He doesn't make for
a great romantic lead character but that's okay — because this isn't a great romance.
He was one of
the greatest romantic leading men precisely because he seemed so believably in thrall to the particular charismas of his co-stars.
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Just a few years before The
Great Escape would catapult Steve McQueen to stardom, the charismatic actor played the
lead, Lt. Fergie Howard, in this light
romantic farce involving the computers on a Navy ship.
But the real winner here is Spall, the ever
great character actor, (best known for Mr. Turner and Secrets and Lies), as the
romantic lead.
Sometimes when I go to the movies and you see characters on the screen that have these amazing, incredibly unrealistic lives, I can't help but wonder wouldn't it be
great to see a
Romantic Comedy or Drama where everyone
lead boring, bland lives like we do in the real world?
Part of the reason is that Paul Kaye is extremely unlikable in the
lead role, looking a bit like a cross between Marilyn Manson and Gary Oldman, without much charisma or
romantic appeal, which is especially critical to make the romance, which constitutes a
great deal of the film's short running time, fly.
Nolan seems to think the Wally Pfister photography can sell any scene, whether it's one of the most boring chase sequences in a big budget film (but it's at twilight and Pfister makes it look
great) or if it's ostensible
lead Christian Bale and his
romantic interest, Marion Cotillard, letting the rainy afternoon bring out their passions.
It's a
great idea to cast the disabled in
lead roles, even
romantic (gasp!)
Offering
great support is Ed Burns, Malin Akerman and Judy Greer (who all but steals the show early on), but the real star of «27 Dresses» is Heigl, who's given a character that, unlike most
romantic leads, actually feels like a real person.
Less a spoof of vampire flicks than a fish - out - of - water
romantic comedy about a Victorian nobleman trying to negotiate the dating scene of Studio 54 - era Manhattan, this enjoyably silly film is no one's idea of
great cinema, but writer Robert Kaufman's concept of a vampire being the standard bearer for old - style morality and romance is an inherently funny conceit helped immensely by a straight - faced
lead performance by Hamilton.
There were triumphant feminist heroines, complex
romantic leads, and one all - time -
great villain.
Great lead characters and a spooky atmosphere make this a spine - tingling, standout novel of
romantic suspense.