And, in truth, visually, it is
a great piece of cinema.
In short, all the facets of great filmmaking are on display in this truly
great piece of cinema.
He fails at every element of sculpturing
a great piece of cinema and this is why many should avoid his movies at all cost from this point forward (sorry to the cast of the film's expected sequel — which is, sadly, set up for at the end of The Last Airbender).
Like many live - action Disney efforts of the 1960s, Mr. Hobbs Takes a Vacation can not be called
a great piece of cinema but can be celebrated as a comedy that remains thoroughly entertaining half a century later.
Her latest efforts, by all accounts a lesser offense but
no greater a piece of cinema, is a light and fluffy exercise in sheer sentimentality, the director's bid to make her version of a film in the style of fellow Cannes regular Hirokazu Kore - eda — minus the rigorous formalism, and plus a lot of schmaltz.
Not exact matches
However, Vaugn does a
great job in assembling these
pieces and constructing a film that is a refreshing and charming
piece of cinema.
With
great writing for each character on - screen, some fine directing, and a premise that takes a few chances (even though not nearly enough), this is s
piece of cinema worth checking out.
In addition to being a
great piece of art, A Month in the Country sees several
of British
cinema's most formidable talents in some
of their earliest performances.
Engrossing from the off, The Glass Castle is a wonderful
piece of cinema, its
greatest asset its wonderful cast.
Matt Reeves took a
great script and brought it to life with the help
of thousands to create this epically prodigious
piece of cinema.
France's «
Of Gods and Men,» the grand prize winner at last year's Cannes Festival, offers up just such a message in a finely wrought, quietly observed ensemble piece starring Lambert Wilson and the 79 - year - old Michael Lonsdale, whose jowly, hangdog countenance has graced over half a century of great cinem
Of Gods and Men,» the grand prize winner at last year's Cannes Festival, offers up just such a message in a finely wrought, quietly observed ensemble
piece starring Lambert Wilson and the 79 - year - old Michael Lonsdale, whose jowly, hangdog countenance has graced over half a century
of great cinem
of great cinema.
Although its formalism is rigid, the film rises well above gimmickry to become a truly
great, unique
piece of cinema (and a very fine crime movie to boot), conjuring its own world, commenting on our own and giving the audience something that's palpably new.