, but had similar not so great results with her glass paint line compared to other brands.

My thought it that over time it would chip, however Home depot came out with a GREAT line of outdoor paint for wood or concrete this past year, I believe it's called deck over, and I would probably go that route instead.

i had wanted to use the rustoleum chalked line of paint too but found the choice of colors undesirable, except for linen white, which is great.

Staff members at the Fender Museum of Music and the Arts in Corona, California, hope funds from an on - line auction of celebrity - painted «art guitars» will help them build a larger music center and let them provide free music lessons for a greater number of kids.

And yet as the chalk lines are painted across many a playing field in preparation for sports days across the country, the dividing lines between sport and drama are still too great.

2002 CHEVROLET CORVETTE Z06 ELECTRON BLUE METALLIC POWERTRAIN / CHASSIS 5.7 L V8 SEQUENTIAL FUEL INJECTION 6 - SPEED MANUAL TRANSMISSION ACTIVE HANDLING TRACTION CONTROL SYSTEM 4 WHEEL INDEPENDENT SUSPENSION DISC BRAKES FRONT AND REAR POWER RACK AND PINION LIMITED SLIP REAR DIFFERENTIAL SAFETY / SECURITY DRIVER AND PASSENGER AIR BAGS 4 WHEEL ANTI LOCK BRAKES REMOTE KEYLESS ENTRY ANTI THEFT DETERRENT SYSTEM WITH ALARM EXTERIOR POWER HEATED MIRRORS RETRACTABLE HEADLAMPS DAYTIME RUNNING LAMPS INTERIOR BOSE STEREO DUAL ZONE CLIMATE CONTROL INSTRUMENT CLUSTER WITH DRIVER INFORMATION AND HEADS UP DISPLAY CRUISE CONTROL INTERMITTENT WIPERS BLACK LEATHER TILT LEATHER STEERING WHEEL POWER SEATS POWER DOOR LOCKS REAR WINDOW DEFROST REMOTE TRUNK LID APPEARANCE ADD ONS 600 WATT KICKER AMP AND 10» SUB WITH VARIABLE BASE 5 % WINDOW TINT CHROME Z06 WHEELS CUSTOM PAINTED FUEL RAIL COVERS AND ENGINE BAY STAINLESS EXHAUST ENHANCER PLATE WITH CORVETTE LOGO CUSTOM LLOYDS FLOOR MATS REAR PARTITION WITH Z06 LOGO SYLVANIA SILVERSTAR HEADLAMP BULBS PERFORMANCE MODS BLACKWING COLD AIR INTAKE CARBON FIBER AIR BRIDGE AND HIGH FLOW AIR COUPLER PORTED AND POLISHED THROTTLE BODY UNDERDRIVE CRANK PULLEY COMP CAMSHAFT 230/232 DURATION - 572/574 LIFT - 112LSA LS6 TIMING CHAIN HARDENED PUSH RODS COMP 918 VALVE SPRINGS WITH TITANIUM LOCKS AND RETAINERS 36 LB FUEL INJECTORS FLP STAINLESS LONG TUBE HEADERS THAT HAVE BEEN CERAMIC COATED FLP INTERMEDIATE PIPE WITH X-PIPE FLP MODULAR CATALYTIC CONVERTERS WITH STRAIGHT PIPE OPTION B&B CAT BACK EXHAUST CUSTOM TUNE WITH DYNO SHEET 433.18 HP AND 398.88 TORQUE TEXTRAILA X-GRIP CLUTCH BILLET FLYWHEEL WITH ARP BOLTS KIRBAN SHORT THROW SHIFTER SKIP SHIFT ELIMINATOR SUSPENSION AND BRAKES GM T1 RACING SWAY BARS WITH ADJUSTABLE END LINKS GM T1 RACING SHOCKS STAINLESS STEEL TUNNEL PLATE SLOTTED AND DRILLED ROTORS STEEL BRAIDED BRAKE LINES This car runs great and is a blast to drive.

1987 El Camino new windshield, tires, fresh paint, power locks and power windows, spray lining runs great.

The fabulous lines look great in combination with the dark grey metallic paint and the fabulous chrome.

In the interest of sharing it with the greatest possible audience and getting your feedback and support, here it is: A Matter of Trust We have the hands - on expertise in animal care that many activists lack, but we have allowed ourselves to be painted as heartless and profit - driven, caring less about animal well - being than our bottom line.

Fringed by cliffs, the harbour is lined with brightly painted houses and offers great views of the surrounding hills.

Sudamala Suites & Villas offers elegant five - star accommodation on the namesake Jalan Sudamala in the southern area of Sanur, a half - hour transfer from the Ngurah Rai International Airport in Tuban and only 15 minutes drive east from Balis provincial capital of Denpasar.While not a beachfront hotel, Sudamala is minutes away to Mertasari Beach, one of Sanurs quieter coasts.A number of laid - back cafes and restaurants line the streets connecting Sudamala, and you can enjoy leisurely cycling trips along the quiet streets and the beach footpaths.The great traditional Balinese inspired villas and suites offer a homey feel with Balis iconic Kamasan style paintings and fine fabrics used throughout its decor.

Strategically located just five minutes» walk from the broad bay lined with its smartly painted villas, it's ideally placed for strolling along Wales» longest pier or taking the cable car to the top of the Great Orme for views towards Anglesey.

In fact this is a great principle for painting anyway - so whether it's a pen line or a brush stroke, each one is doing a specific job.

Seeing the line that connects great painting, not in the art historical way, but how it (painting) relates to the picture plain, how it relates to life and the poetry of it.

His dynamic brushwork, nervous line and extraordinarily rich colours give his paintings a great lyricism; what ultimately interests the artist is the melancholy and desperation in the human condition.

This parting glance at Mait's painting in the window, with its delicately shimmering washes of blue, brought back for me one of those rhapsodic lines from The Great Gatsby in which the jazz of Fitzgerald's finest prose is both music you can dance to and a reminder, with its blue notes, that the illusion eventually ends: «In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.»

The great grandfather of geometric abstract painting was Piet Mondrian but his ideas of great simplicity — few colors, fewer lines — have been expanded exponentially by his children, grandchildren, even great grandchildren.

What Amy Sillman and a great number of drawing masters have in common is the proneness to create works which blur the line between drawing and painting.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Pastels are great for making heavy lines on top of your painting or collage.

Robert Motherwell painted great open fields of colors, composited with lines and shapes and Barnett Newman tried to reflect Jewish history and tradition trough the language of pure colors.

Out of Line highlights nearly thirty historical works — including painting, drawing, works on paper, and sculpture — by thirteen artists, primarily South American, who spent the greater part of their lives investigating the language of reductive abstraction during one of its most fertile periods, from the late 1940s through the early 1980s.

May 29 — August 28, 2009 Widely shown local Brooklyn artist Jim Osman exhibits his beautifully rendered objects that blurr the lines between painting and sculpture with great wit, charm and beauty.

Seeing how the great Dutch abstract artist evolved, slowly and thoughtfully, from painting rustic scenes to creating his own world of harmonious red, blue, yellow, black and white rectangles and lines was an eye - opener.

Do the leaders of the new movements today & quot; hold true» to these, and is it possible that there can be any great or enduring painting or sculpture that does not recognize the basic principles of form, line, composition, and color?

Combining geometric patterns with free - flowing lines in the vein of Jackson Pollock, Gordon contrasts different modes of painting to great effect.

Among the show's other notable works is George Condo's Homage to Manet, 1985, an oil painting that references the work of the great impressionist painter, and which stands in stark contrast to Andy Warhol's exploration of colour and blurring of commercial and fine - art lines in Reflected (Purple, Red, Green and Yellow on Black), 1982 (fourth picture).

Further major series of paintings include 64 «Beside the Sea» canvases (1962 — 1968), in which Motherwell mirrored the spray of the sea by splashing oil paint onto rag paper with great force; and «Open» (1967 — 1972), his response to the colour - field painters of the 1960s, described by him as «a painted plane beautifully divided by minimal means, the essence of line drawing».

His great painting Force de Concentration de Monsieur K., 1934, is an unforgettable Botero-esque send - up of a porcine bourgeois seen in the nude, while his unique Loup Table goes Meret Oppenheim's fur - lined teacup one better with its bland carpentry and snarling taxidermy.

With the slightest flight of the wrist he could project great sweeping lines of paint and textured fields of colour.

It's great to see yet another modern abstract painter in Sean Barton be able to push the line in our culture and transition into some serious paintings.

Asked why he began collecting American Indian artifacts, Weisel, who has also collected postwar American art, said, pointing to a rare «first phase» chief's blanket, «Look at this in relation to a painter such as Barnett Newman - very simple, just a few lines - this is like an amazing painting, but made by a woman weaving on a loom on the Great Plains, outside.»

Hauser & Wirth's recent exhibition included great, large - scale examples from two of her finest bodies of work: the chromatically slight, but physically robust «Black and White Works» — some white with just a line of black, others black in their entirety, with structured and poetic surfaces; and the «Sarrafos» — white paintings with even more uninflected surfaces to which a black wooden bar has been attached, resulting in a physical and spatial experience.

New York, curated by Anne Ellegood New Prints Winter, 2003, International Print Center, New York, NY 2002 Keine Kleingkeit (Not Really Small), Kunsthalle, Basel, Switzerland (catalogue) 2001 Ball Point Inklings, Geoffrey Young Gallery, Great Barrington, MA 2000 Points, Lines, Planes, Les Filles du Calvaire, Brussels, Belgium (catalogue) Bad Touch, Lump Gallery Projects, Raleigh, North Carolina Studio International, Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK (catalogue) Mapping, Territory, Connections, Galerie Anne de Villepoix, Paris, France Points, Lines, Planes, Les Filles du Calvaire, Paris, France (catalogue) Painting Function, Spaces Gallery, Cleveland, Ohio, curated by Saul Ostrow Joanne Greenbaum, Charlene von Heyl, Amy Sillman, James Van Damme Gallery, Brussels, Belgium Examining Pictures, Armand Hammer Museum, UCLA, Los Angeles, CA curated by Francesco Bonami and Judith Nesbitt 1999 Examining Pictures, Museum of Contemporary Art, Chicago, Illinois, curated by Francesco Bonami and Judith Nesbitt Nacht Bild (After Image), Kunsthalle, Basel, Switzerland curated by Peter Packesch Examining Pictures, Whitechapel Art Gallery, London, UK, curated by Francesco Bonami and Judith Nesbitt 1997 Current Undercurrent, Brooklyn Museum, Brooklyn, New York Painting Now and Forever, Part 1, Matthew Marks Gallery, New York, NY Exploiting the Abstract, Feigen Contemporary, New York, NY 1996 Explosion in a Tool Factory, Hovel, New York, NY Un Oeil Americain, Galerie le Carre, Lilles, France 1995 Wacko, The Workspace Gallery, New York, NY Other Rooms, Ronald Feldman Gallery, New York, NY Natural, Arena Gallery, Brooklyn, New York Jane Fine, Joanne Greenbaum, John Paul Philippe, Arena Gallery, Brooklyn, NY Pleasant Pebble, The Workspace Gallery, New York, NY 1994 New York Abstract Painting, Salvatore Ala Gallery, New York, NY 1992 Vibology, White Columns, curated by Bill Arning AWARDS AND FELLOWSHIPS 2010 Artist in Residence, CCA Andratx Art Center, Andratx Mallorca, Spain 2009 Joan Mitchell Foundation Grant 2007 Artist in Residence, The Chinati Foundation, Marfa, Texas 2005 Artist in Residence, Greenwich House Pottery, New York, N.Y. 2004 The Pollock - Krasner Foundation, Inc..

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

Courtesy of two straight lines comes this great DIY project: take a gourd, drill a hole in it, hollow it out, slap some no - VOC paint on

- «claimed savings with a disclaimer» breach of REBBA - «buyers agents are great allies to sellers» - seems like lawyers would love to find those reps and I think this is yet another breach of REBBA as a misreprentation - «commenting on housing markets» - whoops you just crossed a big line with RECO - «commenting on fellow traditional agents» - you can not paint brush or tarnish or defame fellow registrants.

(what does HOT mean and to who)- «numerous upgrades» (does that mean 4 or 100)- «high end flooring» (does than mean $ 1 or $ 100 per sq ft)- «throughout» (does that mean in the closets and patio too)- «loads of cupboards» (I guess a transport is backing up right now)- «freshly painted» (does it smell nice)- «ready to move into» (i guess they got a mold test done before listing)- «Full bathrooms» (i guess you better hold it then)--» parking for 4 cars» (hondas or crown vics)-» mature neighbourhood» (is that old or does it mean no more vacant land exists)- «fenced in» (I guess that means the agent saw the permits and survey already)- «easy access to highways» (does this means it backs onto a major noisy four lane)- «tastefully updated» (I guess you can eat off the floors)- «sony 60» TV (glad to see the agent agreeing to pay for repairs)- «single attached garage» (a member of ashley madison maybe)-» tree lined street» (glad to see the city has been contacted to verify no remediation)- «this really is a fabulous home» (wow assuming all that liability in one phrase)-» within walking distance» (one block for grannies or 2 miles for teens)- «country life in the city» (you can have chickens and plow the yard)-» great location» (I guess all their other listings have a poor one)- «brand new» (wow that means what exactly)

This is a great way to accommodate our customers when they have a specific color in mind they they can't find with our current line of paints.

The crisp lines of the garden furniture and a great sense of order create a sophisticated space next to an elegant, bespoke classic kitchen by Roundhouse, painted in Dulux Roasted Bracken 3.

She has great lines and pretty details and paint would only make her even more beautiful!

Behr Paint recently challenged its DIY Expert blogger team to create an outdoor holiday decoration using it's great line of outdoor paint.

Your paint line looks great!

Designing, measuring, and prepping your space for stripes is difficult enough, but the greatest frustration felt by most is taking the time to paint stripes around a room with textured walls, and then peeling off the tape, only to find uneven lines.

Cutting Edge Stencils totally caught on to this paint trend and came out with a whole line of tile stencils with great patterns.