This is one of
the great scenes of movie history.
Not exact matches
But we were just asking this question this morning... I think we are gonna find a
great movie make tons
of treats and enjoy a kids free halloween before we get all wrapped up in that
scene.
The film wasn't
great, but I had a really lovely night, and would recommend some
of the other outdoor
movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru
movie date
scene... something it's otherwise very hard to recreate, living in the UK in this day and age.
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Overall the
movie is a
great western that could
of been a 5 - star had it been a little shorter with some
of the unneeded
scenes cut out.
Everyone knows that a
great film needs a
great soundtrack as it what truly brings some
of the more emotional
scenes alive; the
movie however does lack that.
It is a
great, warm, hard, unforgiving, triumphant
movie, and there is not a
scene that does not shine with the love
of the people who made it.
embodies all that is
great about summer
movie thrills while also weaving through the various chase
scenes, shoot - outs, and massive billowing explosions a genuine sense
of human feeling and moral concern
Scenes in this central passage
of the
movie make it clear that nonviolent protests could contain a
great deal
of violence.
The Real James Dean: From Indiana Farmboy to Hollywood Legend is a documentary which explores both the public and private lives
of this
great star, including readings from his journals, rare footage from screen tests and wardrobe tests for his pictures, behind - the -
scenes home
movies from the making
of East
of Eden, and interviews with fans, friends, and co-workers.
There is another nail - biting
scene at the
movie's climax that is reminiscent
of some
of the
great spy thrillers from the seventies like The Parallax View and Day
of the Jackal.
Once the characters are presented in close - up and their names blazed across the screen in captions (a trick copied to
great effect, and made into a signature by Nicolas Winding Refn in the similarly hard - hitting Danish actioner Pusher [1996]-RRB-, the
scene is set for one
of the
greatest chase -
movies of the decade.
It has a
great cast, several
great scenes, but it was boring overall, and most
of the actors looked awkward (not sure if it was the accents, the script, or the production in general, but it was hard to stay «in» the
movie).
The dark brooding and intense
scenes of the Dark Knight are
great but that
movie is an epic struggle that pit's Batman's internal baggage against that
of a maniacal psycho bent on watching the world burn using Gotham as a back drop.
The Aviator is a well made film, and one
of the year's best, with enough
great moments to make the three hours not seem so long, although some trimming down
of certain characters and
scenes could still be done (Jude Law's cameo as Errol Flynn seems to be just an excuse to get him in the
movie for a few minutes).
Except,
of course, in the brilliant, bird's - eye opening shot, which is one
of the
great, funny, paranoid curtain - raisers
of recent years — and I'd say the best
movie soccer
scene of all time.
Jackson talks a good talk, intent on making this his
greatest war
scene of all six
movies, surpassing Gondor, Rohan and Mordor.
Crowe has been behind the
scenes at some
of the
greatest rock tours ever, dating back to the articles he first wrote for Rolling Stone as a teenage journalist — a life story that served as the basis for one
of his better
movies, 2000's «Almost Famous.»
And Alan Rickman, back as Professor Severus Snape in only a handful
of scenes, manages to steal
great portions
of the
movie with his carefully metered, acid line readings, like a cloaked version
of Meryl Streep's Miranda Priestly.
«Ran» is a heroic saga
of human destiny, a war
movie with some
of the
greatest battle
scenes in the history
of the cinema, a costume drama
of the utmost magnificence — and a crackling good samurai
movie chock full
of swordplay and palace intrigue.
I feel like it had
great potential to either be a hilarious comedy or a touching drama, but instead, it feels like two different
movies awkwardly sewn together, instead
of a seamless, singular whole; the comedic elements undermine the dramatic
scenes, and vice versa.
But the
movie is a
great example
of his ability to change emotions on a dime, gracefully; when interacting with Good in their various power plays, Hardwick creates the vivid sense
of his character Cass being a potentially toxic macho figure in some
scenes, but a purely sensitive man in others.
From the already talked about ten minute sex
scene (leading to an NC - 17 rating), to allegations from the crew over reportedly tough working conditions, to graphic novel author Julie Maroh «s opinions on the adaptation
of her work, the conversation around Abdellatif Kechiche «s romance has been equally about these issues as it has been about how
great the
movie is.
Instead, The
Great Debaters has
scenes of people talking about ideas within what boils down to a standard, formula sports
movie.
Sometimes you can cut one
scene and the
scene plays out
great, when you see that
scene on its own, but when you see the
scene strung together with the whole
movie suddenly the
scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that point
of the film.
Directed by Wayne Wang, it's companion film, shot on the set during downtime while filming the
movie, is very funny, has a cast
of dozens (including some
great scenes with Jim Jarmusch and Lou Reed) and ranks # 44 this year.
If this
movie consisted
of the barbershop
scenes inside
of My - T - Sharp and nothing else, it would still be one
of the
greatest comedies
of all time.
Headlining the second disc
of the set is «Monster Squad Forever,» a five - part retrospective on the origins, casting and production
of the
movie that should quell diehard fans, while the addition
of deleted / alternate
scenes, an animated storyboard
of The Squad's fight with The Mummy, and a hilarious interview with Tom Noonan in character as Frankenstein all serve as
great supplemental material.
The new trailer does show hints
of the Chinatown reshoot, but overall it's a very strong trailer with plenty
of action, a good introduction to the characters, and just sets the
scene for what looks to be a
great movie.
The
movie looks
great and had a fun music soundtrack
of 70's music that perfectly captured the emotions
of specific
scenes.
Boogie Nights contains more
great characters and
scenes than most
movies deliver nowadays, and definitely is worth watching for no other reason than to view one
of Hollywood's major filmmaking talents in action.
Despite coming from the writers and director
of Shrek The Third (by far the worst in the series), executive producer Guillermo Del Toro has his prints all over the
movie, from the genuine latin flavour to the genuinely scary
scenes involving The
Great Terror at the top
of the beanstalk.
Scenes like the incredibly gory but artistic tea house battle with the Crazy 88 or the intensely claustrophobic kitchen showdown are excellent examples
of everything that makes a martial - arts
movie great and when combined with Tarantino's usual hallmarks, the results are truly transcendent.
The film's cast includes the
great Brad Dourif, who will once again voice the possessed doll Chucky, as well as some other returning characters, including Dourif's daughter Fiona, who is reprising her Curse role
of Nica Pierce, and fellow franchise veterans Alex Vincent, who starred as Andy in the first two Child's Play
movies and had a surprise cameo in an after - credits
scene in Curse, and Jennifer Tilly, who voiced Chucky's soulmate Tiffany in Bride
of Chucky and Seed
of Chucky and was also featured breifly in Curse.
It has its moments, and Whedon / WB did a
great job
of smoothing over the rough edges so as not to feel like a Frankenstein's Monster
of Snyder and Whedon's footage — it's surprising how relatively seamless the
movie flows from
scene to
scene.
I wasn't expecting a
great movie, i walked in expecting to hate it, but if you are capable
of turning your brain off to enjoy the ride this
movie is fun, dialogue and plot are pretty dumb (Again, turn your brain off, otherwise you'll feel insulted) This is more like another Transformers
movie, no real plot, just special effects and cool action
scenes.
Disc 2 — DVD • «The Untold Adventures
of The Dawn Treader» Animated Short • King Caspian's Guide to the Dawn Treader: Legends and Lore
of the
Great Ship • 5 Islands Explorations • Narnian Discoveries: Friends and Foes
of Narnia (7 featurettes) • 4 Fox
Movie Channel Presents Behind The
Scenes Featurettes • Sword Game
His other books include «The Dream Team - The Rise and Fall
of DreamWorks: Lessons from the New Hollywood» (2006), «I'll Have What She's Having: Behind the
Scenes of the
Great Romantic Comedies» (2008) and «Jar Jar Binks Must Die... and other observations about science fiction
movies» (2011).
Grainger and McShera are fun as the stepsisters, while Ben Chaplin and Hayley Atwell are fine in small
scenes as Ella's parents; Nonso Anozie is also
great as Kit's friend, the Captain (this
movie actually contains quite a few people
of color).
Parts
of this
movie with the turtles» action and fight
scenes were
great.
The jokes land harder at 3 a.m., it's a
great movie to watch with friends, and there are
scenes and even lines
of dialogue meant for repeat viewing.
While the performances are mostly
great and there are some very funny
scenes in the
movie, most
of the run time consists
of Paul Rudd and Leslie Mann fighting.
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror cult classic They Live, going into detail about such things as the conceptual ideas behind the
movie's premise, his casting
of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight
scene between Piper and the
great Keith David.
That Tom - and - Freddy chase was also the only
great scene in Anthony Minghella's 1999 American
movie version
of «The Talented Mr. Ripley,» with Matt Damon miscast as Ripley.
The
movie is
great fun and involves one
of the best break up
scenes ever to be seen in film.
Fleischer was able to put his stamp on the
movie by giving it a terrific opening credit sequence and some top notch
scenes marrying both humor and a
great depth
of characterization.
The
movie adds
scenes of Charlie at school with the world's most hilariously British teacher, along with two musical numbers, some television news interstitials, and a few
great satirical moments including the invention
of a computer which refuses to divulge the location
of Wonka's golden tickets because «that would be cheating,» as well as a wife who desperately wants her kidnapped husband's safe return but is torn when the detective informs her the ransom is her case
of Wonka bars.
The supporting cast is mostly non-existent, save for Russo and the unknown Ahmed who performs admirably in a number
of the
movie's not always
great scenes of levity.
the story in this
movie has been done before in old
movies but kill bill makes that story and makes it feel new.the soundtrack to this
movie is one
of the
greatest soundtrack ever and the fight
scene at the end was well shot and Directed really well.
Everything comes together in this
movie — a phenomenal story;
great performances (particularly from Perkins, whose take on Norman evokes precisely the right mix
of sympathy and horror); the black - and - white cinematography (done, by most accounts, as both a cost - cutting measure and to lessen the impact
of the bloody
scenes), which contributes to an edgy, noir - ish feel that serves to increase the tension; and a killer soundtrack (horrible pun intended).