Sentences with phrase «great photo subjects»

Not exact matches

A great way of getting a memorable family photo is to capture the emotion and closeness in the picture, which you can do if you let the subjects hold and hug each other rather than standing formally next to each other.
Whatever the subject, we'll be look for the most creative entry: a great photo and an interesting story.
He's perfect: a great dad, a great husband, a great investigator, and a great zombie - killer, a blend of Ash, Sherlock Holmes and the subject of a Cosmo photo shoot.
In this lesson, students view photographs of migrant families during the Great Depression, try to interpret the photos to answer questions about the subject's life, and then write a cinquain poem based on their interpretations.
We've seen great author photos with backgrounds in the woods, on a beach, or in the mountains, but the surrounding environment doesn't distract from the photo and it's appropriate for the book subject matter.
In deftly turned odes to our fine feathered friends, Yolen explores the distinct traits of select avian species — from the kingfisher to the wood duck to the great horned owl — in a variety of poetic forms, while Stemple supplies crisp, close - up photos of the poem's handsome subjects.
If you have a great image you want featured, email it to [email protected] with the subject Photo Friday.
Diving in the Komodo Islands gives divers such a huge range of subjects, large and small, that it is a great place to learn to take photos of your own.
Kapalai is like paradise for underwater macro photography with very good conditions and a great variety of macro subjects for photo lovers.
I can think of few portraits in which a painter's absolute dislike of her subject is made more apparent than in the hatchet job she did on the great poet, curator and critic Frank O'Hara, whose liver - spotted bald head, bared teeth, and mad staring eyes are visible in no other portrait or photo of him I know.
In submitting to the «painful» demands of the photo shoot, Warhol's subjects trust that the artist will «make them look great»; the artist essentially becomes the «maker» of his subjects» visual selves, which are conjured and validated through the artist's camera.
, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!
This giant Wunderkammer is the subject of an article in Wired Magazine, which treats us to half a dozen great big photos of, well, of what some library afficianados might want for Christmas — on the Big Rock Candy Mountain.
This opens up the possibility to create a photo that has the great breadth of scenery from a wide angle lens and the good looks on a single subject you'd get with a portrait lens.
That said, pretty much anyone can get some great photos with the fast and responsive simple mode, where you can snap a picture just by tapping on the subject.
While photos look great much of the time, the software can mess up the blur affect at times when colors blend in or there is not much separation between the focal subject and background items.
Both the photo and video mode is great and are good for simply pointing and shooting a subject.
Unlike the Note 8's Live Focus feature, however, Portrait Mode still doesn't work great with subjects that aren't people — lines become blurred and depending on what you're taking an image of, the photo often won't turn out.
When you are taking photos in the wide aperture mode, you will want to have the subject up close, with some objects further away, to really give you that great looking depth of field.
And while we're on the subject of beautiful dark wood cabinets, here's another great inspiration photo that features dark wood base cabinets and a tall, white range hood cover flanked by windows...
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